I watch the steam bead and roll down the window in big drops, streaks in the condensation. Beyond the window I can make out a partially stripped Lada, wheels scavenged, axles down on the pavement.
"How many people have done it, Rubin? Have any idea?"
"Not too many. Hard to say, anyway, because a lot of them are probably politicians we think of as being comfortably and reliably dead." He gives me a funny look. "Not a nice thought. Anyway, they had first shot at the technology. It still costs too much for any ordinary dozen millionaires, but I’ve heard of at least seven. They say Mitsubishi did it to Weinberg before his immune system finally went tits up. He was head of their hybridoma lab in Okayama. Well, their stock’s still pretty high, in monoclonals, so maybe it’s true. And Langlais, the French kid, the novelist…" He shrugs. "Lise didn’t have the money for it. Wouldn’t now, even. But she put herself in the right place at the right time. She was about to croak, she was in Hollywood, and they could already see what Kings was going to do."
The day we finished up, the band stepped off a JAL shuttle out of London, four skinny kids who operated like a well-oiled machine and displayed a hypertrophied fashion sense and a total lack of affect. I set them up in a row at the Pilot, in identical white Ikea office chairs, smeared saline paste on their temples, taped the trodes on, and ran the rough version of what was going to become Kings of Sleep. When they came out of it, they all started talking at once, ignoring me totally, in the British version of that secret language all studio musicians speak, four sets of pale hands zooming and chopping the air.
I could catch enough of it to decide that they were excited. That they thought it was good. So I got my jacket and left. They could wipe their own saline paste off, thanks.
And that night I saw Lise for the last time, though I didn’t plan to.
Walking back down to the Market, Rubin noisily digesting his meal, red taillights reflected on wet cobbles, the city beyond the Market a clean sculpture of light, a lie, where the broken and the lost burrow into the gomi that grows like humus at the bases of the towers of glass…
"I gotta go to Frankfurt tomorrow, do an installation. You wanna come? I could write you off as a technician." He shrugs his way deeper into the fatigue jacket. "Can’t pay you, but you can have airfare, you want…"
Funny offer, from Rubin, and I know it’s because he’s worried about me, thinks I’m too strange about Lise, and it’s the only thing he can think of, getting me out of town.
"It’s colder in Frankfurt now than it is here."
"You maybe need a change, Casey. I dunno…"
"Thanks, but Max has a lot of work lined up. Pilot’s a big deal now, people flying in from all over…"
"Sure."
When I left the band at the Pilot, I went home. Walked up to Fourth and took the trolley home, past the windows of the shops I see every day, each one lit up jazzy and slick, clothes and shoes and software, Japanese motorcycles crouched like clean enamel scorpions, Italian furniture. The windows change with the seasons, the shops come and go. We were into the preholiday mode now, and there were more people on the street, a lot of couples, walking quickly and purposefully past the bright windows, on their way to score that perfect little whatever for whomever, half the girls in those padded thigh-high nylon boot things that came out of New York the winter before, the ones that Rubin said made them look like they had elephantiasis. I grinned, thinking about that, and suddenly it hit me that it really was over, that I was done with Lise, and that now she’d be sucked off to Hollywood as inexorably as if she’d poked her toe into a black hole, drawn by the unthinkable gravitic tug of Big Money. Believing that, that she was gone—probably was gone, by then—I let down some kind of guard in myself and felt the edges of my pity. But just the edges, because I didn’t want my evening screwed up by anything. I wanted partytime. It had been a while.
Got off at my corner and the elevator worked on the first try. Good sign, I told myself. Upstairs, I undressed and showered, found a clean shirt, microwaved burritos. Feel normal, I advised my reflection while I shaved. You have been working too hard. Your credit cards have gotten fat. Time to remedy that.
The burritos tasted like cardboard, but I decided I liked them because they were so aggressively normal. My car was in Burnaby, having its leaky hydrogen cell repacked, so I wasn’t going to have to worry about driving. I could go out, find partytime, and phone in sick in the morning. Max wasn’t going to kick; I was his star boy. He owed me.
You owe me, Max, I said to the subzero bottle of Moskovskaya I fished out of the freezer. Do you ever owe me. I have just spent three weeks editing the dreams and nightmares of one very screwed up person, Max. On your behalf. So that you can grow and prosper, Max. I poured three fingers of vodka into a plastic glass left over from a party I’d thrown the year before and went back into the living room.
Sometimes it looks to me like nobody in particular lives there. Not that it’s that messy; I’m a good if somewhat robotic housekeeper, and even remember to dust the tops of framed posters and things, but I have these times when the place abruptly gives me a kind of low-grade chill, with its basic accumulation of basic consumer goods. I mean, it’s not like I want to fill it up with cats or houseplants or anything, but there are moments when I see that anyone could be living there, could own those things, and it all seems sort of interchangeable, my life and yours, my life and anybody’s…
I think Rubin sees things that way, too, all the time, but for him it’s a source of strength. He lives in other people’s garbage, and everything he drags home must have been new and shiny once, must have meant something, however briefly, to someone. So he sweeps it all up into his crazy-looking truck and hauls it back to his place and lets it compost there until he thinks of something new to do with it. Once he was showing me a book of twentieth-century art he liked, and there was a picture of an automated sculpture called Dead Birds Fly Again, a thing that whirled real dead birds around and around on a string, and he smiled and nodded, and I could see he felt the artist was a spiritual ancestor of some kind. But what could Rubin do with my framed posters and my Mexican futon from the Bay and my temperfoam bed from Ikea? Well, I thought, taking a first chilly sip, he’d be able to think of something, which was why he was a famous artist and I wasn’t.
I went and pressed my forehead against the plate-glass window, as cold as the glass in my hand. Time to go, I said to myself. You are exhibiting symptoms of urban singles angst. There are cures for this. Drink up. Go.
I didn’t attain a state of partytime that night. Neither did I exhibit adult common sense and give up, go home, watch some ancient movie, and fall asleep on my futon. The tension those three weeks had built up in me drove me like the mainspring of a mechanical watch, and I went ticking off through nighttown, lubricating my more or less random progress with more drinks. It was one of those nights, I quickly decided, when you slip into an alternate continuum, a city that looks exactly like the one where you live, except for the peculiar difference that it contains not one person you love or know or have even spoken to before. Nights like that, you can go into a familiar bar and find that the staff has just been replaced; then you understand that your real motive in going there was simply to see a familiar face, on a waitress or a bartender, whoever… This sort of thing has been known to mediate against partytime.