At once, Henry was surrounded by the friendly illusion of gardens set in eternal summer. It was amazing what Whologram could do to create huge mirages in small spaces. Behind its roses and wisteria stood their house; the deception was complete: a Georgian mansion appeared to welcome him.
"How do you like it?" he asked the serving-man.
"Roses occasionally suffer from black spot."
"These roses are guaranteed free from any imperfections."
"It is always advisable to purchase goods with guarantees, even if they cost slightly more."
"Thanks for the information," Henry said dryly. Synthetic lifeforms were less than ten years old, the old android mechanicals less than sixteen; the faults of their systems were still being ironed out, year by year.
He opened the door and called to Monica.
She came out of the sitting-room immediately and flung her arms round him, kissing him ardently on cheek and lips. Henry was amazed.
Pulling back to look at her face, he saw how she seemed to generate light and beauty. It was months since he had seen her so excited. Instinctively, he clasped her tighter.
"Darling, what’s happened?"
"Henry, Henry – oh, my darling, I was in despair… but I’ve just dialed the afternoon post and – you’ll never believe it! Oh, it’s wonderful!"
"For heaven’s sake, woman, what’s wonderful?"
He caught a glimpse of the heading on the photostat in her hand, still moist from the wall-receiver: Ministry of Population. He felt the color drain from his face in sudden shock and hope.
"Monica… oh… Don’t tell me our number’s come up!"
"Yes, my darling, yes, we’ve won this week’s parenthood lottery! We can go ahead and conceive a child at once!"
He let out a yell of joy. They danced round the room. Pressure of population was such that reproduction had to be strict, controlled. Childbirth required government permission. For this moment, they had waited four years. Incoherently they cried their delight.
They paused at last, gasping and stood in the middle of the room to laugh at each other’s happiness. When she had come down from the nursery, Monica had de-opaqued the windows so that they now revealed the vista of garden beyond. Artificial sunlight was growing long and golden across the lawn – and David and Teddy were staring through the window at them.
Seeing their faces, Henry and his wife grew serious.
"What do we do about them?" Henry asked.
"Teddy’s no trouble. He works well."
"Is David malfunctioning?"
"His verbal communication center is still giving trouble. I think he’ll have to go back to the factory again."
"Okay. We’ll see how he does before the baby’s born. Which reminds me – I have a surprise for you: help just when help is needed! Come into the hall and see what I’ve got."
As the two adults disappeared from the room, boy and bear sat down beneath the standard roses.
"Teddy – I suppose Mummy and Daddy are real, aren’t they?"
Teddy said, "You ask such silly questions, David. Nobody knows what real really means. Let’s go indoors."
"First I’m going to have another rose!" Plucking a bright pink flower, he carried it with him into the house. It could lie on the pillow as he went to sleep. Its beauty and softness reminded him of Mummy.
(1969)
TAMAGOTCHI
Adam Marek
After several years in TV production and copywriting – and one ghastly stint working in a pillow factory – Adam Marek turned to fiction. His stories have since been broadcast on BBC Radio 4, and have appeared in many magazines and anthologies, including Prospect, The Sunday Times Magazine, and The Penguin Book of the British Short Story. His debut collection, Instruction Manual for Swallowing, was published in 2007. The stories in The Stone Thrower (2012) feature intelligent clothing, superhero dictators, contagion-carrying computer games and cross-species reproduction, without ever feeling like science fiction stories. Marek has won the 2011 Arts Foundation Short Story Fellowship, and was shortlisted for the inaugural Sunday Times EFG Short Story Award and the Edge Hill Short Story Prize. He once bought chewing gum for Ozzy Osbourne.
My son’s Tamagotchi had AIDS. The virtual pet was rendered on the little LCD screen with no more than 30 pixels, but the sickness was obvious. It had that AIDS look, you know? It was thinner than it had been. Some of its pixels were faded, and the pupils of its huge eyes were smaller, giving it an empty stare.
I had bought the Tamagotchi, named Meemoo, for Luke just a couple of weeks ago. He had really wanted a kitten, but Gabby did not want a cat in the house. ‘A cat will bring in dead birds and toxoplasmosis,’ she said, her fingers spread protectively over her bulging stomach.
A Tamagotchi had seemed like the perfect compromise – something for Luke to empathise with and to care for, to teach him the rudiments of petcare for a time after the baby had been born. Empathy is one of the things that the book said Luke would struggle with. He would have difficulty reading facial expressions. The Tamagotchi had only three different faces, so it would be good practice for him.
Together, Luke and I watched Meemoo curled up in the corner of its screen. Sometimes, Meemoo would get up, limp to the opposite corner, and produce a pile of something. I don’t know what this something was, or which orifice it came from – the resolution was not good enough to tell.
‘You’re feeding it too much,’ I told Luke. He said that he wasn’t, but he’d been sat on the sofa thumbing the buttons for hours at a time, so I’m sure he must have been. There’s not much else to do with a Tamagotchi.
I read the instruction manual that came with Meemoo. Its needs were simple, food, water, sleep, play, much like Luke’s. Meemoo was supposed to give signals when it required one of these things. Luke’s job as Meemoo’s carer was to press the appropriate button at the appropriate time. The manual said that overfeeding, underfeeding, lack of exercise and unhappiness could all make a Tamagotchi sick. A little black skull and crossbones should appear on the screen when this happens, and by pressing button A twice, then B, one could administer medicine. The instructions said that sometimes it might take two or three shots of medicine, depending on how sick your Tamagotchi is.
I checked Meemoo’s screen again and there was no skull and crossbones.
The instructions said that if the Tamagotchi dies, you have to stick a pencil into the hole in its back to reset it. A new creature would then be born. They said you could reset at any time.
When Luke had finally gone to sleep and could not see me molesting his virtual pet, I found the hole on Meemoo’s back and jabbed a sharpened pencil into it. But when I turned it back over, Meemoo was still there, as sick as ever. I jabbed a few more times and tried it with a pin too, in case I wasn’t getting deep enough. But it wouldn’t reset.
I wondered what happened if Meemoo died, knowing that the reset button didn’t work. Was there a malfunction that had robbed Luke’s Tamagotchi of its immortality? Did it have just one shot at life? I guess that made it a lot more special, and in a small way, it made me more determined to find a cure for Meemoo.
I plugged Meemoo into my PC – a new feature in this generation of Tamagotchis. I hoped that some kind of diagnostics wizard would pop up and sort it out.