“How much do you charge to rent?”
“It’s rarely more than a few hundred dollars a year.”
Not very much, I think. “So now you’re reaching out to clients,” I continue. “Many are claiming that they lost way in excess of what you are legally obligated to pay out, correct?”
“Correct.”
But alas, I think I may be putting this together. Yes, people store valuables, as she’s described. But they store more than that.
They store secrets.
“What’s your largest-size box?”
“In this branch? Eight by eight inches, with a two-foot depth.”
No way to hide the Picasso here, then, though I didn’t think Strauss would. That wasn’t the point of the box. That wasn’t the reason for his panic.
I take out a photo still frame from the Beresford surveillance video — the clearest shot I have of pre-murdered Ry Strauss. “Do you recognize this man?”
She studies the photograph. “I don’t think so. I mean, it’s hard to make out much.”
“The clients you notified about the safe deposit boxes,” I begin.
“What about them?”
“How did you reach them?”
“By certified mail.”
“Did you call any on the phone?”
“I don’t think so. That wouldn’t be us anyway. We have an insurance branch in Delaware that handles that.”
“So there is no chance someone from this branch would have called a client and invited them to come down here to discuss the theft?”
“None whatsoever.”
I ask a few more questions, but for the first time since this mess began, I feel as though I have some clarity. As I exit, my phone rings. I’m rather surprised to see that it’s Jessica.
“You busy?” she asks.
“Shouldn’t we work our next rendezvous through the app?”
“You blew your chance.”
“You wouldn’t have gone through with it,” I say.
“Guess we’ll never know. But I’m not calling about that. Do you know they just announced Ry Strauss’s identity?”
“I knew they were going to, yes.”
“Well, I was ready for it. I pitched the New Yorker a follow-up story on the whole Jane Street Six. Update my previous ‘Where Are They Now’ piece.”
“I assume they bought the pitch?”
“I can be charming when I want to be.”
“Oh, I’m sure.”
“So anyway, I’m going right now to interview Vanessa Hogan, the victim’s mother who was the last person to see Billy Rowan. Want to come?”
Jessica says, “I can’t believe Windsor Horne Lockwood the Third is taking the subway.”
I hold on to the bar overhead. We are on the A train heading south. “I’m a man of the people,” I tell her.
“You are anything but a man of the people.”
“I’ll have you know that I recently flew commercial.”
Jessica frowns. “No, you didn’t.”
“No, I didn’t. But I thought about it.”
The reason for the subway ride is simpler. I don’t want whoever is following me to know where we are going. I had Magda make a quick turn so that the car was out of sight for a few seconds. I used those seconds to get out and vanish into the Davenport Theatre lobby on Forty-Fifth Street, exit out the side, head into the back entrance of the Comfort Inn Times Square West, and then I reappeared on Forty-Fourth Street. I headed east toward Eighth Avenue and met up with Jessica by the subway entrance on Forty-Second Street.
You can figure out the rest of my plan, methinks.
Most likely, the black Lincoln Town Car — could you choose a more obvious vehicle? — is tailing Magda through the Lincoln Tunnel into New Jersey whilst Jessica and I take the A train to Queens where another car driver will whisk us to the home of Vanessa Hogan.
Vanessa Hogan had remarried and moved out of the modest two-family Colonial where she’d raised Frederick into a sprawling contemporary in the somewhat ritzier Kings Point village. Her son Stuart, Frederick’s half brother born eight years after the Jane Street Six, opens the door and grimaces at us.
“We’re here to see Vanessa,” Jessica says.
“I know about you,” Stuart says, giving me the fisheye. “But who’s he?”
“Ms. Culver’s personal assistant,” I tell him. “I take wonderful dictation.”
“You don’t look like you take dictation.”
“Flatterer.”
Stuart steps onto the stoop with us and lowers his voice. “I don’t know why Mom agreed to see you.”
He waits for one of us to reply. We don’t.
“She’s not well, you know. My dad died last year.”
“I’m sorry to hear that,” Jessica says.
“They were married more than forty years.”
Jessica tilts her head and nods and gives off waves and waves of sympathy, which when mixed with her beauty, makes Stuart go weak at the knees. I try to move out of view; this is clearly a time to let her work alone.
“That must have been hard on both of you,” Jessica says with just the right amount of empathy.
“It was. And now, well, you know I never met Frederick, right?”
“Yes, of course.”
“My dad met my mom after, you know, Frederick was killed in that crash. But I’ve heard about him my whole life. It’s not like Mom just got married and moved on.” He looks off and lets out a long breath. “Point is, Frederick’s been dead a long time, but it still causes her tremendous pain.”
Jessica says, “That must have been very hard on you, Stuart.”
I try not to roll my eyes.
“Just don’t upset her any more than you have to, okay?”
She nods. He looks to me. I mimic her nod. Stuart then leads us into a living room with high ceilings and skylights and blond hardwood floors. Vanessa Hogan, who is now over eighty, is a shriveled thing propped up by pillows on an armchair. Her skin is sallow. The top of her head is wrapped in a kerchief, the tell-tale sign of chemotherapy or radiation or something in that eroding vineyard. Her eyes seem huge in her shrunken skull, wide and bright and denim blue. Jessica starts toward her, hand extended, but Vanessa waves us both toward the couch across from her.
She has not taken her eyes off me.
“Who is this?” she asks.
Her voice is youthful, not so different from the one in her “I forgive them” press conference from back in the day.
“This is my friend Win,” Jessica says.
Vanessa Hogan gives me a quizzical look. I expect a follow-up in my direction, but she instead shifts her attention back to Jessica. “Why did you want to see me, Ms. Culver?”
“You know about the discovery of Ry Strauss.”
“Yes.”
“I would like your thoughts.”
“I have no thoughts.”
“It must have been hard,” Jessica says. “Having it all brought back.”
“Having what brought back?”
“The death of your son.”
Vanessa smiles. “Do you think a day goes by that I don’t think about Frederick?”
That, I think, is a pretty good reply. I glance at Jessica. She tries again.
“When you heard that Ry Strauss had been found—”
“I forgave him,” Vanessa Hogan interjects. “A long time ago. I forgave them all.”
“I see,” Jessica says. “So where do you think he is now?”
“Ry Strauss?”
“Yes.”
“Burning in hell,” Vanessa replies, and a mischievous smile comes to her face. “I may have forgiven him, but I don’t think the Lord has.” She slowly turns her eyes back to me. “What’s your last name?”
“Lockwood.”
“Win Lockwood?”
“Yes.”
“He stole your painting.”
I don’t reply.