“You’re dismissed for now, Boden.” Obi motions for me to come in.
Boden gives me a snarl as we pass each other.
Obi grins at me. The woman who’s next in line looks over and eyes me with more than professional curiosity.
“Good to see you alive, Penryn,” says Obi.
“Good to be alive,” I say. “Are we having movie nights?”
“We’re setting up a remote surveillance system around the Bay Area,” says Obi. “It pays to have so many geniuses in the Valley who can make the impossible possible again.”
Someone in the last row calls out, “Camera twenty-five is online.” The other programmers continue to tap on their computers but I can feel their excitement.
“What are you looking for?” I ask.
“Anything interesting,” says Obi.
“I got something!” a programmer in the back yells out. “Angels in Sunnyvale on Lawrence Expressway.”
“Put it on the front screen,” says Obi.
One of the large TV screens at the front of the classroom comes on.
THE TV lights up.
An angel with blue wings stalks through the rubble of an abandoned street. The road has a giant crack zigzagging down the center with one side higher than the other.
Another angel lands behind the first, then two others. They look around, then walk off-screen.
“Can you turn the camera?”
“Not this one, sorry.”
“Got another one!” says a programmer to my right. “This one’s at SFO.” I always wondered how they got SFO from San Francisco International Airport.
“Put it on screen,” says Obi.
Another TV comes alive in front of the chalkboard.
An angel rushes in a half-limp, half-run along a field of asphalt. One white wing is off-kilter and dragging behind him.
“We got ourselves a lame bird,” says someone behind me. He sounds excited.
“What’s he running from?” asks Obi almost to himself.
The camera has trouble with its picture. It keeps switching from too bright to too dark. It settles on adjusting the lighting to the bright background, making the details of the angel dark and hard to see.
As he gets closer, though, he turns to see whatever is chasing him, giving us a good look at his face.
It’s Beliel, the demon who stole Raffe’s wings. He’s in bad shape. I wonder what happened?
Only one of his stolen wings seems functional. It keeps opening and closing as though reflexively trying to fly while the other wing drags in the dust. I hate to see Raffe’s gorgeous wings abused like that, and I try not to think of the abuse they took on my own watch.
There’s something wrong with Beliel’s knee. He limps and favors it even as he tries to run. He’s moving faster than any injured human could, but I’m guessing that it’s still less than half his normal speed.
Even from this distance, I can see a vivid red stain seeping through his white pants just above his boots. Funny that the demon has taken to wearing white, probably since he got his new wings.
As he nears the camera, he turns his head again to look behind him. There’s the familiar sneer. Arrogant, angry, but this time, with more than a touch of fear.
“What’s he scared of?” Obi asks the question that I’m wondering.
Beliel limps out of the frame, leaving only a cross-section of the empty runway.
“Can we see what’s behind him?” asks Obi.
“That’s as far as the camera will turn.”
A few seconds tick by, and it feels like the room is holding its breath.
Then Beliel’s pursuer shows up on the screen in all his glory.
Demonic wings spread out above his head. Light glints off the curved hooks, sliding down the edge of his wings as he stalks his prey.
“Jesus H. Christ,” says someone behind me.
The pursuer seems to be in no rush, almost as if he’s savoring the moment. His head is down, with his wings shading his face, making the details even harder to see than Beliel’s. And unlike Beliel, he doesn’t turn his head to give us a good look at his face.
But I know him. Even with his new demon wings, I know him.
It’s Raffe.
Everything about him—his pace, his arched wings, his shaded face—is the perfect nightmare image of the devil stalking his prey.
Even though I’m sure it’s Raffe, my heart stutters with fear at the sight of him.
This is not the Raffe I’ve come to know.
Does Obi recognize him as the guy who was with me when we first came to the Resistance camp?
I’m guessing not. I’m not sure I would have recognized Raffe if I hadn’t known about his new wings, even though every feature of his face and body has been burned into my memory.
Obi turns to his men. “We’ve hit the jackpot! A lame angel and a demon. I want a hunting party on its way to the airport in two minutes!”
The twins are moving before the order is given. “We’re on it,” they say in unison as they run out the door.
“Go! Go! Go!” I’ve never seen Obi so excited.
Obi pauses at the doorway to say, “Penryn, join us. You’re the only one who’s been near a demon.” Everyone still thinks a demon carried me to my family when I was seemingly dead.
I shut my mouth before I can say that I don’t know anything. I run to catch up to the group stampeding down the hallway.
SAN FRANCISCO International Airport used to be about twenty minutes north of Palo Alto if there was no traffic. Of course, the highway is clogged now and driving sixty miles an hour is no longer feasible nor a good idea. But no one seems to have told Dee-Dum that. He takes open side roads in our SUV, weaving through abandoned cars and thumping over sidewalks like a drunken race-car driver.
“I’m gonna be sick,” I say.
“I’m ordering you not to,” says Obi.
“Ah, don’t say that,” says Dee-Dum. “She’s a born rebel. She’ll puke just to make a point.”
“You’re here for a reason, Penryn,” says Obi. “And throwing up in my car is not part of it. Buck up, Soldier.”
“I’m not your soldier.”
“Not yet,” says Obi with a wide grin. “Why don’t you fill us in on what happened at the aerie? Tell us everything you saw and heard, even if you think it won’t be helpful.”
“And if you have to get sick,” says Dee-Dum, “shoot for Obi’s direction, not mine.”
I end up telling them almost everything I saw. I leave out all things Raffe, but I tell them about the endless angel party at the aerie with champagne and hors d’oeuvres, costumes, servants, and the sheer decadence of it all. Then I tell them about the scorpion-angel fetuses in the basement lab, and the people being fed to the scorpions.
I hesitate to tell them about the experiments on the kids. Will they put two and two together and suspect that these kids might be the low demons who were tearing people apart on the roads? Will they suspect that Paige might be one of them? I’m not sure what to do, but I end up telling them in vague terms that kids have been operated on.