In time, as he began to reforge his relationship with Jeremy, as he worked around the inescapable conclusion that Cadwallader Crane cared more for his little sister than he did for him, he recovered. Or at least outwardly he did. He was fourteen and thought he was in love with a girl from Jan Pieterse’s Kill by the name of Salvation Brown; he was fifteen and followed Saskia Van Wart around like a tomcat with the scent on him; he was sixteen and stood best man when Cadwallader Crane took his sister’s hand in marriage. It all passed — the death of his father’s spirit, the renunciation of Cadwallader Crane, the blow he’d received from his cousin on that sleet-struck night when the squaw stepped between them. He grew into his manhood, and to look at him you’d never know the depth of his hurt, never guess that he was as crippled in his way as his father before him.
Van Wartwyck slumbered again. The decade of the eighties, which had begun so promisingly, petered out in the unimpeachable dullness of the quotidian. Nothing happened. Or at least nothing scandalous or violent or shocking. No one died even. Each spring the crops came up, the weather held — not too wet, not too dry — and the harvests got better by the year. On a still night you could hear the gossips snoring.
It was Jeremias Van Brunt, so long the catalyst for ferment and upheaval, who woke them up again. He didn’t know it at the time, nor would he live to see it, but he unwittingly set in motion a series of events that would plunge the community into darkness, rouse the tongue waggers as if their very sheets and counterpanes had been set ablaze, and culminate finally in the last tragic issue of his youthful rebellion.
It began on a day of unforgiving wind and flagging temperature, a blustery afternoon at the very end of October 1692, some three years after that crafty Dutchman, William of Orange, had been proclaimed king of England and all her colonies. Shouldering a battered matchlock that had once belonged to his father and with a crude flax bag cinched at his waist, Jeremias left the cabin just after the noon meal and slouched off into the woods to commune with his favorite chestnut tree. Though this was to be a nutting expedition and nothing more, he carried the gun because one never knew what one might encounter in those haunted woods.
He worked his way arduously down the path from the cabin, snatching at trees and bushes to brake his descent, driving his pegleg into the compacted earth like a piton into rock, the wind hissing in his face and threatening in gusts to take his hat. Thumping across the bridge and wading into the marshy hollow that lay between Acquasinnick Creek and Van Wart’s Road, he startled a pair of ravens from their perch in a crippled elm. Up they rose, like tatters from the Dominie’s funereal gown, bickering and complaining in their graceless tones. Jeremias went on, a little more circumspectly than usual — the sight of a raven never brought anyone an excess of good luck, so far as he knew — until he was halfway across the marsh and the crown of the chestnut came into view in the near distance, shouldering its way above the lesser trees that surrounded it. It was then that he flushed the unlucky birds again, this time from the ground — or rather from a weedy hummock choked with vines and a blaze of blood-red sumac that seemed to float up out of the puddled expanse of the marsh like some sort of strange haunted craft.
Jeremias was curious. He tugged at his boot, straightened the brim of his hat, and slogged off to investigate, thinking he might find the buck he’d wounded two days back, holed up and breathing its last. Or maybe the remains of the pig that had mysteriously disappeared just after the leaves turned. The birds were on to something, that much was sure, and he meant to find out what.
He parted the vines, hacked at the sumac with the butt of the gun, paused twice to disentangle the sack from the scrub that seized it like fingers. And then he spotted something in the tangle ahead, a glint of iron in the pale cold sunlight. Puzzled, he bent for it, and then caught himself. The smell — it hit him suddenly, pitilessly — and it should have warned him off. Too late. He was stooping for an axehead, and the axehead was attached to a crude oaken handle. And the handle was caught, with all the rigor of mortis, in the grip of a hand, a human hand, a hand that was attached to a wrist, an arm, a shoulder. There before him, laid out in the sumac like the giant fallen from the clouds in a fairy tale, was the man who’d given Blood Creek its name. The eyes were sunk into the face, raw where the birds had been at them, the beard was a nest for field mice, the arms idle, the hair touched with the frost of age. He’d looked into that face once before, so long ago he could barely remember it, but the terror, the humiliation, the mockery, these he remembered as if they were imprinted on his soul.
It took all five of them — Jeremias, his three sons and his nephew Jeremy — to haul the body, massive and preternaturally heavy even in death, out of the marsh and up to the road, where with a concerted effort they were able to load it into the wagon. Jeremias laid out the body himself, helped by the cold snap, which mercifully kept the odor down. If he’d thought to charge admission to the wake, he would have been a rich man. For the news of Wolf Nysen’s death — the death that confirmed his life — spread through the community like the flu. Within an hour after Jeremias had stretched the fallen giant out on his bier, the curious, the incredulous, the vindicated and the faithful had gathered to stand hushed over this legend in the flesh, this rumor made concrete. They came to marvel over him, to measure him from crown to toe, to count the hairs of his beard, examine his teeth, to reach out a trembling finger and touch him, just once, as they might have touched the forsaken Christ pulled down from the cross or the Wild Boy of Saardam, who’d cooked and eaten his own mother and then hung himself from the spire outside the drapers’ guild.
They came from Crom’s Pond, from Croton, from Tarry Town and Rondout, from the island of the Manhattoes and the distant Puritan fastnesses of Connecticut and Rhode Island. Ter Dingas Bosyn showed up, Adriaen Van Wart, a wizened old cooper from Pavonia who claimed to have known Nysen in his youth. On the second day, Stephanus himself rode up from Croton, with van den Post and the dwarf, and a delegation of somber, black-cloaked advisors to Colonel Benjamin Fletcher, the new governor of the Colony and His Majesty William Ill’s loftiest representative on the continent. By the third day, the Indians had begun to pour in — maimed Weckquaesgeeks, painted Nochpeems, even a Huron, before whom all the others gave way as if to the devil himself — and after them, the oddballs and cranks from outlying farms and forgotten villages, women who claimed they could transform themselves into beasts and had the beards and talons to prove it, men who boasted that they’d eaten dog and lived as outlaws all their lives, a boy from Neversink whose tongue had been cut out by the Mohawk and who said a prayer over the body that consisted entirely of three syllables, “ab-ab-ab,” repeated endlessly. It was on the evening of the third day that Jeremias put an end to the circus and laid the giant to rest. Beneath the white oak. Just as if he’d been a member of the family.