Part Three
Chapter Twenty-Nine
At the turn of the century there were more castles in the United States than there were in all of Merrie England when Gude King Arthur ruled that land. The search for a wife took Moses to one of the last of these establishments to be maintained—the bulk of them had been turned into museums, bought by religious orders or demolished. This was a place called Clear Haven, the demesne of Justina Wapshot Molesworth Scaddon, an ancient cousin from St. Botolphs who had married a five-and-ten-cent-store millionaire. Moses had met her at a cotillion or dance that he had gone to with a classmate from Bond School and through her had met her ward, Melissa. Melissa seemed to Moses, the instant he saw her, to be, by his lights, a most desirable and beautiful woman. He courted her and when they became lovers he asked her to marry him. So far as he knew, this sudden decision had nothing to do with the conditions of Honora’s will. Melissa agreed to marry him if he would live at Clear Haven. He had no objections. The place—whatever it was—would shelter them for the summer and he felt sure that he could prevail on her to move into the city in the fall. So one rainy afternoon he took a train to Clear Haven, planning to love Melissa Scaddon and to marry her.
The conservative sumptuary tastes that Moses had formed in St. Botolphs had turned out to coincide with the sumptuary tastes of New York banking, and under his dun-colored raincoat Moses wore the odd, drab clothes of that old port. It was nearly dark when he set out, and the journey through the northern slums, and the rainfall catching and returning like a net the smoke and filth of the city, made him somber and restive. The train that he took ran up the banks of the river and, sitting on the land side of the car, he watched a landscape that in the multitude of its anomalies would have prepared him for Clear Haven if he had needed any preparation, for nothing was any more what it had aimed to be or what it would be in the end and the house that had meant to express familial pride was now a funeral parlor, the house that had meant to express worldly pride was a rooming house, Ursuline nuns lived in the castle that was meant to express the pride of avarice, but through this erosion of purpose Moses thought he saw everywhere the impress of human sweetness and ingenuity. The train was a local and the old rolling stock creaked from station to station, although at some distance from the city the stops were infrequent and he saw now and then from the window those huddled families who wait on the platform for a train or a passenger and who are made by the pallid lights, the rain and their attitudes to seem to be drawn together by some sad and urgent business. Only two passengers remained in the car when they reached Clear Haven and he was the only one to leave the train.
The rain was dense then, the night was dark and he went into a waiting room that held his attention for a minute for there was a large photograph on the wall, framed in oak, of his destination. Flags flew from the many towers of Clear Haven, the buttresses were thick with ivy and considering what he went there for it seemed far from ridiculous. Justina seemed to have had a hand in the waiting room for there was a rug on the floor. The matchboard walls were stained the color of mahogany and the pipes that must heat the place in winter rose gracefully, two by two, to disappear like serpents into holes in the ceiling. The benches around the walls were divided at regular intervals with graceful loops of bent wood that would serve the travelers as arm rests and keep the warm hams of strangers from touching one another. Stepping out of the waiting room he found a single cab at the curb. “I’ll take you up to the gates,” the driver said. “I can’t take you up to the house but I’ll leave you at the gates.”
The gates, Moses saw when he got out of the taxi, were made of iron and were secured with a chain and padlock. There was a smaller gate on the left and he went in there and walked through the heavy rain to the lights of what he guessed was a gatehouse or cottage. A middle-aged man came to the door—he was eating—and seemed delighted when Moses gave his name. “I’ma Giacomo,” he said. “I’ma Giacomo. You comea with me.” Moses followed him into an old garage, rank with the particular damp of cold concrete that goes so swiftly to the bone. There, in the glare, stood an old Rolls-Royce with a crescent-windowed tonneau like the privy at West Farm. Moses got into the front while Giacomo began to work the fuel pump and it took him some time to get the car started. “She’sa nearly dead,” Giacomo said. “She’sa no good for night driving.” Then they backed like a warship out into the rain. There were no windshield wipers or Giacomo did not use them and they traveled without headlights up a winding drive. Then suddenly Moses saw the lights of Clear Haven. There seemed to be hundreds of them—they were so numerous that they lighted the road and lifted his spirits. Moses thanked Giacomo and carried his suitcase through the rain to the shelter of a big porch that was carved and ribbed like the porch of a cathedral. The only bell he saw to ring was a contraption of wrought-iron leaves and roses, so fanciful and old that he was afraid it might come down on his head if he used it, and he pounded on the door with his fist. A maid let him in and he stepped into a kind of rotunda and at the same time Melissa appeared in another door. He put down his bag, let the rain run out of the brim of his hat and gathered his beloved up in his arms.
His clothes were wet and a little rancid as well. “I suppose you could change,” Melissa said, “but there isn’t much time....” He recognized in her look of mingled anxiety and pleasure the suspense of someone who introduces one part of life into another, feeling insecurely that they may clash and involve a choice or a parting. He felt her suspense as she took his arm and led him across a floor where their footsteps rang on the black-and-white marble. It was unlike Moses, but to tell the truth he looked neither to the left where he heard the sounds of a fountain nor to the right where he smelled the sweet earth of a conservatory, feeling, like Cousin Honora, that to pretend to have been born and bred in whatever environment one found oneself was a mark of character.
He was in a sense right in resisting his curiosity, for Clear Haven had been put together for the purpose of impressing strangers. No one had ever counted the rooms—no one, that is, but a vulgar and ambitious cousin who had spent one rainy afternoon this way, feeling that splendor could be conveyed in numbers. She had come up with the sum of ninety-two but no one knew whether or not she had counted the maid’s rooms, the bathrooms and the odd, unused rooms, some of them without windows, that had been created by the numerous additions to the place, for the house had grown, reflecting the stubborn and eccentric turns of Justina’s mind. When she had bought the great hall from the Villa Peschere in Milan she had cabled the architect, telling him to attach it to the small library. She would not have bought the hall if she had known that she would be offered the drawing room from the Château de la Muette a week later, and she wrote the architect asking him to attach this to the little dining room and advising him that she had bought four marble fountains representing the four seasons. Then the architect wrote saying that the fountains had arrived and that since there was no room for them in the house would she approve his plans for a winter garden to be attached to the hall from Milan? She cabled back her approval and bought that afternoon a small chapel that could be attached to the painted room that Mr. Scaddon had given her on her birthday. People often said that she bought more rooms than she knew how to use; but she used them all. She was not one of those collectors who let their prizes rot in warehouses. On the same trip she had picked up a marble floor and some columns in Vincenzo but the most impressive addition to Clear Haven that she was able to find on that or any of her later trips were the stones and timbers of the great Windsor Hall. It was to this expatriated hall now that Melissa took Moses.