But the Japanese continued coming, and continued giving, with a particular interest in the youth at the camp, which of course accounted for about 60 percent of Kakuma's residents. The Japanese built the Kakuma Hospital, which could treat the cases that couldn't wait for Lopiding. They built the Kakuma community library and donated thousands of basketballs, soccer balls, volleyballs, and uniforms so the youth might play these sports with a degree of dignity and panache.
The Lutheran World Federation was the primary administrator of many of the cultural projects, and found their instructors among the Kenyans and the Sudanese. I first joined the LWF's public speaking and debating club, hoping it would help with my English. Soon after, I joined the Youth and Culture program, and this would grow into a job for me. In 1997 I became Kakuma I's youth leader. This was a paying occupation, something very few of my friends, and none of the children in my Kakuma family, possessed. Youth was considered anyone between seven and twenty-four years old, so in our part of the camp, this was six thousand youths. I was the liaison between the UNHCR and these kids, and Achor Achor was more impressed by this job than he had been years before, when I was a burial boy.
— I'll be here if you need advice, he said.
Achor Achor had just acquired glasses, and looked very studious and far more serious than before. Everything that left his mouth seemed suddenly to carry the weight of deep contemplation and far-reaching intellect.
— I will, I said.
As the youth leader and coordinator of Kakuma I's youth activities, I came into contact with Miss Gladys, who soon every boy at Kakuma would know and would think about often at night and alone.
She was assigned to be the instructor for the Drama Club, of which I was a member and the ostensible student director. Twelve members of the group were present on our first day, ten boys and two girls, and for this one meeting I was the director. We were told by the LWF that the group's adult sponsor and instructor would arrive for our second meeting. It was because I was the director by default that I could try to convince Maria to attend. I went to visit her one afternoon after school, two days before the first meeting. I found her hanging the laundry behind her adoptive family's shelter.-Hello Sleeper, she said.
She did not hide her foul mood. She never did. When she was down, her shoulders slumped, and her face frowned almost comically. She had not been to school in weeks; the man acting as her father had decided it was too problematic for her to both attend classes and properly help with the chores at home. His wife was pregnant, and he insisted that Maria be on hand should she need anything. As the baby grew within the womb of his wife, he said, she would need more help as the weeks and months went on. School, he said, was a luxury an orphan girl like her could not afford.
Neither Maria nor I had hopes that she would be a long-term member of the drama group, but I convinced her to come to the first meeting. We arrived together and, with the other members, we read aloud the first few scenes of a play Miss Gladys had written. Maria, playing the lead, a woman beaten by her husband, took to it immediately. I knew she was a spirited person, for she had saved my life on the night of the spilled stars. But I did not suspect she had the soul of an actress.
Maria attended the second meeting of the group, but I do not remember much about what she said or did, for this heralded the arrival of Miss Gladys. When Miss Gladys emerged, I ceded all authority and thereafter barely spoke at all.
Miss Gladys was a young Kenyan, long necked and favoring floor-length skirts that swished flamboyantly as she walked. She immediately admitted that she did not have vast theatrical experience, and yet was in every way a performer, a woman who knew the power of every word she breathed and gesture she made. In her mind and in reality, there were no moments when she was not being watched.
She was very adept at writing, we learned, having been educated for two years in England, at the University of East Anglia, where she had polished the English she'd learned in Nairobi's best private schools.
— What is that accent? we asked each other later.
— It sounds very well-educated.
— One day she will be my wife, we said.
We could not understand why someone as regal and clean as Miss Gladys-she did not perspire! — would spend her time with refugees such as us. That she actually enjoyed our company, and she really seemed to, was too much to contemplate. She smiled at the boys among the group in a way that could only be considered flirtatious, and she clearly appreciated the attention she received. The girls, meanwhile, did their best to like her despite it all.
The purpose of the club under her stewardship was to write and perform one-act plays that would illuminate problems at Kakuma and offer solutions in a non-pedantic manner. If there were misunderstandings, for example, about the risks of HIV infection, it was not possible to print flyers or air public-service announcements on television. We had to communicate first through dramatizations, and then hope that our messages would be entertaining, would be learned, internalized, and disseminated from person to person, mouth to ear.
But Miss Gladys could not remember who, among us boys, was who. Among the ten boys was a boy named Dominic Dut Mathiang, who was by far the most humorous boy at Kakuma. The funniest Sudanese boy, at least; I did not know how humorous the Ugandans were. Very soon, at the first meeting of the club under Miss Gladys's direction, she took to Dominic Dut Mathiang and laughed at every joke he made.
— Your name is what again? she asked.
— Dominic, he said.
— Dominic! I love that name!
And so the fate of the ten boys of our drama company was sealed, for she could not remember the names of the rest of us. She said she was not good at names, and this seemed to be true. She rarely referred to the girls by name, and it seemed the only name she could access readily was Dominic. And so we all became Dominic. At first it was a mistake. One day she absentmindedly referred to me, too, as Dominic.
— I'm sorry, she said.-You both have both Italian names, correct?
— Yes, I said.-Mine is Valentine.
She apologized, but called me Dominic again the next day. I didn't care. I did not care at all. I agreed with her that our names were very similar. I agreed very much with everything she said, though I did not always listen to the words coming from her beautiful mouth. So she called me Dominic, and she called the other boys Dominic, and we stopped correcting her. She began to simply call us all Dominic. Not one of us cared, and besides, she didn't need our names very often. We never took our eyes off her, so she needed only to direct her eyes, guarded by lashes of remarkable length and curvature, to whomever she was speaking.
We boys talked about her during all our available hours. We held special meetings, in the home of the real Dominic, Dominic Dut Mathiang, to discuss her merits.-Her teeth aren't real, one boy suggested.
— Yeah. I heard she had them fixed in England.
— In England? You're crazy. People don't do that in England.
— But they can't be real. Look at our teeth and then at hers.