Enoch left. It was a pleasant damp evening. The puddles on the sidewalk shone and the store windows were steamy and bright with junk. He disappeared down a side street and made his way rapidly along the darker passages of the city, pausing only once or twice at the end of an alley to dart a glance in each direction before he ran on. The Victory was a small theater, suited to the needs of the family, in one of the closer subdivisions; he passed through a succession of lighted areas and then on through more alleys and back streets until he came to the business section that surrounded it. Then he slowed up. He saw it about a block away, glittering in its darker setting. He didn’t cross the street to the side it was on but kept on the far side, moving forward with his squint fixed on the glary spot. He stopped when he was directly across from it and hid himself in a narrow stair cavity that divided a building.
The truck that carried Gonga was parked across the street and the star was standing under the marquee, shaking hands with an elderly woman. She moved aside and a gentleman in a polo shirt stepped up and shook hands vigorously, like a sportsman. He was followed by a boy of about three who wore a tall Western hat that nearly covered his face; he had to be pushed ahead by the line. Enoch watched for some time, his face working with envy. The small boy was followed by a lady in shorts, she by an old man who tried to draw extra attention to himself by dancing up instead of walking in a dignified way. Enoch suddenly darted across the street and slipped noiselessly into the open back door of the truck.
The handshaking went on until the feature picture was ready to begin. Then the star got back in the van and the people filed into the theater. The driver and the man who was master of ceremonies climbed in the cab part and the truck rumbled off. It crossed the city rapidly and continued on the highway, going very fast.
There came from the van certain thumping noises, not those of the normal gorilla, but they were drowned out by the drone of the motor and the steady sound of wheels against the road. The night was pale and quiet, with nothing to stir it but an occasional complaint from a hoot owl and the distant muted jarring of a freight train. The truck sped on until it slowed for a crossing, and as the van rattled over the tracks, a figure slipped from the door and almost fell, and then limped hurriedly off toward the woods.
Once in the darkness of a pine thicket, he laid down a pointed stick he had been clutching and something bulky and loose that he had been carrying under his arm, and began to undress. He folded each garment neatly after he had taken it off and then stacked it on top of the last thing he had removed. When all his clothes were in the pile, he took up the stick and began making a hole in the ground with it.
The darkness of the pine grove was broken by paler moonlit spots that moved over him now and again and showed him to be Enoch. His natural appearance was marred by a gash that ran from the corner of his lip to his collarbone and by a lump under his eye that gave him a dulled insensitive look. Nothing could have been more deceptive for he was burning with the in tensest kind of happiness.
He dug rapidly until he had made a trench about a foot long and a foot deep. Then he placed the stack of clothes in it and stood aside to rest a second. Burying his clothes was not a symbol to him of burying his former self; he only knew he wouldn’t need them any more. As soon as he got his breath, he pushed the displaced dirt over the hole and stamped it down with his foot. He discovered while he did this that he still had his shoes on, and when he finished, he removed them and threw them from him. Then he picked up the loose bulky object and shook it vigorously.
In the uncertain light, one of his lean white legs could be seen to disappear and then the other, one arm and then the other: a black heavier shaggier figure replaced his. For an instant, it had two heads, one light and one dark, but after a second, it pulled the dark back head over the other and corrected this. It busied itself with certain hidden fastenings and what appeared to be minor adjustments of its hide.
For a time after this, it stood very still and didn’t do anything. Then it began to growl and beat its chest; it jumped up and down and flung its arms and thrust its head forward. The growls were thin and uncertain at first but they grew louder after a second. They became low and poisonous, louder again, low and poisonous again; they stopped altogether. The figure extended its hand, clutched nothing, and shook its arm vigorously; it withdrew the arm, extended it again, clutched nothing, and shook. It repeated this four or five times. Then it picked up the pointed stick and placed it at a cocky angle under its arm and left the woods for the highway. No gorilla in existence, whether in the jungles of Africa or California, or in New York City in the finest apartment in the world, was happier at that moment than this one, whose god had finally rewarded it.
A man and woman sitting close together on a rock just off the highway were looking across an open stretch of valley at a view of the city in the distance and they didn’t see the shaggy figure approaching. The smokestacks and square tops of buildings made a black uneven wall against the lighter sky and here and there a steeple cut a sharp wedge out of a cloud. The young man turned his neck just in time to see the gorilla standing a few feet away, hideous and black, with its hand extended. He eased his arm from around the woman and disappeared silently into the woods. She, as soon as she turned her eyes, fled screaming down the highway. The gorilla stood as though surprised and presently its arm fell to its side. It sat down on the rock where they had been sitting and stared over the valley at the uneven skyline of the city.
CHAPTER 13
On his second night out, working with his hired Prophet and the Holy Church of Christ Without Christ, Hoover Shoats made fifteen dollars and thirty-five cents clear. The Prophet got three dollars an evening for his services and the use of his car. His name was Solace Lay field; he had consumption and a wife and six children and being a Prophet was as much work as he wanted to do. It never occurred to him that it might be a dangerous job. The second night out, he failed to observe a high rat-colored car parked about a half-block away and a white face inside it, watching him with the idnd of intensity that means something is going to happen no matter what is done to keep it from happening.
The face watched him for almost an hour while he performed on the nose of his car every time Hoover Shoats raised his hand with two fingers pointed. When the last showing of the movie was over and there were no more people to attract, Hoover paid him and the two of them got in his car and drove off. They drove about ten blocks to where Hoover lived; the car stopped and Hoover jumped out, calling, “See you tomorrow night, friend”; then he went inside a dark doorway and Solace Layfield drove on. A half-block behind him the other rat-colored car was following steadily. The driver was Hazel Motes.
Both cars increased their speed and in a few minutes they were heading rapidly toward the outskirts of town. The first car cut off onto a lonesome road where the trees were hung over with moss and the only light came like stiff antennae from the two cars. Haze gradually shortened the distance between them and then, grinding his motor suddenly, he shot ahead and rammed the back end of the other car. Both cars came to a stop.
Haze backed the Essex a little way down the road, while the other Prophet got out of his car and stood squinting in the glare from Haze’s lights. After a second, he came up to the window of the Essex and looked in. There was no sound but from crickets and tree frogs. “What you want?” he said in a nervous voice. Haze didn’t answer, he only looked at him, and in a second the man’s jaw slackened and he seemed to perceive the resemblance in their clothes and possibly in their faces. “What you want?” he said in a higher voice. “I ain’t done nothing to you.”