Riker nudged his partner. „They’re ordering dessert. We can come back later.“
No, that would have been too easy.
The woman seated in the dead man’s chair looked up to the window again, and now her companions were also curious. This was Mallory’s cue to clear the table – quickly and efficiently. Before his partner could casually draw back one side of her blazer to terrorize these out-of-towners with the display of her shoulder holster, Riker said, „No, let me do it this time. Just wait here, okay?“
He entered the cafe and hunkered down by the ladies’ table. Softly, he spoke to them about the young woman on the other side of the window glass, the one with the very disturbing eyes. Really just a kid, he said to them. He talked about her foster father, a late great cop, and how Kathy Mallory had never come to terms with the fact that she would never see him again. It was too hard to believe that Lou Markowitz would not be sitting at this very table each time she came by the cafe. And here Riker paused a beat to rap the table – softly.
There was always this little moment of pretend, he told the ladies, before the kid turned to the window to see that the old man’s chair was empty. And then she would come in and sit down to wait for him because, bless the old bastard’s soul, he was always late. And, just for a little while, Lou was still alive. He had never died in the line of duty and left his kid all alone in Copland.
Just a kid, he said once more.
And he told them about Gurt, the waitress who had kept this table clear of other patrons at this same hour, until the day, not long ago, when she had retired. So now the girl had also lost another fixture in her life. Ah, Gurt, he said to them, that saint (a sarcastic old bat who should have retired years ago). And so, as the ladies could see – he pointed to Mallory now – the kid did not handle change very well. It… disturbed her.
They all turned to the window, as if waiting for Mallory to cry. They would wait forever.
He was still talking as these women rose from their chairs, all smiling with their kind faces from the heartland of America, where all the good people lived. They picked up their plates and glasses, silverware and napkins, and moved to a vacant table at the back of the room. Riker faced the window, but Mallory was gone.
„What did you say to them?“ She was behind his back, and he jumped. One hand went to his heart – still beating – just checking.
„I told them the truth,“ he said, and that should shut her up. Mallory had difficulties with that simple concept. And the idea of human kindness would give her even more trouble.
When they were seated and waiting for their meal, Riker continued to parcel out the story of Nedda, a.k.a. Red Winter.
„You’ve seen the painting,“ he said. „I guess everybody has. But back in the day – remember this is the forties – a nude painting of a little girl was a shock and a half. In the other paintings the kid had clothes on, but the nude was the biggest one, nine feet tall. And Nedda was only eleven years old then. The cops raided the art gallery and took all the paintings away.“
„The artist was her father, right?“
Riker nodded. „Her rich father. I guess that’s why the whole thing blew over – one headline in the papers, then nothing. Some of the books about Red Winter figured her for a runaway because Daddy was a freak. And some say she killed him.“
„And everyone else in the house?“ Mallory shook her head. „A little girl on a murder spree doesn’t work for me.“
That had been predictable. His partner favored money motives.
„Hey,“ said Riker, „I can only tell this story the way it was told to me. You wanna hear it or not?“
He knew that she did. Her chin lifted slightly, a vow to behave, and she was his old Kathy for a moment, just another little girl sitting around a cop-shop, surrounded by men with guns and human scum in handcuffs.
Riker had sometimes done midget duty in the after-school hours, making sure the tiny, semireformed street thief would not rob the place while her old man had been occupied with more hard-core criminals. Riker had kept Lou’s foster child honest by telling her all of his handed-down family stories from the days of Legs Diamond, Lucky Luciano and Murder Incorporated – murders by the dozen in every tale.
What a deal.
Young Kathy had never gotten such bloody treats at home. Her foster mother would never have allowed it. Gentle Helen Markowitz had always held the strange notion that Kathy Mallory was a normal child, one who might have bad dreams of the bogeyman. What Helen had never understood was that little Kathy had the early makings of the bogeyman’s nightmare.
„Anyway,“ said Riker, „after the raid on the art show, Quentin Winter’s daughter is famous. Everybody, uptown and down, has a theory on what goes on inside Winter House. Then one day, a year later, the cops get a call from another litde girl. She tells ‘em she just got home from the park with her brother, Lionel. The whole house is dead – that’s the way she put it – except for the baby. And the baby’s crying. The litde girl on the phone says her name is Cleo. She was only five years old.“
When Charles rang the bell, it was Sheldon Smyth who responded. The older man had won a footrace to the door, beating a young woman in a maid’s costume, who rushed up behind him with a tray of hors d’oeuvres in hand.
„Not now,“ said Smyth, flicking his fingers at her to shoo her away as if she were an insect. „Hello, Charles.“ He glanced back, satisfied to see the maid in retreat. „Not the best caterers, I’m afraid. Short notice and all.“
Charles wondered why Smyth would tell such a lie. The truck parked outside the house belonged to the most exclusive caterer in Manhattan, one who was booked months in advance and not the sort to do impromptu dinner parties-unless of course, the fee had been doubled or tripled.
With the old lawyer’s hand on his back, Charles was gently but firmly propelled into the front room, and his eyes were once again drawn to the wildly impractical staircase. The architect must have hailed from a school that regarded clients as parasites in the home, only grudgingly deferring to them by allotting space for kitchens, bathrooms and the like. And now he had exhausted every sane rationale for his sudden discomfort. In a less pragmatic part of his mind, he thought the house was hostile. How ludicrous.
At the foot of the stairs was a fully stocked bar, and here introductions were made to Bitty’s uncle. While Charles was shaking hands with Lionel Winter, he felt that his host was missing something – oh, perhaps a pulse. The man was simply not present, that or his personality was in hiding. Given the snow-white hair, the face was younger than it should be, and Charles wondered if the lack of age lines was due to the absence of an emotional life. It was pathos and comedy that creased a face with personal history.
Sheldon Smyth dismissed a young man from the caterer’s staff and assumed the role of bartender. „Let me guess your poison, Charles.“ He poured a double shot of Chivas Regal into a brandy glass. „Neat, am I right?“
„Yes, thank you.“ This was indeed Charles’s usual fare, but he had not ordered Chivas at lunch today. He was given further proof that Smyth had gone to a great deal of trouble over this dinner party, for now he learned that his favorite foods were on the menu. However, the elderly lawyer had not discerned that Charles’s taste in music was strictly classical, though this extended to the vintage jazz that Nedda Winter had played on the radio during his last visit to this house. Tonight, he was forced to listen to elevator music, popular tunes played as boring instrumentals by an uninspired orchestra. Even the tonal quality had changed overnight. The sound surrounded him. He did not have to look at the antique radio to see that the dial was dark, that the music did not come from there.
Lionel Winter made his first attempt at conversation, going on at length about the elaborate sound system that played in every room of the house.