"Your booth is waiting, Doctor Tachyon," said Desmond, the maitre d'. Des was a large, florid man; his thick trunk, pink and wrinkled, curled around a wine list. He lifted it, and beckoned for Tachyon to follow with one of the fingers that dangled from its end. "Will you be having your usual brand of cognac tonight?"
"Yes," Tach said, wishing he had some money for a tip. That night he had his first drink for Blythe, as always, but his second was for John Fitzgerald Kennedy.
The rest were for himself.
At the end of Hook Road, past the abandoned refinery and the import/export warehouses, past the railroad sidings with their forlorn red boxcars, beneath the highway underpass, past the empty lots full of weeds and garbage, past the huge soybean-oil tanks, Tom found his refuge. It was almost dark by the time he arrived, and the engine in the Mere was thumping ominously. But Joey would know what to do about that.
The junkyard stood hard on the oily polluted waters of New York Bay. Behind a ten-foot-high chain link fence topped with three curly strands of barbed wire, a pack of junkyard dogs kept pace with his car, barking a raucous welcome that would have terrified anyone who knew the dogs less well. The sunset gave a strange bronze cast to the mountains of shattered, twisted, rusted automobiles, the acres of scrap metal, the hills and valleys of junk and trash. Finally Tom came to the wide double gate. On one side a metal sign warned TRESPASSERS KEEP OUT, on the other side another sign told them to BEWARE OF THE DOGS. The gate was chained and locked.
Tom stopped and honked his horn.
Just beyond the fence he could see the four-room shack that Joey called home. A huge sign was mounted on top of the corrugated tin roof, with yellow spotlights stuck up there to illuminate the letters. It said DI ANGELIS SCRAP METAL amp; AUTO PARTS. The paint was faded and blistered by two decades of sun and rain; the wood itself had cracked, and one of the spots had burned out. Next to the house was parked an ancient yellow dump truck, a tow truck, and Joey's pride and joy, a blood-red 1959 Cadillac coupe with tail fins like a shark and a monster of a hopped-up engine poking right up through its cutaway hood.
Tom honked again. This time he gave it their special signal, tooting out the Here-he-comes-to-save-the-daaaay! theme from the Mighty Mouse cartoons they'd watched as kids.
A square of yellow light spilled across the junkyard as Joey came out with a beer in either hand.
They were nothing alike, him and Joey. They came from different stock, lived in different worlds, but they'd been best friends since the day of the third-grade pet show. That was the day he'd found out that turtles couldn't fly; the day he realized what he was, and what he could do.
Stevie Bruder and Josh Jones had caught him out in the schoolyard. They played catch with his turtles, tossing them back and forth while Tommy ran between them, red-faced and crying. When they got bored, they bounced them off the punchball square chalked on the wall. Stevie's German shepherd ate one. When Tommy tried to grab the dog, Stevie laid into him and left him on the ground with broken glasses and a split lip.
They would have done worse, except for Junkyard Joey, a scrawny kid with shaggy black hair, two years older than his classmates, but he'd already been left back twice, couldn't hardly read, and they always said he smelled bad on account of his father, Dom, owned the junkyard. Joey wasn't as big as Stevie Bruder, but he didn't care, that day or any day. He just grabbed Stevie by the back of his shirt and yanked him around and kicked him in the balls. Then he kicked the dog too, and he would have kicked Josh Jones, except josh ran away. As he fled, a dead turtle floated off the ground and flew across the schoolyard to smack him in the back of his fat red neck.
Joey had seen it happen. "How'd you do that?" he said, astonished. Until that moment, even Tommy hadn't realized that he was the reason his turtles could fly.
It became their shared secret, the glue that held their odd friendship together. Tommy helped Joey with his homework and quizzed him for tests. Joey became Tommy's protector against the random brutality of playground and schoolyard. Tommy read comic books to Joey, until Joey's own reading got so much better that he didn't need Tommy. Dom, a grizzled man with salt-and-pepper hair, a beer belly, and a gentle heart, was proud of that; he couldn't read himself, not even Italian. The friendship lasted through grammar school and high school and Joey's dropping out. It survived their discovery of girls, weathered the death of Dom DiAngelis and Toms family moving off to Perth Amboy. Joey DiAngelis was still the only one who knew what Tom was.
Joey popped the cap on another Rheingold with the church key that hung around his neck. Under his sleeveless white undershirt a beer belly like his father's was growing. "You're too fucking smart to be doing shitwork in a TV repair shop," he was saying.
"It's a job," Tom said. "I did it last summer, I can do it full time. It's not important what kind of job I have. What's important is what I do with my, uh, talent."
"Talent?" Joey mocked.
"You know what I mean, you dumb wop." Tom set his empty bottle down on the top of the orange crate next to the armchair. Most of Joey's furnishings weren't what you'd call lavish; he scavenged them from the junkyard. "I been thinking about what Jetboy said at the end, trying to think what it meant. I figure he was saying that there were things he hadn't done yet. Well, shit, I haven't done anything. All the way back I asked what I could do for the country, y 'know? Well, fuck, we both know the answer to that one."
Joey rocked back in his chair, sucking on his Rheingold and shaking his head. Behind him, the wall was lined with the bookshelves that Dom had built for the kids almost ten years ago. The bottom row was all men's magazines. The rest were comic books. Their comic books. Supermans and Batmans, Action Comics and Detective, the Classics Illustrateds that Joey had mined for all his book reports, horror comics and crime comics and air-war comics, and best of all, their treasure-an almost complete run of Jetboy Comics.
Joey saw what he was looking at. "Don't even think it," he said, "you're no fuckin' Jetboy, Tuds."
"No," said Tom, "I'm more than he was. I'm-"
"A dork," Joey suggested.
"An ace," he said gravely. "Like the Four Aces."
"They were a colored doo-wop group, weren't they?" Tom flushed. "You dump wop, they weren't singers, they-"
Joey cut him of with a sharp gesture. "I know who the fuck they were, Tuds. Gimme a break. They were dumb shits, like you. They all went to jail or got shot or something, didn't they? Except for the fuckin' snitch, whatsisname." He snapped his fingers. "You know, the guy in Tarzan."
"Jack Braun," Tom said. He'd done a term paper on the Four Aces once. "And I bet there are others, hiding out there. Like me. I've been hiding. But no more."
"So you figure you're going to go to the Bayonne Times and give a fucking show? You asshole. You might as well tell em you're a commie. They'll make you move to Jokertown and they'll break all the goddamned windows in your dad's house. They might even draft you, asswipe."
"No," said Tom. "I've got it scoped out. The Four Aces were easy targets. I'm not going to let them know who I am or where I live." He used the beer bottle in his hand to gesture vaguely at the bookshelves. "I'm going to keep my name secret. Like in the comics."
Joey laughed out loud. "Fuckin' A. You gonna wear longjohns too, you dumb shit?"
"God damn it," Tom said. He was getting pissed of. "Shut the fuck up." Joey just sat there, rocking and laughing. "Come on, big mouth," Tom snapped, rising. "Get of your fat ass and come outside, and I'll show just how dumb I am. C'mon, you know so damned much."