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He was thinking too, with a certain unreasoning jealousy, of the strange, cold, passionless intimacy between Maltzer and Deirdre in that year, a closer intimacy than any two humans can ever have shared before. In a sense the Deirdre whom he saw in a few minutes would be Maltzer, just as he thought he detected in Maltzer now and then small mannerisms of inflection and motion that had been Deirdre’s own. There had been between them a sort of unimaginable marriage stranger than anything that could ever have taken place before.

"—so many complications," Maltzer was saying in his worried voice with its faintest possible echo of Deirdre’s lovely, cadenced rhythm. (The sweet, soft huskiness he would never hear again.) "There was shock, of course. Terrible shock. And a great fear of fire. We had to conquer that before we could take the first steps. But we did it. When you go in you’ll probably find her sitting before the fire." He caught the startled question in Harris’ eyes and smiled. "No, she can’t feel the warmth now, of course. But she likes to watch the flames. She’s mastered any abnormal fear of them quite beautifully."

"She can—" Harris hesitated. "Her eyesight’s normal now?"

"Perfect,"Maltzer said. "Perfect vision was fairly simple to provide. After all, that sort of thing has already been worked out, in other connections. I might even say her vision’s a little better than perfect, from our own standpoint." He shook his head irritably. "I’m not worried about the mechanics of the thing. Luckily they got to her before the brain was touched at all. Shock was the only danger to her sensory centers, and we took care of all that first of all, as soon as communication could be established. Even so, it needed great courage on her part. Great courage." He was silent for a moment, staring into his empty glass.

"Harris," he said suddenly, without looking up, "have I made a mistake? Should we have let her die?"

Harris shook his head helplessly. It was an unanswerable question. It had tormented the whole world for a year now. There had been hundreds of answers and thousands of words written on the subject. Has anyone the right to preserve a brain alive when its body is destroyed? Even if a new body can be provided, necessarily so very unlike the old?

"It’s not that she’s—ugly—now," Maltzer went on hurriedly, as if afraid of an answer. "Metal isn’t ugly. And Deirdre… well, you’ll see. I tell you, I can’t see myself. I know the whole mechanism so well—it’s just mechanics to me. Maybe she’s—grotesque. I don’t know. Often I’ve wished I hadn’t been on the spot, with all my ideas, just when the fire broke out. Or that it could have been anyone but Deirdre. She was so beautiful—Still, if it had been someone else I think the whole thing might have failed completely. It takes more than just an uninjured brain. It takes strength and courage beyond common, and—well, something more. Something—unquenchable. Deirdre has it. She’s still Deirdre. In a way she’s still beautiful. But I’m not sure anybody but myself could see that. And you know what she plans?"

"No—what?"

"She’s going back on the air-screen."

Harris looked at him in stunned disbelief.

"She is still beautiful," Maltzer told him fiercely. "She’s got courage, and a serenity that amazes me. And she isn’t in the least worried or resentful about what’s happened. Or afraid what the verdict of the public will be. But I am, Harris. I’m terrified."

They looked at each other for a moment more, neither speaking. Then Maltzer shrugged and stood up. "She’s in there," he said, gesturing with his glass.

Harris turned without a word, not giving himself time to hesitate. He crossed toward the inner door. The room was full of a soft, clear, indirect light that climaxed in the fire crackling on a white tiled hearth.

Harris paused inside the door, his heart beating thickly. He did not see her for a moment. It was a perfectly commonplace room, bright, light, with pleasant furniture, and flowers on the tables. Their perfume was sweet on the clear air. He did not see Deirdre.

Then a chair by the fire creaked as she shifted her weight in it. The high back hid her, but she spoke. And for one dreadful moment it was the voice of an automaton that sounded in the room, metallic, without inflection.

"Hel-lo—" said the voice. Then she laughed and tried again. And it was the old, familiar, sweet huskiness he had not hoped to hear again as long as he lived.

In spite of himself he said, "Deirdre!" and her image rose before him as if she herself had risen unchanged from the chair, tall, golden, swaying a little with her wonderful dancer’s poise, the lovely, imperfect features lighted by the glow that made them beautiful. It was the cruelest thing his memory could have done to him. And yet the voice—after that one lapse, the voice was perfect. "Come and look at me, John," she said.

He crossed the floor slowly, forcing himself to move. That instant’s flash of vivid recollection had nearly wrecked his hard-won poise. He tried to keep his mind perfectly blank as he came at last to the verge of seeing what no one but Maltzer had so far seen or known about in its entirety. No one at all had known what shape would be forged to clothe the most beautiful woman on Earth, now that her beauty was gone.

He had envisioned many shapes. Great, lurching robot forms, cylindrical, with hinged arms and legs. A glass case with the brain floating in it and appendages to serve its needs. Grotesque visions, like nightmares come nearly true. And each more inadequate than the last, for what metal shape could possibly do more than house ungraciously the mind and brain that had once enchanted a whole world?

Then he came around the wing of the chair, and saw her.

The human brain is often too complicated a mechanism to function perfectly. Harris’ brain was called upon now to perform a very elaborate series of shifting impressions. First, incongruously, he remembered a curious inhuman figure he had once glimpsed leaning over the fence rail outside a farmhouse. For an instant the shape had stood up integrated, ungainly, impossibly human, before the glancing eye resolved it into an arrangement of brooms and buckets. What the eye had found only roughly humanoid, the suggestible brain had accepted fully formed. It was thus now, with Deirdre.

The first impression that his eyes and mind took from sight of her was shocked and incredulous, for his brain said to him unbelievingly, "This is Deirdre! She hasn’t changed at all!"

Then the shift of perspective took over, and even more shockingly, eye and brain said, "No, not Deirdre—not human. Nothing but metal coils. Not Deirdre at all—" And that was the worst. It was like walking from a dream of someone beloved and lost, and facing anew, after that heartbreaking reassurance of sleep, the inflexible fact that nothing can bring the lost to life again. Deirdre was gone, and this was only machinery heaped in a flowered chair.

Then the machinery moved, exquisitely, smoothly, with a grace as familiar as the swaying poise he remembered. The sweet, husky voice of Deirdre said, "It’s me, John darling. It really is, you know."

And it was.

That was the third metamorphosis, and the final one. Illusion steadied and became factual, real. It was Deirdre.

He sat down bonelessly. He had no muscles. He looked at her speechless and unthinking, letting his senses take in the sight of her without trying to rationalize what he saw.

She was golden still. They had kept that much of her, the first impression of warmth and color which had once belonged to her sleek hair and the apricot tints of her skin. But they had had the good sense to go no farther. They had not tried to make a wax image of the lost Deirdre. (No woman born who was so beautiful— Not one so beautiful, of all the women born—)

And so she had no face. She had only a smooth, delicately modeled ovoid for her head, with a… a sort of crescent-shaped mask across the frontal area where her eyes would have been if she had needed eyes. A narrow, curved quarter-moon, with the horns turned upward. It was filled in with something translucent, like cloudy crystal, and tinted the aquamarine of the eyes Deirdre used to have. Through that, then, she saw the world. Through that she looked without eyes, and behind it, as behind the eyes of a human—she was.