“Forgive me.” He grabbed my forearm with surprising strength.
“I forgive you.” What else could I say? “But you know that confession frees the soul. Maybe you could help me.”
“How?” he asked. His eyes were looking beyond me into an empty future.
“Who paid you to kill Chrystal?”
Bisbe chose that moment to die. His last breath butted up against my face and the aspect of life fled.
I waited a moment to give the proper gravity to his passing and then I returned to Johnny Nightly.
“Sorry about this, Johnny.”
“You told me how dangerous he was and I didn’t listen,” Johnny said. “The more fool me.”
53
I called our special line and he answered, “LT?”
“Hey, Hush, you still know that cleaner guy — Digger?”
“Who’s dead?”
“Bisbe.”
“No shit?” It was the most emotion I ever heard in that ex-assassin’s voice — outside his home, at any rate. “You killed him?”
“Johnny Nightly did.”
“And he’s still breathin’?”
“Yeah, but he got a shoulder wound.”
“Gimme the address and leave the keys at the front desk of your office building. Digger’ll be there in two hours. I’ll cover the eighteen-grand fee. You can pay me back.”
The cleaner would come within two hours of picking up the keys, and Bisbe’s body would disappear — forever. Digger was one of the many specialists working the other side of the proverbial tracks in New York. I’d never needed his services before — but there’s always a first time.
“Juanita Horn,” she said in answer to my second call.
“Can I bring Johnny by, baby?”
“What’s the injury?”
Angelique Arabesque picked me and Johnny up in front of the building where the artist, Bisbe, awaited his final rites. She dropped me at the Tesla Building and then proceeded to ferry Johnny up to Harlem, where Juanita would nurse him to health.
“You want me to come back for you after I drop Johnny off?” Angelique offered.
“No, baby,” I said. “The business I got needs to be done alone.”
She gave me a speculative look, and then snorted, just a little. There had always been electricity between me and the driver. But I was in no mood for any further human contact — unless that connection included Cyril Tyler’s blood.
I was mad. Not angry, but insane with rage. Cyril Tyler had fooled me just enough; he embarrassed me. And I’m not the kind of man you want to make a fool of.
I got some tools and papers from my office, dropped off the Thirty-first Street apartment keys for Digger at the front desk, and grabbed a cab up to Cyril Tyler’s building.
All I had to do was flash a forged senior city inspector’s ID at the beefeater on duty and take the elevator to the eighteenth floor. From there I went out to the fire escape at the end of the hall and climbed up to the vacant nineteenth floor. Using a grappling hook and a thick rope, I crawled up the wall to the roof. It took some struggle, and a couple of times I nearly lost my grip. But I had madness and rage in my sinews — that and real, honest-to-my-father’s-not-God’s hatred.
I made it across the lawn with no challenge. The door to Arthur Pelham’s porch-office was open. The door beyond that was ajar.
This was going to be easy. Digger would make $36,000 off me in one night.
“Mr. McGill,” Ira Lamont said from the opening to the hot-pink hallway. “You bring that pistol?”
“I don’t need it for you, son,” I said.
He took off his lacquered hat and dropped it to the floor, where it clattered and wobbled.
I hate cowboys.
There was some kind of martial-arts style to his attack. It seemed like Brazilian capoeira. He came in low and tried to brush my legs out from under me with a sweep.
I took a long step backward and he tried the same maneuver again. This time I moved to the side and he put his booted foot through the glass window-door of Pelham’s office. From there Lamont leapt in the air, a missile of muscle and bone. I waited for him to get airborne before throwing a straight right at the place where his jaw would soon be. When that blow connected, I bounced a left hook off his right temple.
Ira hit the ground like a big bag of sand. He might have been dead, but that didn’t bother me. Someone had tried to murder my client, had nearly killed my friend. I myself was living on time borrowed from earlier that evening.
If getting my revenge meant that Ira Lamont had to die, then so be it.
I walked down the long bright hall to the brown-on-brown pulp-fiction library but there was no one there. I wandered onward into a white dining room that was populated by a big wooden table and a dozen chairs. There was a huge chandelier suspended above the dining area but the lights were off. I passed from there into another room, a pale blue and light gray living room. The colors of the room reminded me of something. It was the same color scheme that Azure Chambers had to protect her from any loud thoughts or notions.
Cyril was there, sitting on an oyster-shell-colored sofa, drinking what might very well have been a two-thousand-dollar shot of nineteenth-century cognac. The bottle on the table next to him looked that old. I brought out the gun that I hadn’t needed for Ira. I was going to kill Cyril. The only reason I hesitated was that it seemed a bit irrational. But between one dead mother, six orphaned children, and the overweening privilege of the wealthy, I had come for my father’s justice, for revenge on the dream that dragged him down.
Cyril was dressed in a faded blue housecoat. Staring up at his Nemesis, me, his gaze froze. I took two steps forward, brought the barrel to the side of his head and set my thumb on the hammer. Something about Cyril’s passivity seemed like a confession, the acceptance of his sentence.
There came a whispery sound in my ears. I realized that this was the sound of my blood literally singing for the death of this man.
“Mr. McGill,” Chrystal said softly. “Leonid.”
If it was a man with a gun I’d’ve been dead already. I closed my eyes, inhaled deeply, and accepted this perceived death.
Then I raised my lids upon a new scene in the same setting.
Chrystal stepped into my line of sight. She was wearing a revealing negligee and no shoes or slippers. It was the bare feet that told the story.
“What are you doing here?” I asked.
“After I got off the phone I took a taxi.”
“Why?”
“I was sure that what Cyril was telling me was true. I know him.”
“You do. Then explain this — a man broke into the place where I connected the calls. He stabbed my friend and came within a hair of gutting me.”
“Who sent him?” Cyril asked, the muzzle of my pistol still against the side of his head.
“You did.”
“Did he tell you that?”
“Conversation wasn’t a possibility.”
Chrystal took a step toward us.
“Stay where you are,” I told her.
“He hasn’t tried to kill me,” Chrystal stated.
“An armed assassin came to the house where they thought you were calling from. He didn’t come there for me.”
“What are you saying?” Cyril asked.
“That you hired a man named Bisbe to trace the call that came in here tonight. That he went to the place I’d set up — to kill Chrystal, just like he did Shawna and Pinky and, for all I know, Allondra, too.”
“No,” Cyril said to Chrystal. “I did not.”
She was looking confused, worried.
“I can’t believe it,” she said to me.
“Your brother told me that he came to your husband to shake him down.”