He was never seen again.
In the spring of 1971, charges against Tom Douglas stemming from the People's Park confrontation were dropped-at the recommendation of Dr. Tachyon, who'd been called in by SCARE to help investigate the incident just as Destiny's album City of Night hit the stands. Shortly thereafter, Douglas electrified the rock world by announcing he was retiring-not just as a musician, but as an ace.
So he took Doc Tachyon's experimental trump cure, and was one of the fortunate thirty percent on whom it worked. The Lizard King disappeared forever, leaving behind Thomas Marion Douglas, norm.
Who was dead in six months. His overuse of drugs and alcohol had achieved such heroic proportions that only ace endurance kept him alive. Once that was gone his health deteriorated rapidly. He died of pneumonia in a seedy hotel in Paris in the fall of 1971.
As for Hardhat-interviewed by Dr. Tachyon the day after the confrontation, hospitalized for observation with a mild concussion, Wojtek Grabowski insisted his foes had not defeated him. "All you need is love" ran the received wisdom of the day-and love had brought him down. Or so he claimed. Because when he hurled himself against the crowd, he found himself staring into the face of Anna, his wife, lost to him for two decades and a half.
Not quite Anna, he said tearfully; there were differences, in the color of hair, the shape of nose. And, of course, Anna would not now be a woman in her early twenties.
But their daughter would be. Grabowski was convinced he had seen, at last, the child he had never known. The horrible knowledge that his anger had almost led him to destroy that which he cherished most in all the world bled the strength from him in an instant, so that what Radical's medallion struck was a being in transition from full ace strength to a normal human state.
Touched, Dr. Tachyon helped Grabowski search the Bay Area for his daughter. Privately he never expected to find her; at the moment Grabowski believed he saw her, Tom Douglas had been recovering, his Lizard King aspect still active. And that black aura could make you see what you most wished to see. As far as Tachyon was concerned, it had.
To none of his surprise, the search turned up nothing. In any event, he was able to devote little time to Grabowski, no matter how much the man's plight affected him. He returned East after three weeks of assisting Grabowski and SCARE investigators. A couple of months later he learned that Grabowski had vanished, no doubt to pursue the search for his family. Since then, no more had been heard of Wojtek Grabowski, or Hardhat.
And as for Radical…
In the early morning hours of May 6th, 1970, Mark Meadows staggered out of an alley opening into People's Park with his head full of white noise, clad only in his one pair of jeans. He had no memory of what had happened to him, scarcely realized where he was. He found himself amongst the remnants of last night's celebrants, heavy-eyed with fatigue but still chattering like speed freaks about the fantastic events of the last twenty-four hours. "You should have been there, man," they told him. And as they described the events of yesterday morning, strange fragments of memory, surreal and disjointed, began to bubble to the surface of Mark's mind: perhaps he had.
Was he remembering his own experiences? Or was the last of the acid casting up images to match the breathless, vivid descriptions a dozen eyewitnesses pressed on him at once? He didn't know. All that he knew was that the Radical represented the realization of his wildest dream: Mark Meadows as Hero. And when he saw Sunflower standing nearby, hair disarrayed, eyes dreamy, and she said to him, "Oh, Mark, I just met the most fantastic dude," he knew that whatever hopes he'd had of being more than Sunflower's friend had just gone poof. Unless he were, in fact, the Radical.
He knew what to do, of course. He'd learned more than he consciously realized during his street apprenticeship with Sunflower; by nightfall he was crosslegged on his own mattress among his cookies and comic books, clutching two weeks' living-expenses worth of LSD. He was so exalted when he popped the first tab that he barely needed the drug to get off.
Which was all he did. No Radical transformation. Nothing. He just… tripped out.
For a week he didn't leave the apartment, living on moldy crumbs, slamming down increasing doses of acid as fast as the effects of the last charge faded. Nothing. When at last he staggered forth for more drugs he'd already taken on a blur around the edges.
So began the quest.
Interlude Three
From "Wild Card Chic," by Tom Wolfe, New York, June 1971.
Mmmmmmmmmmmmmmm. These are nice. Little egg rolls, filled with crabmeat and shrimp. Very tasty. A bit greasy, though. Wonder what the aces do to get the grease spots off the fingers of their gloves? Maybe they prefer the stuffed mushrooms, or the little Roquefort cheese morsels rolled in crushed nuts, all of which are at this very moment being offered them on silver platters by tall, smiling waiters in Aces High livery… hese are the questions to ponder on these Wild Card Chic evenings. For example, that black man there by the window, the one shaking hands with Hiram Worchester himself, the one with the black silk shirt and the black leather coat and that absolutely unbelievable swollen forehead, that dangerous-looking black man with the cocoa-colored skin and almond-shaped eyes, who came off the elevator with three of the most ravishing women any of them have ever seen, even here in this room full of beautiful people is he, an ace, a palpable ace, going to pick up a little egg roll stuffed with shrimp and crabmeat when the waiter drifts by, and just pop it down the gullet without so much as missing a syllable of Hiram's cultured geniality, or is he more of a stuffed mushroom man at that…
Hiram is splendid. A large man, a formidable man, six foot two and broad all over, in a bad light he might pass for Orson Welles. His black, spade-shaped beard is immaculately groomed, and when he smiles his teeth are very white. He smiles often. He is a warm man, a gracious man, and he greets the aces with the same quick firm handshake, the same pat on the shoulder, the same familiar exhortation with which he greets Lillian, and Felicia and Lenny, and Mayor Hartmann, and Jason, John, and D. D.
How much do you think I weigh? he asks them jovially, and presses them for a guess, three hundred pounds, three fifty, four hundred. He chuckles at their guesses, a deep chuckle, a resonant chuckle, because this huge man weighs only thirty pounds and he's set up a scale right here in the middle of Aces High his lavish new restaurant high atop the Empire State Building, amid the crystal and silver and crisp white tablecloths, a scale like you might find in a gym, just so he can prove his point. He hops on and off nimbly whenever he's challenged. Thirty pounds, and Hiram does enjoy his little joke. But don't call him Fatman anymore. This ace has come out of the deck now, he's a new kind of ace, who knows all the right people and all the right wines, who looks absolutely correct in his tuxedo, and owns the highest, chic-est restaurant in town.
What an evening! The tables are set all around, the silver gleaming, the tremulous little flames of the candles reflected in the encircling windows, a bottomless blackness with a thousand stars, and it is that moment Hiram loves. There seem to be a thousand stars inside and a thousand stars outside, a Manhattan tower full of stars, the highest grandest tower of all, with marvelous people drifting through the heavens, Jason Robards, John and D. D. Ryan, Mike Nichols, Willie Joe Namath, John Lindsay, Richard Avedon, Woody Allen, Aaron Copland, Lillian Heilman, Steve Sondheim, Josh Davidson, Leonard Bernstein, Otto Preminger, Julie Belafonte, Barbara Walters, the Penns, the Greens, the O'Neals… and now, in this season of Wild Card Chic, the aces.