Some New York stories involving young middle-class white women do not make it to the editorial pages, or even necessarily to the front pages. In April 1990, a young middle-class white woman named Laurie Sue Rosenthal, raised in an Orthodox Jewish household and at age twenty-nine still living with her parents in Jamaica, Queens, happened to die, according to the coroner’s report, from the accidental toxicity of Darvocet in combination with alcohol, in an apartment at 36 East 68th Street in Manhattan. The apartment belonged to the man she had been, according to her parents, seeing for about a year, a minor city assistant commissioner named Peter Franconeri. Peter Franconeri, who was at the time in charge of elevator and boiler inspections for the Building Department and married to someone else, wrapped Laurie Sue Rosenthal’s body in a blanket; placed it, along with her handbag and ID, outside the building with the trash; and went to his office at 60 Hudson Street. At some point an anonymous call was made to 911. Franconeri was identified only after Laurie Sue Rosenthal’s parents gave the police his beeper number, which they found in her address book. According to Newsday, which covered the story more extensively than the News, the Post, or the Times,
Initial police reports indicated that there were no visible wounds on Rosenthal’s body. But Rosenthal’s mother, Ceil, said yesterday that the family was told the autopsy revealed two “unexplained bruises” on her daughter’s body.
Larry and Ceil Rosenthal said those findings seemed to support their suspicions that their daughter was upset because they received a call from their daughter at 3
A.M.
Thursday “saying that he had beaten her up.” The family reported the conversation to police.
“I told her to get into a cab and get home,” Larry Rosenthal said yesterday. “The next I heard was two detectives telling me terrible things.”
“The ME [medical examiner] said the bruises did not constitute a beating but they were going to examine them further,” Ceil Rosenthal said.
“There were some minor bruises,” a spokeswoman for the Office of the Chief Medical Examiner told Newsday a few days later, but the bruises “did not in any way contribute to her death.” This is worth rerunning: A young woman calls her parents at three in the morning, “distraught.” She says that she has been beaten up. A few hours later, on East 68th Street between Madison and Park avenues, a few steps from Porthault and Pratesi and Armani and Saint Laurent and the Westbury Hotel, at a time of day in this part of New York 10021 when Jim Buck’s dog trainers are assembling their morning packs and Henry Kravis’s Bentley is idling outside his Park Avenue apartment and the construction crews are clocking in over near the Frick at the multimillion-dollar houses under reconstruction for Bill Cosby and for the owner of The Limited, this young middle-class white woman’s body, showing bruises, gets put out with the trash.
“Everybody got upside down because of who he was,” an unidentified police officer later told Jim Dwyer of Newsday, referring to the man who put the young woman out with the trash. “If it had happened to anyone else, nothing would have come of it. A summons would have been issued and that would have been the end of it.” In fact nothing did come of the death of Laurie Sue Rosenthal, which might have seemed a natural tabloid story but failed, on several levels, to catch the local imagination. For one thing she could not be trimmed into the role of the preferred tabloid victim, who is conventionally presented as fate’s random choice (Laurie Sue Rosenthal had, for whatever reason, taken the Darvocet instead of a taxi home, her parents reported treatment for a previous Valium dependency, she could be presumed to have known over the course of a year that Franconeri was married and yet continued to see him); for another, she seemed not to have attended an expensive school or to have been employed in a glamour industry (no Ivy Grad, no Wall Street Exec), which made it hard to cast her as part of “what makes this city so vibrant and so great.”
In August 1990, Peter Franconeri pled guilty to a misdemeanor, the unlawful removal of a body, and was sentenced by Criminal Court Judge Peter Benitez to seventy-five hours of community service. This was neither surprising nor much of a story (only twenty-three lines even in Newsday, on page twenty-nine of the city edition), and the case’s lenient resolution was for many people a kind of relief. The district attorney’s office had asked for “some incarceration,” the amount usually described as a “touch,” but no one wanted, it was said, to crucify the guy: Peter Franconeri was somebody who knew a lot of people, understood how to live in the city, who had for example not only the apartment on East 68th Street between Madison and Park but a house in Southampton and who also understood that putting a body outside with the trash was nothing to get upside down about, if it was handled right. Such understandings may in fact have been the city’s true “ultimate shriek of alarm,” but it was not a shriek the city wanted to recognize.
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Perhaps the most arresting collateral news to surface, during the first few days after the attack on the Central Park jogger, was that a significant number of New Yorkers apparently believed the city sufficiently well-ordered to incorporate Central Park into their evening fitness schedules. “Prudence” was defined, even after the attack, as “staying south of 90th Street,” or having “an awareness that you need to think about planning your routes,” or, in the case of one woman interviewed by the Times, deciding to quit her daytime job (she was a lawyer) because she was “tired of being stuck out there, running later and later at night.” “I don’t think there’s a runner who couldn’t describe the silky, gliding feeling you get running at night,” an editor of Runner’s World told the Times. “You see less of what’s around you and you become centered on your running.”
The notion that Central Park at night might be a good place to “see less of what’s around you” was recent. There were two reasons why Frederick Law Olmsted and Calvert Vaux, when they devised their winning entry in the 1858 competition for a Central Park design, decided to sink the transverse roads below grade level. One reason, the most often cited, was aesthetic, a recognition on the part of the designers that the four crossings specified by the terms of the competition, at 65th, 79th, 85th, and 97th streets, would intersect the sweep of the landscape, be “at variance with those agreeable sentiments which we should wish the park to inspire.” The other reason, which appears to have been equally compelling, had to do with security. The problem with grade-level crossings, Olmsted and Vaux wrote in their “Greensward” plan, would be this: