Then I wake up, not shaking or sweating or shouting for my father, but registering, with a sense of anti-climax, even regret, the fact of my familiar shadowed bedroom and the unresponding night outside. I turn over and lie awake for a few minutes before falling again, this time into a dreamless and pellucid sleep.
It was two days later, over breakfast on the Friday morning, that my father passed me his copy of The Times and I learned that Yuri Gagarin was dead, and his co-pilot too, their two-seat jet trainer having crashed at Kirzhatsk just as I was having my dream. The last that anyone had heard from Yuri was the calm announcement ‘I’m going down’ as he tried to steer his aircraft away from a populated area. I didn’t believe it at first, not until I saw a photograph in the next day’s paper which showed the building where his ashes had been put on display, the Central House of the Soviet Army; and coiled around it, threading through the blackened streets, a queue of mourners six deep and three miles long.
… Si vous dormez, si vous rêvez, acceptez vos rêves. C’est le rôle du dormeur …
The envelope dropped to the floor. Immediately, roused by its arrival as nothing else could have roused me, I swung my legs out of bed and rushed into the hallway to retrieve it. It bore a first-class stamp and was addressed to ‘M Owen, Esq’ in elegant, spidery handwriting. Too impatient to go into the kitchen for a knife, I opened it roughly with my thumb, then took it into the sitting room and began to read the following communication, my astonishment mounting with every sentence:
Dear Mr Owen,
This brief, too hastily written notelet is by way of apology, and by way of a proposal.
Apologies first. I have, let me be the first to admit it, been the perpetrator of several crimes, against your property, and against your person. My only excuse — my only claim, in fact, upon your mercy and forgiveness — is that I have always acted out of motives of humanity. For many years now, I have been deeply interested in the case of Miss Tabitha Winshaw, whose long and unwarranted confinement I regard as one of the most shocking injustices I have ever encountered in my professional career. Accordingly, when I learned, through your advertisement in The Times, that you were engaged on an investigation into circumstances not wholly unrelated to this matter, my curiosity was at once excited.
You must pardon the eccentricities, Mr Owen (or may I call you Michael, for I must admit to feeling, having read your two excellent novels, that we are already the oldest and dearest of friends) — you must pardon the eccentricities, as I said, of a wayward old man, who, rather than approaching you direct, preferred to sound out the territory in advance, according to his own tried and tested methods. I must confess that it was I, Michael, who broke into the office of your remarkable publishers, and pilfered your manuscript; it was I who followed your taxi home the very next day; it was I, wishing to make personal contact with you, in order to assure you of the honesty of my intentions, who approached you outside a restaurant in Battersea, and was privileged — if somewhat surprised — to receive a gift of twenty pence from your charming companion (a cheque for which sum you will find enclosed with this letter); and it was I, you will have guessed by now, who followed you both home from the restaurant, my aged legs struggling to keep pace, and finally, through a sad miscalculation on my part, gave said companion a most regrettable shock at the very moment — if my reading of the situation is to be trusted — that you might have been about to progress to terms of the most delightful intimacy.
Can you forgive such a sorry record of reprehensible behaviour? I can only hope that my present candour, at least, will be partial atonement.
Now, Michael, for the proposal. It seems clear to me that, as independent operators, we have both proceeded as far as we can with our inquiries. The time has come for us to join forces. Let me assure you that I have in my possession a great deal of information which would be of assistance to you in your work, and that I am willing to share it all. For my own part, in return, I request sight of only one item: namely, a scrap of paper mentioned in the early stages of your fascinating history, a message jotted down by Lawrence Winshaw, which you describe — with an elegance and concision entirely characteristic, if I may say so, of the whole narrative — as a ‘scribbled note to the butler, asking for a light supper to be sent up to his room’. I believe that this scrap of paper — which I once made my own unsuccessful efforts to retrieve, but which now seems, through some obscure caprice of Fate, to have fallen into your possession — will be of vital importance in establishing Miss Winshaw’s sanity and innocence; that it must contain, in short, some coded meaning or clue which may well have proved elusive — you won’t take this the wrong way, I trust — to someone who is perhaps lacking in my wide and varied experience of these matters.
We must meet, Michael. There are no two ways about it. We must arrange a rendezvous, and there is no time to be lost. Might I make an impish little suggestion, as to an appropriate venue? I notice that on Thursday next the Narcissus Gallery in Cork Street (prop. Roderick Winshaw, as you will certainly be aware) is holding a preview of — true to form — some doubtless vapid new paintings by a young member of the minor aristocracy. I think we can be confident that the lure of such an occasion to London’s cognoscenti will not be so overpowering that two strangers would fail to recognize each other in the assembled throng. I will be there at seven-thirty sharp. I look forward to the pleasure of your company, and, more tremblingly, to the beginnings of what I trust will be a fertile and cordial professional association.
The letter ended with a simple ‘Most sincerely’, and was signed, with a flourish:
(Detective)
Roddy
1
Phoebe stood in a corner of the gallery, where she had been standing for the last quarter of an hour. Her wineglass was sticky in her hand, the wine itself warm and no longer palatable. So far not one person had stopped to talk to her, or even acknowledged her presence. She felt invisible.
Three of the guests were known to her, nevertheless. She recognized Michael, for one, even though they had only met once, more than eight years ago, when he was just about to start work on his Winshaw biography. How grey his hair was looking now. He probably didn’t remember her, and besides, he seemed to be deep in conversation with a white-haired and very loquacious pensioner who had done nothing but make rude comments about the paintings ever since he arrived. And then there was Hilary: well, that was all right. They had nothing to say to each other anyway.