I could say nothing. He was right, and Desac was right. The time to act was upon us, but how to act?
“I could speak for you to Ioratth better than I could speak for Desac to the crowd,” Orrec said. “Tell me, are there people in the city who would talk in these terms to Iorarth, if he agreed to some negotiation?”
“Yes, and outside the city, too. We’ve kept in touch over the years with all the towns of the Ansul Coast, scholars and merchants, people who were waylords and mayors and officers of the festivals and ceremonies. Boys run messages from town to town, wagoners carry them along with the cabbages. The soldiers seldom search for written messages, they’d rather have nothing to do with sacrilege and wizardry.”
“‘O Lord Destroyer, give me an ignorant enemy!’” Orrec quoted.
“In the city, some of the men I’ve talked about this with over the years are with Desac now. They seek any way to get the Ald yoke off our neck. They’re ready to fight. But they might be willing to talk. If the Alds will listen.”
ORREC WAS NOT SUMMONED to the Palace the next day. Late in the morning he went down to the Harbor Market, on foot, with Gry. He didn’t give any advance notice, no tent was set up, but as soon as he walked into the market square people recognised and followed him. They didn’t press very close to him, partly because of Shetar, but they made a moving circle round him, greeted him, called out his name, and shouted, “Recite, recite!” One man shouted, “Read!”
I didn’t walk with them. I was in boy’s clothes, as usual when I went in the streets, and didn’t want to be seen as Mem the groom with Gry, who wasn’t in disguise. I ran round to the raised marble pavement in front of the Admirals’ Tower and climbed up on the base of the horse statue there, from which I had a good view of the whole market. The statue is the work of Redam the sculptor, carved from one great block of stone; the horse stands foursquare, strong and heavy, his head raised and turned to the west, looking out to sea. The Alds had destroyed most statues in the city but left this one untouched, perhaps because it was a horse; certainly they didn’t know that the sea gods, the Seunes, are imagined and worshipped in the form of horses. I touched the Seunes big stone left front hoof and murmured the blessing. The Seune returned the blessing to me in the form of shade. It was a hot day already, and going to get hotter.
Orrec took his position where the tent had been on the first day he spoke here, and the people crowded round him. The pedestal I was on soon filled up with boys and men, but I hung on to my place right between the horse’s front legs, shoving back hard when people shoved me. Many of the stall keepers in the market tossed a cloth over their goods and joined the crowd to listen to the maker, or stood on a stool by their booth to see over the heads of the throng. I saw five or six blue cloaks in the crowd, and soon a troop of mounted Ald soldiers came down the Council Way to the corner of the square, but they stopped without trying to push into the crowd. There was a great hum of noise, talking and laughing and shouting, and it was a shock when all that human commotion ceased at once, dropped into utter silence, at the first note of Orrecs lyre.
He said a poem first, Tetemer’s love poem “The Hills of Dom,” an old favorite all up and down the Ansul Coast. When he had spoken it he sang the refrain with the lyre, and the people sang with him, smiling and swaying.
Then he said, —Ansul is a small land, but her songs are sung and her tales are told through all the Western Shore. I first learned them far to the north, in Bendraman. The makers of Ansul are famous from the farthest south to the River Trend. And there have been heroes here in peaceful Ansul and Manva, brave warriors, and the makers have told of them. Hear the tale of Adira and Marra on the Mountain Sul!”
A great, strange sound went up from the crowd, a kind of moaning roar both of joy and of grief. It was frightening. If Orrec was daunted, if the response he got was more than he’d expected, he didn’t show it. He lifted his head proudly and sent his voice out strong and clear: “In the days of the Old Lord of Sul, an army came from the land of Hish… ” The crowd stood completely motionless. I was fighting tears the whole time. The story, the words, were so dear to me, and I had only known them in silence, in secret, in the hidden room, alone. Now I heard them spoken aloud among a great crowd of my people, in the heart of my city, under the open sky. Across the straits the mountain stood blue in the blue haze, its peak sharp white. I held on to the stone hoof of the Seune and fought my tears.
The tale ended, and in the silence one of the Ald horses gave a loud, ringing whinny, a regular warhorse cry. It broke the spel. The crowd laughed, moved, and began crying out, “Eho! Eho! Praise to the maker! Eho!” Some were shouting, “Praise to the heroes! Praise to Adira!” The mounted troop up at the east edge of the square shifted as if they were forming to ride into the crowd, but the people paid no attention and did not move away from them. Orrec stood quietly, his head bowed, for a long time. The tumult did not die away, and at last he spoke through it, not outshouting the crowd but as if speaking in an ordinary tone, though his voice carried amazingly: “Come on, sing with me.” He raised his lyre, and as they began to quieten, he sang out the first line of his song “Liberty”: “As in the dark of winter night… ”
And we sang it with him, thousands of voices.
Desac was right. The people of Ansul knew that song. Not from books, we had no more books. From the air—from voice to voice, from heart to heart, down through all the western lands.
When it was done and the moment of silence passed, the tumult rose again, cheers and calls for more, but also shouts as of anger, and somewhere in the crowd a deep-voiced man called out, “Lerol Lero! Lero!”—and other voices took it up as a chant, with a fast beat on a mounting tune. I had never heard it, but I knew it must be one of the old chants, the songs of festival, procession, worship, that had been sung in the streets when we were free to praise our gods. I saw the mounted troop pushing their way into the crowd, which caused enough commotion that the chant lost force and died away. I saw Orrec and Gry making their way down the steps to the east, not across the square but behind the Ald troop. The crowd was still resisting the horsemen, though slowly giving way to them—it’s very hard not to get out of the way of a horse coming straight at you, I can testify. I slid down from the pedestal and wriggled through the crowd till I got onto Council Way, ran up it and cut across behind the Customs House, and met my friends on the way up West Street.
A mob of people were following them, but not closely, and most of them didn’t come farther than the bridge over North Canal. The maker, the singer, is sacred, not to be intruded on. While I was still up on the pedestal I saw people touching the place where Orrec had stood on the pavement above the Admiralty steps, touching it for the blessing; and no one would walk across that spot for a while. In the same way, they followed him at a distance, calling out praise and jokes and singing his hymn to liberty. And again for a moment that chant rose up, “Lero! Lero! Lero!”
We said nothing as we climbed the hill to Galvamand. Orrecs brown face was almost grey with fatigue, and he walked blindly; Gry held his arm. He went straight to the Master’s room. Gry said he would rest there a while. I began to see the cost of his gift.