Warren moved to his left to get Hanson away from the windows. “I just need the context in security matters of this sort.”
“You’re wastin’ your time, see, I don’t know ’bout—”
Warren opened his briefcase casually and in one fluid move brought the short automatic pistol out. Hanson froze. He fired straight into Hanson’s chest. The popping sound was no louder than a dropped glass would make as the silencer soaked up the noise.
Hanson staggered back, his mouth gaping, sucking in air. Warren stepped forward, just as he had practiced, and carefully aimed again. The second shot hit Hanson squarely in the forehead and the man went down backward, thumping on the thin rug.
Warren listened. No sound from outside.
It was done. His first, and just about as he had envisioned it. In the sudden silence he heard his heart hammering.
He had read from the old texts that professional hit men of this era used the 0.22 automatic pistol despite its low calibre, and now he saw why. Little noise, especially with the suppressor, and the gun rode easily in his hand. The silencer would have snagged if he had carried it in a coat pocket. In all, his plans had worked. The pistol was light, strong, and—befitting its mission—a brilliant white.
The dark red pool spreading from Hanson’s skull was a clear sign that this man, who would have tortured, hunted, and killed many women, would never get his chance now.
Further, the light 0.22 slug had stayed inside the skull, ricocheting so that it could never be identified as associated with this pistol. This point was also in the old texts, just as had been the detailed blueprints. Making the pistol and ammunition had been simple, using his home replicator machine.
He moved through the old house, floors creaking, and systematically searched Hanson’s belongings. Here again the old texts were useful, leading him to the automatic pistol taped under a dresser drawer. No sign yet of the rifle Hanson had used in the open woods, either.
It was amazing, what twenty-first century journals carried, in their sensual fascination with the romantic aura of crime. He found no signs of victim clothing, of photos or mementos—all mementos Hanson had collected in Warren’s timeline. Daniel Hanson took his victims into the woods near here, where he would let them loose and then hunt and kill them. His first known killing lay three months ahead of this day. The timestream was quite close, in quantum coordinates, so Warren could be sure that this Hanson was very nearly identical to the Hanson of Warren’s timeline. They were adjacent in a sense he did not pretend to understand, beyond the cartoons in popular science books.
Excellent. Warren had averted a dozen deaths. He brimmed with pride.
He needed to get away quickly, back to the transflux cage. With each tick of time the transflux cage’s location became more uncertain.
On the street outside he saw faces looking at him through a passing car window, the glass runny with reflected light. But the car just drove on. He made it into the stand of trees and then a kilometre walk took him to the cage. This was as accurate as the quantum flux process made possible during a jogg back through decades. He paused at the entrance hatch, listening. No police sirens. Wind sighed in the boughs. He sucked in the moist air and flashed a supremely happy grin.
He set the coordinates and readied himself. The complex calculations spread on a screen before him and a high tone sounded screeeee in his ears. A sickening gyre began. The whirl of space-time made gravity spread outward from him, pulling at his legs and arms as the satin blur of colour swirled past the transparent walls. Screeeee …
For Warren the past was a vast sheet of darkness, mired in crimes immemorial, each horror like a shining, vibrant, blood-red bonfire in the gloom, calling to him.
He began to see that at school. History instruction then was a multishow of images, sounds, scents and touches. The past came to the schoolboys as a sensory immersion. Social adjustment policy in those times was clear: only by deep sensing of what the past world was truly like could moral understanding occur. The technologies gave a reasonable immersion in eras, conveying why people thought or did things back then. So he saw the dirty wars, the horrifying ideas, the tragedies and comedies of those eras … and longed for them.
They seemed somehow more real. The smart world everyone knew had embedded intelligences throughout, which made it dull, predictable. Warren was always the brightest in his classes, and he got bored.
He was fifteen when he learned of serial killers.
The teacher—Ms. Sheila Weiss, lounged back on her desk with legs crossed, her slanted red mouth and lifted black eyebrows conveying her humour—said that quite precisely, “serials” were those who murdered three or more people over a period of more than thirty days, with a “cooling off” period between each murder. The pattern was quite old, not a mere manifestation of their times, Ms. Weiss said. Some sources suggested that legends such as werewolves and vampires were inspired by medieval serial killers. Through all that history, their motivation for killing was the lure of “psychological gratification”—whatever that meant, Warren thought.
Ms. Weiss went on: Some transfixed by the power of life and death were attracted to medical professions. These “angels of death”—or as they self-described, angels of mercy—were the worst, for they killed so many. One Harold Shipman, an English family doctor, made it seem as though his victims had died of natural causes. Between 1975 and 1998, he murdered at least two hundred and fifteen patients. Ms. Weiss added that he might have murdered two hundred and fifty or more.
The girl in the next seat giggled nervously at all this, and Warren frowned at her. Gratification resonated in him, and he struggled with his own strange excitement. Somehow, he realized as the discussion went on around him, the horror of death coupled with his own desire. This came surging up in him as an inevitable, vibrant truth.
Hesitantly he asked Ms. Weiss, “Do we have them … serial killers … now?”
She beamed, as she always did when he saw which way her lecture was going. “No, and that is the point. Good for you! Because we have neuro methods, you see. All such symptoms are detected early—the misaligned patterns of mind, the urges outside the norm envelope—and extinguished. They use electro and pharma, too.” She paused, eyelids fluttering in a way he found enchanting.
Warren could not take his eyes off her legs as he said, “Does that … harm?”
Ms. Weiss eyed him oddly and said, “The procedure—that is, a normalization of character before the fact of any, ah, bad acts—occurs without damage or limitation of freedom of the, um, patient, you understand.”
“So we don’t have serial killers anymore?”
Ms. Weiss’s broad mouth twisted a bit. “No methods are perfect. But our homicide rates from these people are far lower now.”
Boyd Carlos said from the back of the class, “Why not just kill ’em?” and got a big laugh.
Warren reddened. Ms. Weiss’s beautiful, warm eyes flared with anger, eyebrows arched. “That is the sort of crime our society seeks to avoid,” she said primly. “We gave up capital punishment ages ago. It’s uncivilized.”
Boyd made a clown face at this, and got another laugh. Even the girls joined in this time, the chorus of their high giggles echoing in Warren’s ears.
Sweat broke out all over Warren’s forehead and he hoped no one would notice. But the girl in the seat across the aisle did, the pretty blonde one named Nancy, whom he had been planning for weeks to approach. She rolled her eyes, gestured to friends. Which made him sweat more.
His chest tightened and he thought furiously, eyes averted from the blonde. Warren ventured, “How about the victims who might die? Killing killers saves lives.”
Ms. Weiss frowned. “You mean that executing them prevents murders later?”
Warren spread his hands. “If you imprison them, can’t they murder other prisoners?”