"Fine, Frank. Fine. But where do we start-assuming Sullivan buys your deal and Chief Kopta approves?"
"We'll concentrate on Jess. She left me a worried message. Assume she knew she was in danger and was looking to me to help. If that's true, then the first question we've got to ask ourselves is: What was Jess afraid of."'
5
Mama
Again "Listen carefully, child." "I'm listening, Mama." "I'm concerned about Tool." "Please don't be, Mama."
"But I'm very concerned. Unless a tool like that gets regular use, it can easily lose its edge. Preventative maintenance is so important, you know."
"I know, Mama. And I keep Tool in excellent condition. I work with it every day, keep it honed. I want it to stay sharp. And always be ready." "Still, I'm concerned." "Please, Mama-leave it to me."
"It needs supervision." ' I give it plenty of supervision." 'You know the problem with a tool like that? A tool like that can get out of hand, can start to have a mind of its own.":,No…
Do you really think so?" 'I definitely think so. You must watch Tool carefully, child, see it doesn't get any ideas or forget its place." "I just don't believe-"
"Better listen to Mama. Mama knows best." "Yes, Mama."
"A too] like that needs tending. A tool like that is dangerous. You create a tool like that and let it get away from you, you lose control.
The whole point of a tool like that is it works for you, does your bidding. A tool like that goes into business for itself, you gotta think about getting rid of it."
"Yes, Mama…
6
The Fear
Ray Boyce was steaming, his forehead popping sweat. The long, thin wisps he kept carefully combed across his skull were mussed, and the squared-off bottom of his face was trembling like Jell-O.
"I don't get it," he griped.
Janek watched Kit recoil; it was as if the back of her big chief's chair were sucking on her spine. Janek looked around the office, a cavernous space that spoke of the high status of its occupant. The windows were huge. On the other side of the glass large snowflakes fell softly to Police Plaza below.
"I'm sweating out the case, doing a pretty decent job." Boyce mopped his forehead. "Least I thought I was." He spoke with a whine. "Meantime, Janek here does all this unauthorized bullshit.
And for that he gets-rewarded?"
Boyce's question hung in the overheated air. Kit stared at him with faint disgust. Janek, sitting beside him in the other chair facing Kit's desk, felt sorry for him. The poor slob was going to mouth his way straight into trouble.
"I don't know I'd exactly call it a reward, Ray," Janek said gently.
Boyce didn't bother to look at him. He stared straight at Kit, waiting for her to render justice.
"it wasn't a reward," Kit said finally. "Detective Janek is a specialist in this type of crime. His insights will prove helpful in solving it. As for his unauthorized activity, I've put a letter of reprimand in his file. Want me to read it to you?"
Boyce shook his head. "That's Janek's business. All I care about is my role. Am I supervising Janek or the other way around? 'Cause if it is, I can tell you right now, I'm not going-"
"I'm the supervisor here. You and Janek will run parallel investigations. If either of you finds anything, you'll bring it to me."
"What about duplication?"
Oh-oh-don't push it, Ray.
"I'll worry about that," Kit said.
"Sure, you'll worry. But what about the people we're going to interview? Two detectives coming from different directions-that'll get everyone confused." He glanced at Janek. Then his voice turned bitter. "Of course, Janek here's such a famous investigator they'll probably fall all over themselves they'll be so flattered."
"That'll be enough, Detective."
Boyce stared at her, nonplussed. "I may look dumb, Chief. But I can read the writing on the wall."
"What's that supposed to mean?" Kit's hoarse whisper should have cut straight to Boyce's ears. But the slob wasn't listening; he was too wrapped up in his self-pity.
"You don't want me in on this. You want Janek. I know why, too."
"Why?" Kit demanded.
"Because he's your you know."
Oh, you poor hotheaded son of a bitch.
"My what?" Boyce sputtered. "Your special friend's what I hear."
"Want a letter in your file, Boyce?"
"All I want is fair treatment!" But then something must have told Boyce he'd gone too far because suddenly he clamped his mouth. When he opened it again, his tone was different. "I respectfully ask permission to withdraw from the case," he whispered with restrained fury. "Permission granted." Kit rose. "I've got work to do.
Boyce, report to your precinct commander. Janek, stay. I've got a few choice words for you, Detective."
She walked across her office to the window, stared out at the failing snow until Boyce had shut the door. When she turned to Janek, her eyes were glowing.
"You're really a prick."
Janek shrugged. "You're the one who told me to go down to Quantico."
"And you played Sullivan just right, didn't you? I should have known." "I don't see the problem… now that Boyce has so graciously stepped aside."
"The problem, my friend, is he's going to talk. It doesn't do anything for my reputation to have a pissed off detective saying Chief Kopta's not a straight shooter.
"Everyone knows you shoot straight."
"Yeah." She looked resigned. "Well, you did it, Frank. Set things up just the way you wanted them."
"So punish me for it. Put another letter in my file."
She shook her head. "I hope I won't be sorry about this."
"You won't be." Janek walked briskly to the door. "Sullivan's the one'll be sorry."
Aaron had begged them space on the fourth floor of the Police Property Building in Greenwich Village between Fifth and University Place. The office was on the same floor as the narcotics storage room, past the detectives' lounge, down the hall, down three steps, up two, first door on the left. Aaron had borrowed two gray hard-rubber-top desks, two swivel chairs, a beaten-up filing cabinet, and an answering machine.
When Janek appeared in the doorway, he was in the midst of sweeping out an accumulation of used Styrofoam coffee cups, empty potato chip bags, and cigar ash from the last special squad to occupy the space. "I see we're slumming," Janek said.
"It's okay, Frank." Aaron gestured toward a dustpan. Janek handed it to him. "Remember last spring when the President was here?
Secret Service unit used this for a command post. That's why we got so many phones. Connected, too."
Janek looked at the phones, six five-button models, three on each desk.
Then he sniffed the air. The room was overheated and much too dry.
He turned to the ceiling; the fluorescent lights buzzed. He peered around, noticed a disgusting crust on the far wall, most likely pizza sauce, he hoped not blood. A radiator hissed out steam. He looked at Aaron, who nodded back, mutual acknowledgment that though their office was a shithouse, it was at least their own.
He helped Aaron sweep out the remainder of the junk, then returned the brooms and trash can to the cleaning closet. The corridor smelled of stale cigarette smoke.
When he returned to the office, he noticed his rubber boots were leaking. He pulled them off and stared out the window. It had stopped snowing. On the street the buildup of perfect flakes was already turning gray. He knew what he wanted to do: talk to everyone who'd had close contact with Jess, particularly the last few days of her life. He wanted to chart every hour of her final days: where she'd gone; what she'd done; the name of every person she'd spoken to.