Carnacki laughed loudly at that.
“No. Not that one, but the lady I sent to her rest was also of noble birth. Come, chaps. Have I not given you enough clues? The date of the journal alone should give you some idea? And the place, the seat of an ancient Scottish family? If you have not the wit to work it out for yourself then I have not the inclination to enlighten you. All I shall say is we should look out for the name Elizabeth Bowes-Lyon in the years ahead, for I believe she has a destiny that the whole country will come to understand in time.”
At that Carnacki rose from his chair, the time honored signal that our evening was over.
“Out you go,” he said jovially at the door.
As we left Carnacki whispered just one word in my ear, but it was enough for me to consider on the way back along the Embankment. By the time I reached home I had confirmed my own earlier guess as to the identity of the Beast of Glamis.
Carnacki’s whispered word stayed in my mind even as I drifted to sleep.
Fotheringay.
William Meikle is a Scottish writer now resident in Canada. He has fifteen novels published in the genre press and over two hundred and fifty short story credits in thirteen countries. More of his stories featuring William Hope Hodgson’s Carnacki have been collected in Heaven and Hell. His work appears in many professional magazines and anthologies and he has recent short story sales to Nature’s science-fiction section Futures, Penumbra, and Daily Science Fiction among others. He now lives in a remote corner of Newfoundland with icebergs, whales, and bald eagles for company. In the winters he gets warm vicariously through the lives of others in cyberspace, so please check him out at www.williammeikle.com.
The Case: The McCarleys, a family of five, are found brutally slaughtered and partially eaten. It looks like the work of vampires.
The Investigators: Molly Everhart Trueblood, an earth witch; Jane Yellowrock, a shape-changing Cherokee skinwalker and sometimes vampire hunter with other special talents; Paul Braxton, retired from the New York City PD, now a sheriff detective in North Carolina.
SIGNATURES OF THE DEAD
Faith Hunter
It was nap time, and it wasn’t often that I could get both children to sleep a full hour—the same full hour, that is. I stepped back and ran my hands over the healing and protection spells that enveloped my babies, Angelina and Evan Jr. The complex incantations were getting a bit frayed around the edges, and I drew on Mother Earth and the forest on the mountainside outback to restore them. Not much power, not enough to endanger the ecosystem that was still being restored there. Just a bit. Just enough.
Few witches or sorcerers survive into puberty, and so I spend a lot of time making sure my babies are okay. I come from a long line of witches. Not the kind in pointy black hats with a cauldron in the front yard, and not the kind like the Bewitched television show that once tried to capitalize on our reclusive species. Witches aren’t human, though we can breed true with humans, making little witches about 50 percent of the time. Unfortunately, witch babies have a poor survival rate, especially the males, most dying before they reach the age of twenty, from various cancers. The ones who live through puberty, however, tend to live into their early hundreds.
The day each of my babies were conceived, I prayed and worked the same incantations Mama had used on her children, power-weavings, to make sure my babies were protected. Mama had better-than-average survival rate on her witches. For me, so far, so good. I said a little prayer over them and left the room.
Back in the kitchen, Paul Braxton—Brax to his friends, Detective or Sir to the bad guys he chased—Jane Yellowrock, and Evan were still sitting at the table, the photographs scattered all around. Crime scene photos of the McCarley house. And the McCarleys. It wasn’t pretty. The photos didn’t belong in my warm, safe home. They didn’t belong anywhere.
Evan and I were having trouble with them, with the blood and the butchery. Of course, nothing fazed Jane. And, after years of dealing with crime in New York City, little fazed Brax, though it had been half a decade since he’d seen anything so gruesome, not since he “retired” to the Appalachian mountains and went to work for the local sheriff.
I met Evan’s gray eyes, seeing the steely anger there. My husband was easygoing, slow to anger, and full of peace, but the photos of the five McCarleys had triggered something in him, a slow-burning pitiless rage. He was feeling impotent, useless, and he wanted to smash things. The boxing bag in the garage would get a pummeling tonight, after the kids went to bed for the last time. I offered him a wan smile and went to the Aga stove; I poured fresh coffee for the men and tea for Jane and me. She had brought a new variety, a first flush Darjeeling, and it was wonderful with my homemade bread and peach butter.
“Kids okay?” Brax asked, amusement in his tone.
I retook my seat and used the tip of a finger to push the photos away. I was pretty transparent, I guess, having to check on the babies after seeing the dead McCarleys. “They’re fine. Still sleeping. Still . . . safe.” Which made me feel all kinds of guilty to have my babies safe, while the entire McCarley family had been butchered. Drunk dry. Partly eaten.
“You finished thinking about it?” he asked. “Because I need an answer. If I’m going after them, I need to know, for sure, what they are. And if they’re vamps, then I need to know how many there are and where they’re sleeping in the daytime. And I’ll need protection. I can pay.”
I sighed and sipped my tea, added a spoonful of raw sugar, stirred and sipped again. He was trying to yank my chain, make my natural guilt and our friendship work to his favor, and making him wait was my only reverse power play. Having to use it ticked me off. I put the cup down with a soft china clink. “You know I won’t charge you for the protection spells, Brax.”
“I don’t want Molly going into that house,” Evan said. He brushed crumbs from his reddish, graying beard and leaned across the table, holding my eyes. “You know it’ll hurt you.”
I’m an earth witch, from a long family of witches, and our gifts are herbs and growing things, healing bodies, restoring balance to nature. I’m a little unusual for earth witches, in that I can sense dead things, which is why Brax was urging me to go to the McCarley house. To tell him for sure if dead things, like vamps, had killed the family. How they died. He could wait for forensics, but that might take weeks. I was faster. And I could give him numbers to go on, too, how many vamps were in the blood-family, if they were healthy, or as healthy as dead things ever got. And, maybe, which direction they had gone at dawn, so he could guess where the vamps slept by day.
But once there, I would sense the horror, the fear that the violent deaths had left imprinted on the walls, floor, ceilings, furniture of the house. I took a breath to say no. “I’ll go,” I said instead. Evan pressed his lips together tight, holding in whatever he would say to me later, privately. “If I don’t go, and another family is killed, I’ll be a lot worse,” I said to him. “And that would be partly my fault. Besides, some of that reward money would buy us a new car.”
“You don’t have to carry the weight of the world on your shoulders, Moll,” he said, his voice a deep, rumbling bass. “And we can get the money in other ways.” Not many people know that Evan is a sorcerer, not even Brax. We wanted it that way, as protection for our family. If it was known that Evan carried the rare gene on his X chromosome, the gene that made witches, and that we had produced children who both carried the gene, we’d likely disappear into some government-controlled testing program. “Moll. Think about this,” he begged. But I could see in his gentle brown eyes that he knew my mind was already made up.