“Who are you?” Stark said, his voice loud and near, and the hands tore for him, but the boy was very quick and he ducked, turning all at once, and he hit the fence and doubled over it, feeling quick pain cut him and forgetting it as he was up and running again. At the top of the hill he stopped and listened. It was dead silent. He stood, breathing hard, pausing in his breathing to listen, and tried to figure what had happened. Stark had been surprised, too, he knew, probably more surprised than he. When it was light he would come up the hill, following the tracks. The boy felt ashamed, for he had prided himself on his quickness and quietness and cleverness, too, and to be nearly caught was something to feel ashamed about. Perhaps Stark was clever too, he thought, and this made him feel better. It was a kind of contest now, a contest of wits and observation that it had not been before. He caught his breath and then doubled back, and turned and went down the hill away from both the Stark place and his own, making firm tracks, and when he reached the bottom where there were trees and grass, he walked carefully and lightly up to the road, and then crossed the road, brushing out his tracks behind him. After he crossed the road he was in their own pasture again, and he walked quickly up the hill to the house.
He did not go down to the Stark place for several days after that, but finally something drove him back; it was a curiosity, a compulsion. He wanted to know about Stark, about the lighted backroom; he wanted to see again and watch again and he wanted to feel the fear and tenseness and the terror. He knew he wanted that — the terror and the disgust, and yet somehow he hated it too; he wanted to feel the hatred and shuddering disgust burn through him, and still he wanted to destroy it. It was this that drew him back; it was something like the pleasure of hunting, of fearing to kill something and still wanting very much to kill; it was like the sweet feeling of bringing death — death to something that shouldn’t or needn’t live except as a target for a rifle.
He chose his vantage point differently this time, moving between two box elder trees, protected from the yard by the battered sway-sided hump of a collapsed garage, but still able to see the yard quite clearly. He was only a few yards from the backroom where the light came on and then, that evening, the front door slammed and he saw Stark moving, lantern and pail in hand, to the barn, his legs throwing great grotesque shadows as he moved.
After he had passed out of sight, the boy moved, with the lightness of smoke, across the weed-patch yard to beside the yellow window. He tried the window but it was tight, locked from the inside. The boy hesitated. He knew he must see the room, see what was there. Again he felt the swift thrill of terror and excitement, if he should be seen or if he should get caught, come face to face with the lavender scar and the redrimmed eye. He circled the house and waited to see if Stark was anywhere in sight, but then he saw the lantern swaying down in the yards. The boy moved soundlessly across the porch and swung open the screen door. The kitchen was dark; he knew it was the kitchen by the soured odor of the cream separator and by the heavy smell of fried potatoes. He went quickly through the room and through another one to the room with the lamp. He stopped and looked about him. It was only a bedroom, quite neat and clean, with a bed and a dresser and a chest of drawers. The lamp stood on the dresser and beside it were some slender books, a half dozen or so, with titles the boy had never seen before, and there was a picture, too, of a family. The boy looked at it; it was the only thing to look at in the room. It was an old picture, taken years before, quite yellow now. The man sitting rigidly in the straight chair with arms folded across his chest had on a stiff celluloid collar, and the woman had a frowzy, tormented look on her face. In the picture, too, were a boy and a girl, the boy younger, both plain, vacant-faced children, like any other boy and girl. And on the picture, written very faintly, but carefully, too, as if it had been written a long time before, above the man’s head were the words “Ezra Stark, Sr., died 1938,” and above the woman’s “Mathilda Stark, died 1943,” and “Carl” beside the boy, and “Harriet” beside the girl. He did not know why the picture was there, and he did not really care.
The boy surveyed the room again. He was genuinely disappointed. He had expected something of a purpose perhaps, overwhelming and evil, a mad old woman, an opium den, a room full of glowering icons, but instead there was only the single dull picture. He turned to go when he caught the swift light sound of a step on the porch. The boy felt a swift clutch of fear — the windows were no good, the bed too low. Now that he was inside, in a strange room, he felt trapped and confused — outside, with space and movement, he could think and act, but here, here he did not know where to turn. He pulled the closet curtain back and stepped inside, burrowing beneath some coats hung on the bar above his head. The curtain trembled after his movement and he tried to still it, but there was the faint vibration as he heard Stark come slowly from the kitchen into the room. The boy held his breath; he dared not breathe, for he could hear every breath, every movement of Stark. Now that he needed to hold his breath, every second demanded a new one. The blood flooded his temples, there was a filled choking feeling in his throat, he had to breathe but Stark was still there, and he did not breathe. He saw the silhouette of Stark against the curtain, saw Stark move across the room, and then slowly turn and go away again, and still the boy did not breathe, even with the blood pounding in his temples and his hands like ice. He heard the footsteps move away, heard the creaking of the floor in the other room and then the half-musical sprongging sound of the screen door opening and closing, and yet the boy waited, breath drawn in, until the stillness settled again, dropped with that heavy silence that could be only the silence of one alone. He moved then, looking carefully past the edge of the curtain into the lamp-lit yellow room, and then he crossed the room to the dresser. He shielded his eyes against the lamp and looked out into the late half light, half darkness, and then he turned the lock on the window and opened it. The window was very dusty and had not been cleaned for a long time. There was no screen and he shoved the window up and prepared to go out when his arm touched the lamp and jarred it and he had a quick breathless moment catching it, keeping it from falling, and then suddenly, quickly, quite deliberately, he flung the lamp on the floor, smashing it, sending kerosene and the flame eating after the kerosene across the floor and beneath the bed. It was a small blue-yellow flame at first as he watched it, growing yellowly, with a faint fuzzy orange color as the flames caught at the blankets overhanging the bed. The boy slid out the window and moved in a crouched half-run across the yard. He did not look back until he reached the hilltop in the cornfield and then the whole house was a rich cherry glow in the valley, the flames licking the roof and the sides of the house like cherry drippings on chocolate, and the boy watched, feeling the tightness in his chest from running or from fear, he did not know which.