While, plunged in the sad reflections which the scene excited, he was looking around for some one who might explain the fate of the inhabitants, he heard a voice from the interior of the building singing, in well-remembered accents, an old Scottish song:—
[Footnote: The first three couplets are from an old ballad, called the Border Widow's Lament.]
'Alas,' thought Edward, 'is it thou? Poor helpless being, art thou alone left, to gibber and moan, and fill with thy wild and unconnected scraps of minstrelsy the halls that protected thee?' He then called, first low, and then louder, 'Davie—Davie Gellatley!'
The poor simpleton showed himself from among the ruins of a sort of greenhouse, that once terminated what was called the terrace- walk, but at first sight of a stranger retreated, as if in terror. Waverley, remembering his habits, began to whistle a tune to which he was partial, which Davie had expressed great pleasure in listening to, and had picked up from him by the ear. Our hero's minstrelsy no more equalled that of Blondel than poor Davie resembled Coeur de Lion; but the melody had the same effect of producing recognition. Davie again stole from his lurking-place, but timidly, while Waverley, afraid of frightening him, stood making the most encouraging signals he could devise. 'It's his ghaist,' muttered Davie; yet, coming nearer, he seemed to acknowledge his living acquaintance. The poor fool himself appeared the ghost of what he had been. The peculiar dress in which he had been attired in better days showed only miserable rags of its whimsical finery, the lack of which was oddly supplied by the remnants of tapestried hangings, window-curtains, and shreds of pictures with which he had bedizened his tatters. His face, too, had lost its vacant and careless air, and the poor creature looked hollow-eyed, meagre, half-starved, and nervous to a pitiable degree. After long hesitation, he at length approached Waverley with some confidence, stared him sadly in the face, and said, 'A' dead and gane—a' dead and gane.'
'Who are dead?' said Waverley, forgetting the incapacity of Davie to hold any connected discourse.
'Baron, and Bailie, and Saunders Saunderson, and Lady Rose that sang sae sweet—a' dead and gane—dead and gane;
With these words, chanted in a wild and earnest tone, he made a sign to Waverley to follow him, and walked rapidly towards the bottom of the garden, tracing the bank of the stream which, it may be remembered, was its eastern boundary. Edward, over whom an involuntary shuddering stole at the import of his words, followed him in some hope of an explanation. As the house was evidently deserted, he could not expect to find among the ruins any more rational informer.
Davie, walking very fast, soon reached the extremity of the garden, and scrambled over the ruins of the wall that once had divided it from the wooded glen in which the old tower of Tully- Veolan was situated. He then jumped down into the bed of the stream, and, followed by Waverley, proceeded at a great pace, climbing over some fragments of rock and turning with difficulty round others. They passed beneath the ruins of the castle; Waverley followed, keeping up with his guide with difficulty, for the twilight began to fall. Following the descent of the stream a little lower, he totally lost him, but a twinkling light which he now discovered among the tangled copse-wood and bushes seemed a surer guide. He soon pursued a very uncouth path; and by its guidance at length reached the door of a wretched hut. A fierce barking of dogs was at first heard, but it stilled at his approach. A voice sounded from within, and he held it most prudent to listen before he advanced.
'Wha hast thou brought here, thou unsonsy villain, thou?' said an old woman, apparently in great indignation. He heard Davie Gellatley in answer whistle a part of the tune by which he had recalled himself to the simpleton's memory, and had now no hesitation to knock at the door. There was a dead silence instantly within, except the deep growling of the dogs; and he next heard the mistress of the hut approach the door, not probably for the sake of undoing a latch, but of fastening a bolt. To prevent this Waverley lifted the latch himself.
In front was an old wretched-looking woman, exclaiming, 'Wha comes into folk's houses in this gate, at this time o' the night?' On one side, two grim and half-starved deer greyhounds laid aside their ferocity at his appearance, and seemed to recognise him. On the other side, half concealed by the open door, yet apparently seeking that concealment reluctantly, with a cocked pistol in his right hand and his left in the act of drawing another from his belt, stood a tall bony gaunt figure in the remnants of a faded uniform and a beard of three weeks' growth. It was the Baron of Bradwardine. It is unnecessary to add, that he threw aside his weapon and greeted Waverley with a hearty embrace.
CHAPTER LXIV
COMPARING OF NOTES
Thearon's story was short, when divested of the adages and commonplaces, Latin, English, and Scotch, with which his erudition garnished it. He insisted much upon his grief at the loss of Edward and of Glennaquoich, fought the fields of Falkirk and Culloden, and related how, after all was lost in the last battle, he had returned home, under the idea of more easily finding shelter among his own tenants and on his own estate than elsewhere. A party of soldiers had been sent to lay waste his property, for clemency was not the order of the day. Their proceedings, however, were checked by an order from the civil court. The estate, it was found, might not be forfeited to the crown to the prejudice of Malcolm Bradwardine of Inch-Grabbit, the heir-male, whose claim could not be prejudiced by the Baron's attainder, as deriving no right through him, and who, therefore, like other heirs of entail in the same situation, entered upon possession. But, unlike many in similar circumstances, the new laird speedily showed that he intended utterly to exclude his predecessor from all benefit or advantage in the estate, and that it was his purpose to avail himself of the old Baron's evil fortune to the full extent. This was the more ungenerous, as it was generally known that, from a romantic idea of not prejudicing this young man's right as heir-male, the Baron had refrained from settling his estate on his daughter.