What about the.women of more prosperous classes, so many of whom were selling themselves for silk gowns, fur coats, and jeweled slippers? “Well,” Lanny could hear his uncle saying, “aren't these the tools of their trade?” The gentle and refined scholars whom Woodrow Wilson had brought to Paris were appalled at the behavior of females who wore the clothes of ladies and had been expected to behave that way: females of all nations, American included, some of them in Red Cross costumes. In the Crillon order was maintained, but in other hotels they peddled themselves from door to door like book agents. The shocked professors repeated a story about the American Ambassador to Belgium, who was lodged in the ultra-magnificent Palace Hotel of Brussels, owned by the King of Spain. Said the ambassador to his friends: “It is the custom in European hotels to leave your boots outside the door, to be gathered up by the porter and polished in the early morning hours. So I have bought myself a pair of ladies' shoes, and every night I place them outside my door along with my own boots!”
VIII
There were other aspects of life in Paris less depressing. There were theaters with more to show than troupes of naked women. There were concerts, to remind one that the life of the spirit still continued. Most interesting to Lanny was the spring salon in the Petit Palais. To think that in the midst of the last desperate agony of war, with several “Big Berthas” dropping shells into the city every twenty minutes, with food scarce and fuel unobtainable, more than three thousand men and women had sat at easels and maintained their faith that art could not be destroyed, but was and would remain the supreme achievement and goal of life!
Lanny went to this show day after day. There were many kinds of paintings, many subjects, many techniques; he studied them, and tried to understand what the artist was telling him. Beauty had had three of Marcel's last works brought to Paris, and they had been hung; Lanny now compared them with the work of other men, and confirmed his opinion that there was nothing better being shown. You could see how the crowds felt, for there were always people looking at Marcel's work, and asking questions concerning the painter. Not many knew about him, but they were going to; that would be one of Lanny's tasks, and his mother's — when she came back from her new honeymoon.
Lanny knew many of the artists at this show. Some came to the Cap and worked; for others Beauty had posed in her very young womanhood. They came to see how their work was being received, and to compare it uneasily with work that might be better. Lanny talked with them, got their addresses, and went to visit their studios and talk shop. They were glad to welcome a rich young man who might be a customer, or could send others. As a stepson of Marcel Detaze and nephew of Jesse Blackless, he was an insider; they talked freely, and it was like old times. He had expected to find them all starving and was happy to hear that art activities had come back with an astonishing rush. The bourgeoisie had money and wanted portraits of their beautiful ladies and their eminent selves; they were planning palaces and villas and wanted them made elegant. Artists, eternal enemies of the bourgeois, spoke of them with condescension; another form of the class struggle.
Beautiful things, always touched with sadness. Lanny would stop before a certain painting, and the thought would come to him: what would Marcel think of this? His stepfather's spirit hovered at his shoulder, and would do so at every exhibition for the rest of his life; pointing out brushwork, atmosphere, composition, meaning, all the things that painting conveys to the trained intelligence. If Lanny was puzzled, he would wait and Marcel would tell him; if Lanny had a conclusion to announce, it would take the form of a dialogue with Marcel. So it is with impressions which form our childhood, and which we pass on to others in their turn.
Kurt Meissner was here in Lanny's thoughts, because they had attended a salon the year before the war; Rick, too, because they had attended the one of 1917. With these two friends Lanny was hoping to resume the life of art, in London, on the Riviera, all over Europe — when finally the statesmen had settled their squabbles and men could begin to think about the things that mattered. Lanny was in a mood of intense repugnance toward politics and everything that had to do with it. He had been on the inside, and never again would he believe in a statesman, never would a stuffed shirt or a uniform decorated with medals produce the slightest stir in his mind. Lanny's dream was to build himself an ivory tower and invite his chosen friends; they would live gracious lives, such as you read about in the days of the Medicis, and the Esterhazys, and other patrons of the arts.
The future patron had in his pocket a letter from Rick, begging him to come to England for a visit. Lanny had replied that he would do so as soon as he could arrange it. He had written to both his mother and his father, telling them about his resignation and asking as to their plans. From Robbie the reply came in the form of a cablegram — the old familiar kind that had made life such an adventure: “Sailing for London steamer Ruritania meet me Hotel Cecil Monday.”
36
The Choice of Hercules
I
WHEN Lanny left Paris, at the beginning of June, the Allies and the Germans were still exchanging notes about the treaty, and all the world was waiting to know, would they sign, or wouldn't they? The railwaymen of France were threatening to tie up the country with a strike against low wages, long hours, and the high cost of living; so Lanny took his departure by plane, a new and adventurous way of traveling, if you had the price. This was one good thing that had come out of the Avar; air travel had become quick and easy, and top members of the British delegation found it swanky to fly to London in the morning, have lunch and a conference, and return to Paris in the afternoon.
Private passengers paid eighty dollars for a one-way trip. You were bundled up in a heavy sheepskin coat and robe and wore a helmet with goggles. A marvelous sensation to feel yourself being lifted off the ground and see the earth falling away. What hath God wrought! The wind roared by at a hundred miles an hour, and the noise of the engine made it necessary to write a note to the pilot if you had anything to say. Down below were the farms of France, little checkerboards of green and brown and yellow. Then the Channel, made safe for traffic, the submarines having been surrendered to the English fleet. Fishing boats were tiny specks on the smooth blue and the heavy coal lighters trailed streamers of black smoke.
When Lanny got off the train at the station near The Reaches, Rick and Nina were waiting in a little car, Nina driving; Rick could never drive because of his leg. He had it in a steel brace, but even with this support it pained him to walk, and now and then he would go white and have to lean against something. But he didn't want anybody to help him; it was his own trouble and he would attend to it. Just oblige him by going on with the conversation, quietly and indifferently, English fashion.