“Yessir. But Mick’s gonna be okay?”
“Oh, yes. The ill-wishing is lifted. Dr. Sedgwick just wants to let him sleep off the residue. He should be gadflying about again by tomorrow.”
“Thank you, sir.” Jamie pushed off from the wall. He might as well go find Parker and get this over with.
“Oh, and Keller—”
“Yessir?”
“Be careful. I don’t know if our ill-wisher is Mrs. Coulson or not, but whoever it is, he or she is . . . ” He hesitated a moment, as if he could not find the right word. “Ill-wishing is made of anger. Someone out there is very angry indeed.”
“Yessir,” Jamie said. “I’ll keep it in mind.”
But Jesperson’s suspicions were wrong.
Primed with the knowledge gained from Mick’s case, Parker lifted the ill-wishing, if not easily, then at least without making a huge production number out of it. And she and St. Dymphna’s staff magic-user—a lowly class three magician, but good at his job—agreed: Marian Coulson was a victim here, not a perpetrator. Parker said pithily, “She doesn’t have the strength of will to ill-wish a mosquito.” And looking at the soft-eyed, frightened woman blinking around at her strange surroundings, Jamie could only agree. She hadn’t succeeded in committing suicide because she didn’t have the guts.
He questioned her gently; she was afraid of him, but eager to help, willingly telling him everything she could remember about the events of the previous week. Jamie took notes, although he had no real hope that Mrs. Coulson would remember anything useful, working on autopilot until the words Langland Street brought him back with a thump.
“How did you get to Langland Street, ma’am?”
“Oh, I took the subway.” Remembered irritation creased her forehead and made her voice peevish. “I really wish the city would do something about cleaning up the subway stations. There was a dirty old woman there, asking everyone for money—”
“Thank you, ma’am, you’ve been a great help,” Jamie said, scrambling to his feet, and led the bewildered Parker nearly at a run back to the car.
He was lucky enough to get Avery when Dispatch patched him through to Records, and Avery didn’t fuss or ask questions, but found out what Jamie needed to know. What he already knew.
All of the victims had been on Langland Street in the week before their deaths.
“Son of a bitch,” Jamie said. “All right, Parker, hang on.” And he floored it, wondering how many people, like Paul Sinclair, he was going to be too late to save.
She was a dirty old woman, as Mrs. Coulson had said, and Jamie was ashamed to realize he didn’t remember her name. Avery in Records had that, too: Veronica Braggman. Old and dirty and shapeless beneath layers and layers of ragged clothes, her eyes small and bright and half-mad. She was tucked into a corner of the Langland Street Station, her crudely lettered cardboard sign in front of her like a shield: Cant Work / Gov took my penshon / please help.
She saw him coming—he would have had to be a class nine necromancer like Jesperson to have any hope of concealing himself—and heaved herself to her feet. “You stay away from me, nigger!” she cried. “I was respectable once—I don’t have to talk to you!”
That answered one question: why her ill-wishing had landed on Mick instead of him. He hadn’t been worth her anger.
“Miz Braggman?” he said politely, carefully. “We just need to ask you a few more questions.”
“I ain’t talking to you!” she said, still with her high voice pitched to carry.
“Ma’am, there’s four people dead. You don’t have a choice.”
Her head lowered, and she looked at him sidelong, like an ill-tempered, cunning animal. “Ain’t my doing. I didn’t push ’em.”
“Yes, you did, and you know it,” Jamie said. The stench of her body was nothing compared to the stench of her mind, and he didn’t need esper to feel it. “You hexed ’em.”
Hex was an old word, his Great-Granny May’s word, and he saw from the way she blinked that it was Veronica Braggman’s word, too. “I can’t hex nobody, nigger. Just a poor old lady, that’s all I am.”
He cut her off before she could get well-launched into that rehearsed whine. “Why’d you do it?”
“Didn’t do nothing,” she said sullenly. Then suddenly, she was shouting again, “Get him away from me! Get this nigger away from me! Ain’t there no decent God-fearing folks anymore?” Jamie realized they’d attracted an audience, and one of them was a woman in the uniform of the Babylon Metropolitan Police Department, who was already pushing her way through the crowd toward him.
He turned carefully, not letting Veronica Braggman out of his sight, and said, “I’m with the BPI. If you’ll give me a moment, I can show you my ID.”
“He’s a liar!” shouted Veronica Braggman. “A filthy liar!”
Jamie slowly reached into his hip pocket, slowly brought out his ID folder, slowly opened it for the policewoman’s inspection. He saw her face change, and Veronica Braggman saw it, too, for she changed her tactics. “They’re all against me, all the gummint! Just want to keep a poor old lady down so the niggers and the white-trash can walk all over me. They took it all away from me, so I ain’t got nothing. And now they gonna take that, too!”
The policewoman said, “Do you need any help, Mr. Keller?”
He saw the incandescent fury light Veronica Braggman’s face and instinctively backed away from her. But nothing seemed to happen; she slumped back against the wall, muttering, “It ain’t no use, none of it. Can’t never get back my rights. Can’t never get what they stole from me.”
Marie-Gabrielle Parker’s voice said, from the midst of the crowd, a little unsteady but admirably clear, “Keller, we’ve got the evidence we need. And we need to get you back to headquarters before that ill-wishing has time to sink in. I don’t think I can handle it myself.”
He turned back to Veronica Braggman. “You just hexed me?”
Her head came up; there was nothing sane in her eyes at all. “You stole my life,” she said, and it was the snarl of an animal goaded past endurance, the wail of a lost child, the cry of a woman who had nothing left, nothing, and who sat on the cold tiles of the Langland Street subway station every day, watching people go past, people with jobs and families and homes to go to, people with lives . . . people who saw her, if they saw her at all, merely as a nuisance, as dirt to be cleaned up.
She lunged at him; he had played football from the time he was an eight-year-old bigger than most ten-year-olds, and he could read her body language. She expected him to fall back, to leave her space to twist through the crowd, to throw herself off the edge of the platform like Paul Sinclair. And part of him wanted to let her do it. Even if she didn’t break her neck in the fall, and she didn’t land on the third rail, and a train didn’t kill her, the ghouls would take care of her before she’d gone half a mile in the darkness of the subway tunnels. Like a garbage disposal.
Jamie put his hands out and caught her—and narrowly avoided being bitten to the bone for his pains. And then Parker was there, and they were getting handcuffs on her; she went limp, weeping great maudlin crocodile tears, and Jamie knew no matter how long he spent in the shower, he’d never really get the stink of her off him: madness and hate and despair and the terrible bewilderment of not knowing how she had ended up like this. He did not want empathy with her, but he could not help understanding. Blame the government at first, but the government is faceless, far away. It’s the people who walk by you every day and don’t make eye-contact, who call you names and talk about needing to “clean up” the subway stations; they’re right there, and it must be their fault. They’re the ones with lives they don’t deserve; they’re the ones who have stolen your life. They’re the impostors, because under their clothes and makeup, their cellphones and iPods and the hard shell of security, they’re just like you.