Ben outside and alone takes in the Strip, the hotels with the velouring plush of their high, brightchandeliered halls; their checkeredpast gaming-floors, their chipped pools, sexually voluble fountains; the honeymoon suites up above, where Moloch beds down with Mammon, their minted offspring incubated in vaults, coins awaiting their sacrifice within dimly fluoresced lairs underground. He mingles amid this jingle and jang, tourists the spume and the flash and the flicker. We Buy Your Old Currency, a lit billboard speculates then squelches to urrency, urgent. Gold accepted, in lieu of jewels. Whores solicit the favors of unpatrolled corners and curbs halfextorted; who knows what sex they are or might think to be, they’re heaped in His clothes and hijacked tablecloths over what’s hoped are shapelier bodies. Firemenschs loiter among them getting paid by the hour, standing around like hoses stopped up, with their tainted dalmatians like swollen hydrants to be tapped for their foam. Despite the panic, impersonators fleeing, others are still just arriving, Bens perpetually coming and going — from their sad vans and paneled sedans, station wagons lonely with only the driver’s seat ever occupied; they’re uniformly falling apart, upholstered in delusion, but mufflered in dream — if not evacuating or hauling the wrinkles of their luggage to and from porters no longer waiting around for their tips, they’re honkskronking a nap on their horns on their ways waiting to pull in and out of the horseshoe blocked, too, by tethered and poorly shod horses and donkeys and mules with their bales of haphazard hay, their sirens of whinnies and brays. Ben whispers to a slot attendant who just now lucky for one of them happens to be on break who whispers Him, then, to a cage cashier with illegibly tattooed knuckles just punching in with a particular valet, caped and capped, who whispers Him to negotiate: two shekels large in His own denomination a no go, three shekels, I can’t hear you, what else, you drive a hard — nu, I’ll see what I can do…how much they’re talking for a pickup, what’s spare at the moment, a dumb, lumbering truck, a paleotechnic Henry Ford model the only vehicle he can part with at this hour, tonight with its alarm and for any price (part of which he has to kick up to the goy he’d punched in), deal or no steal; last week its owner had run up a tab, having jumped bail after being euphemistically too energetic in the way he’d talked to the officer; then, skipped out on his bill with a creditline you couldn’t use to pick up your mother, without a kidney, short sperm, and two pints of blood; he used to be a priest or a preacher’s the word, they have it tough nowadays, you know how it is…
And so to begin in with the handling, kicking the tires of a transient deaclass="underline" they ding around birthrights, fling wrongs, sly lentils, a large bowl of His lot taken with doubly dipped doses of salt. The valet doesn’t believe who Ben is and so He tells him He doesn’t either, then backs the goy into a corner and opens His robe. A circumcision convinces — especially of the one actually doing the severance. Touch it, He tells him, tug it, shift it and tear: it doesn’t hurt, the emes, no fooling — it’s just skin, it flakes off, yours to keep.
Through glint and glit, Heber’s swerving the limo around and He realizes upon dodging its hood then the sweep of its lights that Hamm’s probably even now up in the pentpyramid, attempting to evacuate His person downstairs. Bombsquad shows up only to fill out their insurance paperwork on the dash of their truck; anyone got a pen, we’ll take turns. And so Ben hides as much of Himself as possible behind the hollow of an ivylocked column, which is maybe unnecessary and what’s more thirty bits of silver neurotic what with the other Bens betraying around — how hiding’ll just make Him all the more findable, found…emerging only when the valet’s gotten the truck out of hock to the headwaiter and lot then waves Him from the cab over to the edge of the sidewalk, the further curb where they idle at the head of a motorcade of who gets to be first response. A vehicle not usually recommended for the Affiliated, furthest thing from, but it works; one maladroit emission on wheels, mobile death. Ben gets up into the cab, the truck sags, belches exhaust on its chassis. It’s cancerously blueblack, with a filthy, fatty white interior, lipoid pleather that’s not quite fake as it’s not quite trying for real. A custom job, coming to ruin: the eagle once fossilized upon the face of its hood has flown, its nest left to the weather, peeling piscine finish in rusty scales, even the scabrous metal itself flaking away, gloss to dross; the rims churning chromed: lick my mudflaps, they say in flashy roman — without honor. At least there’s a full tank of gas.
The valet leaves Him honored, happy to be of help and with a wish of good mazel, no thanks he’s pleased only a thumb held up in front of a wink (and so, obscuring his recently hirsute face from surveillance). Proudly, the goy struts back to his stand engrossed in Ben’s outermost robe, hotelcomplimentary, and daubed in His blood, its left pocket hanging fully low past its purfle, heavy with the skin of His shed. Once unobserved, how it’s humiliating, though: Ben gets the hulk out of park, takes a moment to realize the emergency’s on, releases it, stiff footwork on the pedals, starts and spurts, stalls, starts and stalls on — trying to remember Heber’s lightly natural routine, that mechanical ritual as unconsciously observed too many mornings in transit, if most of them dreamed halfway to sleep (an inheritance, this techincal debility: like everyone else in their Development, His parents only ever drove automatics: the vans and the minivans, too, the rovers and even Israel’s promotional sportscar that he’d had out on lease for all of a month before being rearended by a towtruck out on the GWB, then trading it in on Hanna’s insistence for a practical coupe with no soul, prone to every complaint ever insured by the responsible, to be handeddown to Rubina, Simone, and Liv in their turns right and left — a fray amid the wires of veins, it must be, this disconnect deep in the blood); He manages how to have it going, to keep it going, soon gone…to turn it around the drive’s short learningcurve; then eventually — heading out.
Ben without chauffeur, though it can’t be too hard, just follow the nose of the road, hound it out. On the wing of a prayer: check mirrors, burn maps. He’s got a ways to go nowhere, both pursued and pursuing…Him to be forktrailed, coattailed by drones, Bens not created by God but recreated by the science of fame: His replica becoming their replican’t, willingly, with each of them lapsed, failed failures, messes and wouldaBes, Messiahs-in-training untamed without name. Wandering throughout the whole of the desert, New Mexico, Arizona, south by southwest, until — ultimately, a landmark’s required: the West Pole, a totemic redwood, a giant sequoia flagged with a flag; having been driven out from the buffet, denied the breaking of the fast the evening next (says the Law, the groom must go without on the day He’s to be married), which reminds: driven, too, from Lillian Shade, almost, not quite, Israelien, which would’ve been real Schade, who tomorrow early would’ve made her arrival on Aeroforce Aleph, its descent better classified, into the semaphored lights: their message, stay away, go back from whence you came, but then the glide to a stop, the gangway would be hauled up and who’s going to be there to greet her and her First Family once this gets out, makes wire and with it, stifles, strangles — an understudy public, a lesser name fallen from the agenda’s marquee? Off the strip, they’re waiting with new letters to hang. Meaning, runawayed. The wind, blowing colder than ever, winds its way into the loosest slots in town, as they’re sold — all proceeds going to the charity of a blind eye, the moon’s. The syncope, the tone: a howl with the windows darked down. Finger a shekel — call your mother goodbye one of these nevers. Tell her you’re not coming home.