‘And you.’
‘You look tired.’
‘I look how I feel.’
‘Are you up for tonight? Just dinner. Friends. We don’t have to stay out late.’
‘Of course.’
I slump opposite her in an upholstered chair.
‘I dug up what you asked me for about Bryon Vaux. But if you’re speaking to him—’
‘He spoke to me. Michel told him about me and he put two and two together.’
‘So you’ve talked.’
‘Only about work. I haven’t asked him anything – important.’
Gabby shoots me a look. She thinks I’m being obscure for the sake of it. That I’m leading her on. She’s remembering our childhood games with Dad’s tin soldiers; my endlessly changing rules of engagement. ‘Look,’ I say. ‘Tell me what you found. And I’ll explain.’
‘You promise?’
‘Yes.’
‘Okay. For a start – and you could have found this out from any celebrity site – Vaux was not a serviceman.’
This draws me up. ‘What?’
‘Vaux wasn’t in the services. He wasn’t a soldier. Everyone assumes he’s a veteran. He was a journalist. Embedded. Good at it, too. It’s why the grunts like him. Factually, his films have always been on the button.’
‘Now I’m completely at sea. I thought he was a soldier.’
‘People do. He plays up to it.’
‘But his eyes. He’s seen action.’
‘Of course he’s seen action. He was embedded on the front line. He took a laser in the face.’
‘But what was a writer doing among a bunch of army men, getting a vest fitted by my Dad?’
Gabby turns her hands palms up as though to say, where’s the problem? ‘A battlefield injury, a military hospital, and from there a referral. Wouldn’t it make perfect sense, treating Vaux alongside others blinded in the field?’
‘Did you find out why he discharged himself from the hotel?’
‘Plenty of your dad’s guests did.’
‘Really?’
‘It wasn’t strictly a clinic. Some took to the vests, some didn’t.’
‘And did Vaux?’
‘Christ. How am I supposed to find that out?’
‘I think maybe Dad would have made a record.’
‘Well, I can keep looking.’
‘Please.’
‘Now. Are you going to tell me what the fuck this is about?’
I take a breath. Another. (The air here is really very thin.) I am going to have to give her something.
In the end it’s Gabby who buys me time. ‘You can tell me as we go. Come on. We’ll walk. It’s a nice night.’
She leads me, slipping and sliding (‘I told you to bring boots’) through the city’s pedestrianised centre, from stall to stall, knocking back punch and spiced wine by way of an aperitif. With alcohol inside her, she is a little more forthcoming about what she has discovered. ‘The records have Vaux down as twenty-seven when he got his eyes burned out.’
‘How long was he at the hotel?’
‘A couple of months.’
‘Gabby.’ No way round this. ‘Do you remember – did he have much to do with my mum, do you reckon?’
Gabby is ordering us mugs of rum. She leans against the bar. ‘Oh, Conrad,’ she sighs, her gaze sliding away from mine to lose itself in the rings and smears on the bartop. ‘Who knows what your mum got up to?’
‘But you heard something. You know something. Did your mum tell you something? Did Frankie know something?’
She hands me my mug. ‘Are you finally going to tell me what this is about?’
‘I think Bryon Vaux was the last man to see my mum alive.’
‘Oh.’ Gabby sips her rum. Again. ‘I see.’ She sips. ‘Well. Fuck.’
‘Now, if you can tell me how to broach that particular subject with Bryon Vaux, without landing myself in a world of pain, I’d like to hear it.’
Gabby looks at me. ‘From what you’ve said, he doesn’t sound that much of an ogre.’
‘Maybe not.’
‘And my advice remains what it was.’
‘Which was?’
‘Just talk to him. Idiot.’
Gabby has gone to bed. On her hotel-room balcony, I sip imported whisky and stare across the skyline, pretending to myself that I’m catching up on my work.
To speed up the due diligence, we have an open audio connection running between the office and my laptop. For my colleagues at home I exist as an oracle, ready with advice, constantly appraised of their slightest doings. At least, that is the idea.
I can just about hear one of our interns making a hash of something over the phone to an old client.
‘Hello.’
No-one hears me.
‘Hello.’
No-one’s paying any attention to the invisible man in the corner. They’re just getting on with their jobs. Talking. Laughing. I wonder what they are laughing about. I expected the sound of the office to comfort me, but it hasn’t.
‘Hello!’
I should go have a shower, get to bed, get a night’s sleep like a normal person. Instead I linger here getting steadily more drunk, listening to all the life I have engendered moving around in its nest. This thing I have made. This pattern of people and process and capitaclass="underline" it has its own life now. It no longer needs me.
If I bow out now, gracefully, Vaux can have Loophole and I can be in business again within eighteen months, with fresh capital and an enviable reputation. Ralf will stay where he is, Loophole’s newly-fashioned ‘creative director’. Naive as he is, he will grow into the role of Bryon Vaux’s courtier. It is not what he wants. (‘We were having fun, weren’t we?’) But it is what is best for him.
I down my whisky and stalk back inside, cursing Ralf, cursing the company, cursing myself.
Vaux is a rich man, and rich men will have their toys.
FIFTEEN
Without Mum, Dad and I fell into well-worn routines. We shared the housework. I cooked dinner. Ben washed up. We were adept. This was the life we used to lead whenever Mum was laid up in bed. In many ways life was cleaner and easier now she was gone.
Winter bit down early. From my window the hotel lawn, grey with frost, resembled fur more than grass. I closed my eyes and leant my forehead against the glass, receiving a chill fierce enough to pucker the flesh.
Dad was in the kitchen. The radio was on. Distance robbed the words of sense, though the cadences persevered. Headlines. Seven AM.
I was still wrapped in my duvet, marinating in its smelly warmth. To shed that and slip into a dressing gown and, worse, to swap dressing gown for cold, slippy, damp-feeling nylon-mix school clothes, was as painful a prospect, as traumatic, as shedding a skin. Half-naked, blue and scrunched against the cold, I was fighting with an overstuffed wardrobe drawer when Dad leaned in.
‘Up and at ’em, Connie.’
‘Yeah, yeah.’
‘What time are you home this afternoon?’
It was a regular day – no clubs, no sports, no events. ‘Four.’
‘We have someone coming to see us.’
The day passed predictably enough. Mum’s disappearance had got fed through the school’s rumour mill, but the story had quickly lost currency, sustained neither by news nor by credible conjecture. I think my friends, knowing her politics, quietly assumed that Mum was leading some debauched existence on the margins, too loved-up to phone or write.
By the end of the school day, the track by the river was still set rock-hard – a glassy mass of rills, dents and patches of dirty ice, buried here and there under mats of black, congealed leaves. Now the bracken had died back, Michel’s ring of fridges was easy to spot among the trees.
Our hotel had more or less packed in by this point. The register recorded a few waifs and strays, clueless elderly couples and a dissatisfied family of five. Still, Dad had to work, if only to keep up the fabric of the place, so he doubled as duty manager in a motel nearer the coast. On the days I arrived home before him, I worked in the conservatory – that loamy, greenish glass monstrosity that had been tacked onto the back of the house years before, as though the hotel were not big enough already. In the burnished light of a setting sun (if I was lucky; otherwise in drizzle and spreading, glaucous grey) I worked on my portfolio, my heads and hands, my architectural projections. I wrote essays, bedding the bald facts of history, geography and the classics with comfortable, indecisive phrases. Notwithstanding. Moreover. Albeit.