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And they were equally relentless. Staying one step ahead of the Salesman and his new ally was exhausting. She and Jerichau had been granted a few hours' grace on that first day, when a false trail laid by the brothers had successfully confused the hounds, but Hobart had picked up the scent again by noon. She'd had no choice but to leave the city that afternoon, in a second-hand car she'd bought to replace the police vehicle they'd stolen. Using her own car, she knew, would be like sending up smoke signals.

One fact surprised her: there was no sign, either on the day of re-weaving, or subsequently, of Immacolata. Was it possible that the Incantatrix and her sisters had elected to stay in the carpet; or even become trapped there against their will? Perhaps that was too much to hope for. Yet the menstruum -which she was increasingly able to control and use - never carried a tremor of Immacolata's presence.

Jerichau kept a respectful distance in those early weeks; made uneasy, perhaps, by her preoccupation with the menstruum. He could be of no use in her learning process: the force she owned was a mystery to him; his maleness feared it. But by degrees she convinced him that neither it nor she (if they could be defined as separate entities) bore him the slightest ill-will, and he grew a little easier with her powers. She was even able to talk with him about how she'd first gained access to the menstruum, and how it had subsequently delved into Cal. She was grateful for the chance to talk about these events - they'd remained locked up in her for too long, fretted over. He had few answers for her, but the very telling seemed to heal her anxieties. And the less anxious she became, the more the menstruum showed its worth. It gave her a power that proved invaluable in those weeks: a premonitory skill that showed her ghost-forms of the future. She'd see Hobart's face on the stairs outside the room where they were hiding, and know that he'd be standing in that very spot before too long. Sometimes she saw Shadwell too, but mostly it was Hobart, his eyes desperate, his thin mouth shaping her name. That was the signal to move on, of course, whatever the time of day or night. Pack up their bags, and the carpet, and go.

She had other talents too, all rooted in the menstruum. She could see the lights Jerichau had first shown her on Lord Street; and after a surprisingly short space they became quite unremarkable to her: merely another piece of information -like the expression on a face, or the tone of a voice - that she used to read a stranger's temperament. And there was another visionary skill she now possessed, somewhere between the premonitions and the haloes: that is, she could see the consequence of natural processes. It wasn't just the bud she saw, but the blossom it would become in spring, and if she stretched her sight a little further, the fruit that would come after it. This grasp of potential had several consequences. For one, she gave up eating eggs. For another, she found herself fighting off a beguiling fatalism, which, if she hadn't resisted it, might have left her adrift in a sea of inevitabilities, going whatever way the future chose to take her.

It was Jerichau who helped save her from this dangerous tide, with his boundless enthusiasm for being and doing. Though the blossom, and the withering of the blossom, were inevitable, Human and Seerkind had choices to make before death: roads to travel, roads to ignore.

One of those choices was whether to stay companions or become lovers. They chose to be lovers, though it happened so naturally Suzanna could not pinpoint the moment of decision. Certainly they never talked explicitly about it; though perhaps it had been in the air since the conversation in the field outside Capra's House. It just seemed right that they take that comfort from each other. He was a sophisticated bed-partner, responsive to subtle changes in mood; capable of raucous laughter one moment and great gravity the next.

He was also, much to her delight, a brilliant thief. Despite the vicissitudes of life on the run, they ate (and travelled) like royalty, simply because he was so light-fingered. She wasn't certain how he managed to be so successful - whether it was some subtle rapture he employed to divert a watcher's eye, or whether he was simply born a thief. Whatever his method, he could steal anything, large or small, and scarcely a day went by without their tasting some expensive delicacy, or indulging his new-found passion for champagne.

It made the chase easier in more practical ways too, for they were able to change cars as often as they liked, leaving a trail of abandoned vehicles along the route.

That route took them in no particular direction; they simply drove where their instincts suggested. Intentionality, Jerichau had said, was the easiest way to get caught. I never intend to steal, he explained to Suzanna one day as they drove, not until I've done it; so nobody ever knows what I'm up to, because I don't either. She liked this philosophy; it appealed to her sense of humour. If she ever got back to London - to her clay and her kiln - she would see if the notion made aesthetic as well as criminal sense. Maybe letting go was the only true control. What kind of pots would she make if she didn't try to think about it?

The trick, however, didn't dislodge their pursuers, merely kept them at a distance. And on more than one occasion that distance narrowed uncomfortably.

They had been two days in Newcastle, in a small hotel on Rudyard Street. The rain had been falling steadily for a week now, and they'd been talking over the possibility of leaving the country, going somewhere sunnier. Serious problems attended such an option however. For one, Jerichau had no passport, and any attempt to get him one would put them both under scrutiny; for another, it was possible Hobart had alerted ports and airports to their existence. And third, even if they could travel, the carpet would be more difficult to transport. They'd almost certainly be obliged to let it out of their sight, and this Suzanna was not willing to do.

The argument went back and forth while they ate their pizza and drank their champagne and the rain lashed against the window.

And then, the fluttering began in her lower belly, that she'd come to recognize as an omen. She looked towards the door, and for a sickening moment she thought the menstruum had been too late with its warning, for she saw the door open and there was Hobart, staring straight at her.

‘What is it?' Jerichau said.

His words made her realize her error. The ghost she saw was more solid than she'd ever seen before, which probably meant the event it foreshadowed was imminent.

‘Hobart,' she said. ‘And I don't think we've got much time.'

2

He made a pained face, but didn't question her authority on the matter. If she said Hobart was near, then near he was. She'd become the augurer; the witch: reading the air, and always finding bad news.

Moving was an elaborate business, because of the carpet. At each stopping-place they had to convince either the proprietor or the manager that the carpet came with them to their room. When they left, it had to be manhandled back into whichever vehicle they'd commandeered that day. All of which drew unwelcome attention. There was no alternative however. Nobody had ever promised that Heaven would be a light load to carry.

Less than thirty minutes later, Hobart pushed the door of the hotel suite open. The room was still warm with the woman's breath. But she and her nigger had gone.

Again! How many times in the last months had he stood in their litter and breathed the same air she'd breathed, and seen the shape of her body left on the bed? But always too late. Always they were ahead of him, and away, and all he was left with was another haunted room.