Poised in the doorway leading from the Great Hall, her own small hand folded tightly in Mortimer’s, Rebecca found herself confronted by a roomful of Winshaws. There were no more than a dozen of them, but to her it seemed like a vast, numberless throng, whose braying and mewling voices merged into a single unintelligible clamour. Within seconds she and her husband had been pounced upon, separated, absorbed into the crowd, patted and touched and kissed, welcomed and congratulated, plied with drink, their news solicited, their health inquired after. Rebecca could not distinguish half of the faces; she didn’t even know who she was talking to, some of the time, and her recollection of each conversation would forever afterwards be hazy and unfocused.
For our part, meanwhile, we should seize the opportunity offered by this gathering to become more closely acquainted with four particular members of the family.
Here, for one, is Thomas Winshaw: thirty-seven, unmarried, and still having to justify himself to his mother Olivia, in whose eyes all his glittering success in the financial world counts for nothing beside his continued failure to start a family of his own. Now she listens tight-lipped as he tries to put a favourable gloss on a new development in his career which clearly strikes her as more frivolous than most.
‘Mother, you can get an extremely high return from investing in films these days. You’ve only got to be involved with one really big hit, you see, and you’re sitting on an absolute fortune. Enough to compensate for a dozen failures.’
‘If you were just in it for the money you’d have my blessing, you know you would,’ says Olivia. Her Yorkshire accent is thicker than her brothers’ and sister’s, but her mouth has the same downward, humourless turn. ‘The Lord knows, you’ve shown yourself clever enough where that’s concerned. But Henry’s told me what your real motives are, so don’t try to deny it. Actresses. That’s what you’re after. You like being able to tell them you can get them a job in the pictures.’
‘You do talk nonsense sometimes, Mother. You should listen to yourself.’
‘I just don’t want any member of this family making a fool of himself, that’s all. They’re no better than whores, most of those women, and you’ll only end up catching something nasty.’
But Thomas, who feels for his mother no more or less than he feels for most people — namely, such contempt that he seldom considers them worth arguing with — merely smiles. Something about her last remark seems to amuse him, and his eyes take on a cold glaze of private reminiscence. He is thinking, in fact, that his mother is quite wide of the mark: for his interest in young actresses, strong as it is, does not extend to physical contact. His real interest is in watching, not touching, and so for Thomas the principal benefit of his new-found role in the film industry lies in the excuse it gives him to visit the studios whenever he wants. Thus he is able to turn up during the filming of scenes which, on the screen, will simply offer innocent titillation, but which in the actual making provide perfect opportunities for the serious voyeur. Bedroom scenes; bathroom scenes; sunbathing scenes; scenes involving missing bikini tops and vanishing soap suds and falling towels. He has friends, spies, minions among the cast and camera crew to alert him in advance whenever such a scene is about to be shot. He has even persuaded editors to give him access to discarded footage, sequences which turned out to be too revealing for inclusion in the final cut. (For Thomas has started out by investing in comedies, modestly budgeted, reliably popular entertainments starring the likes of Sid James, Kenneth Connor, Jimmy Edwards and Wilfrid Hyde-White.) From these, he likes to clip his favourite images and turn them into slides which he will project on to the wall of his office in Cheapside late at night, long after his employees have gone home. So much cleaner, so much more personal, so much less risky than the tedious business of inviting actresses back to his house, making them absurd promises, all that fumbling and coercion. Thomas is annoyed with Henry, then, not so much for giving away secrets to his mother, as for implying that his own motives could be quite so commonplace and demeaning.
‘You shouldn’t take notice of anything that Henry tells you, you know,’ he now says, with a chilly smile. ‘After all, he is a politician.’
And here is Henry, Thomas’s younger brother, already recognized as one of the most ambitious Labour MPs of his generation. Their relationship goes beyond the ordinary ties of blood and extends to a number of common business interests, for Henry has a seat on the board of several companies generously supported by Thomas’s bank. Should anyone have the temerity to suggest a conflict of loyalty between these activities and the socialist ideals which he professes so loudly in the House of Commons, Henry has a variety of well-rehearsed answers. He is used to dealing with naïve questions, which is why he is able to laugh airily as his young cousin Mark shoots him a teasing glance and says:
‘So, I take it you’ll be travelling back to London first thing tomorrow morning, in time for the demonstration? We all know that you Labour bods are in cahoots with CND.’
‘Some of my colleagues will undoubtedly be attending. You won’t find me there. There are no votes in the nuclear issue, for one thing. Most of the people in this country recognize the unilateralists for what they are: a bunch of cranks.’ He pauses to allow one of the under-footmen to refill their glasses of champagne. ‘Do you know the best bit of news I’ve heard all month?’
‘Bertrand Russell getting seven days in the slammer?’
‘That did bring a smile to my face, I must say. But I was thinking more about Khrushchev. I suppose you’ve heard that he’s started testing H-bombs again, out in the Arctic or somewhere?’
‘Really?’
‘Ask Thomas what that did to shares in the munitions companies a couple of days later. Through the roof, they went. Through the bloody roof. We made a few hundred grand overnight. I’m telling you, earlier this year, with Gagarin coming over and everyone talking about a bit of a thaw, things were beginning to look a bit shaky. I didn’t like the look of it at all. Thank God it turned out to be a flash in the pan. First the Wall goes up, and now the Russkies start letting off fireworks again. Looks like we’re back in business.’ He drains his glass and pats his cousin affectionately. ‘Of course, I can talk to you like this, because you’re family.’
Mark Winshaw digests this information in silence. Perhaps because he never knew his own father, Godfrey, he has always regarded his cousins as paternal figures and looked to them for guidance. (His mother has attempted to offer him guidance too, of course, has tried to inculcate her own values and codes of conduct, but he has, from an early age, made a point of ignoring her.) He has already learned a great deal from Thomas and Henry, about how to make money, and how the divisions and conflicts between lesser, weaker-minded men can be exploited for personal gain. He will be going up to Oxford in a few weeks’ time, and has just spent the summer working in a minor administrative capacity at the office of Thomas’s bank in Cheapside.
‘It was so kind of you to give him that job,’ Mildred now says to Thomas. ‘I do hope he wasn’t a nuisance or anything.’
Mark’s expression is one of undiluted hatred, but his glance goes unnoticed, and he says nothing.
‘Not at all,’ Thomas answers. ‘He was very useful to have around. In fact he made quite an impression on my colleagues. Quite an impression.’
‘Really? In what way?’