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C H A P T E R 2 0

Zipp could see the outline of his face in the black of the television screen. Something cowardly and wavering. He stomped up the stairs and slammed the door behind him. The goal had finally become clear to him. The white house with the green paintwork. Hadn't he withstood terrible pressure?

Look what inner strength he had! This time he wasn't going to settle for just talk; he wanted inside, God damn it!

He made his way up the hill, taking long, determined strides. From behind, his round arse could be seen energetically swinging and twisting as he walked. Even if he had to force his way in and manhandle the old woman, he was going to find out the truth! He was rarely so resolute in his life, but he liked the feeling of such certainty. He could do anything! Fifteen minutes later he came to the gate.

He heard a door slam. Rapid footsteps crunched across the gravel. There she was. The Funder woman! He watched her shuffle off and then he slipped into the garden. He crept up the steps and tried the door, but of course it was locked. Slunk round to the back, making sure that no-one could see into the garden. With a crowbar he should be able to pry open one of the cellar windows and get in. But he didn't have a crowbar. In the rose bed lay a rock the size of a cabbage. He rolled it over and brushed off some sort of crawling insect. Then he knelt down and tried to see in through the windows. One of them was covered with a sack or something. He could look through the other one if he cupped his hands on either side of his face. He picked up the rock and flung it at the glass. It made only a small opening and it took him a while to break off the rest of the shards from the window frame. Then he stuck both feet inside, turned himself around and let go. It was a long drop. His knees almost buckled. He brushed off his jeans and his hands then slowly turned round and saw a door in front of him. He paused for a moment, waiting for his eyes to get used to the dark. Shelves with bottles and jars. An old sledge, a rotting parasol. And a door. He opened it, his heart pounding. It was heavy, maybe spring loaded. Inside there was another room. A strange glowing red light broke through the darkness. It was hot inside, and it smelled bad. He stumbled a few paces across the room, his heart trembling like a chicken under his jacket. He put his hands on the wall and felt his way forward, one hesitant step at a time. He needed to find the light switch. Then he stepped on something soft. It gave way under his foot and made an odd crackling noise. He stopped at once. There was something lying on the floor. What the hell was it?

He stepped back and stopped to listen. Cautiously he moved a few paces in a different direction. Something crashed with the sound of metal striking the floor. He had knocked over a heater. And then he found a step. A stairway leading up from the cellar into the house. That must mean that a light switch would be at the top. He crept up the stairs, his ears pricked. What was the soft thing he had stepped on? What if the woman came back?

Why would she? Maybe she had forgotten something. That was always happening, at least in films. He kept on up the stairs, counting the steps. His head hit the ceiling. An old-fashioned trap door. He searched for the switch, running his fingers along the walls, getting a few splinters in his skin. There it was at last: a switch. He twisted it on, heard a reluctant click, and the light went on, a bare bulb hanging from a cord. It lit up slowly, as if the cord were worn out and needed to take its time. He turned round and stared down into the circle of light. Caught sight of a plastic tarpaulin. It was covering something at the foot of the stairs. Good God! For a dizzying second he thought it looked like a body underneath. It did look as if it was a body. But that wasn't possible. No. It was probably just an old blanket that hadn't made it to the rubbish heap yet. She must have just thrown it down here. He would go back down and find out what it was. Because it couldn't possibly be . . . He crept down the stairs. What the hell am I doing here, what the hell is going on? I'm really asleep on the sofa at home. He sniffed, wiped his nose on the back of his hand. He was at the bottom of the steps. Looked around, running his eyes over the filthy plastic. Something white and moist. He bent down, but he was blocking the light and had to move to one side. Picked up a corner of the plastic, which rustled.

"No! Dear God, no!"

His shout slammed against the walls, reverberating around the room. He lurched back, throwing out his arms to find some kind of support. It searched the dark corners, saw a workbench, an old bicycle, a bin for potatoes. Potatoes, he thought. Everything was so strange. Get the fuck out of here!

Then a door slammed. Someone walked across the floor overhead, swift footsteps. He glanced at the light, caught sight of the door he had come through. Then he didn't think any more, just dashed out, closed the door carefully behind him, and squeezed into a corner. Waiting. She had come back. She was insane! He imagined her coming down the stairs with an axe. A chair scraped overhead. Zipp stared at the door. If she opened the trap door, she would see the light. He had to escape without making any noise, get out the same way he had come, through the window. But he couldn't reach it. What about the sledge against the wall? He could stand on that. Claw his way out and run. Call the police. The woman was off her head, she had to be locked up. Suddenly he heard new sounds.

Creaking wood, jangling chains. Footsteps on the stairs. She would see the light was on. Zipp thought: I'll strike first. He looked around for something to use as a weapon. A bottle would do. They were lined up on the shelves, containing juice and wine. He crept over to them, shifting his weight with care from his heel to the ball of his foot. Took a bottle from the shelf and got a good grip around the neck. He stationed himself at the door and stood there with the bottle in his shaking hand. He was trembling so hard that his teeth started to chatter. Come on, God damn it, I'm going to knock your fucking head off! He heard the footsteps. And then all was quiet again. What was she doing now? Wondering about the light? Horrible shuffling footsteps moved across the cement. He pressed his body against the cold wall and stared at the narrow opening in the doorway. Slowly, it opened wider. He took a deep breath and raised the bottle just as her head appeared in the doorway.

In a flash he saw her heavy jaw and the deep-set eyes. Then he slammed the bottle down onto the side of her head. Her knees gave way and her back struck the heavy door. She fell forward, right against his chest. Zipp screamed like a wild animal and leaped back. She fell to the floor, landing on her stomach. Her forehead rested on his sneaker, and he had to yank it away. Her head hit the floor with a little thud. He was amazed that the bottle hadn't broken. He stared at her for one wild moment, then dropped the bottle, which did then break, and he recognised the smell of sour wine spreading through the cellar room. Her heavy body filled the doorway. He tried to step over her, but his foot touched her back and he nearly toppled over. He staggered, then regained his balance. Ran out, past the tarpaulin. Reached the stairs, heard his own rasping breath and knew by the way he was breathing that a terrible thing had happened. The body under the plastic had been smashed to pulp. Inside him a voice shrieked: Your fault! Your fault!

The trap door stood open and a light was on in the kitchen. He scrambled up the steps and stood looking around the blue room. He went back to the opening and looked down. The cadaver under the plastic seemed to gape up at him. He grabbed the trap door and let it fall. It's over, he thought. Like a gunshot, the trap door slammed shut. It's over. Destroyed, smashed to pulp, unrecognisable. But that yellow shirt! Then he stormed out.