Somewhen immeasurably inconceivable to my present-bound mind, a hollow needle pierces my flesh, there in some unforeseeable aftertime, and the hypodermic’s plunger forces into me your concoction of caffeine citrate, cocaine, belladonna, epinephrine, foxglove, etcetera & etcetera. And I think you will be screaming for me to come back, then, to open my eyes, to wake up as if you had only given me over to an afternoon catnap. I would not answer, even now, even with its smothering eyes upon me, in me, performing their metamorphosis. But you are calling (wake up, wake up, wake up), and your chemicals are working upon my traitorous physiology, and, worst of all, it wishes me to return from whence and when I have come. It has infected me, or placed within me some fraction of itself, or made from my sentience something suited to its own explorations. Did this never occur to you, my dear? That in those liminal spaces, across the thresholds that separate life from death, might lurk an inhabitant supremely adapted to those climes, and yet also possessed of its own questions, driven by its own peculiar acquisitiveness, seeking always some means to penetrate the veil. I cross one way for you, and I return as another’s experiment, the vessel of another’s inquisition.
“Breathe, goddamn you!” you will scream, screaming that seems no more or less disingenuous or melodramatic than any actor upon any stage. With your fingers you will clear, have cleared, are evermore clearing my mouth and nostrils of the thickening elixir filling the vivarium tank. “You won’t leave me. I will not let you go. There are no ox carts here, no wagon wheels.”
But, also, you have, or you will, or at this very second you are placing that fatal spoon upon my tongue.
And when it is done—if I may arbitrarily use that word here, when—and its modifications are complete, it shuts its eyes, like the sun tumbling down from the sky, and I am tossed helpless back into the rushing flow of time’s river. In the vivarium, I try to draw a breath and vomit milky gouts. At the writing desk, I take the quill you have provided me, and I write—“Wake up,” she whispers. There are long days when I do not have the strength to speak or even sit. The fears of pneumonia and fever, of dementia and some heretofore unseen necrosis triggered by my time away. The relief that begins to show itself as weeks pass and your fears fade slowly, replaced again by that old and indomitable inquisitiveness. The evening that you drained the tank and found something lying at the bottom which you have refused to ever let me see, but keep under lock and key. And this night, which might be now, in our bed in the dingy room above your laboratory, and you hold me in your arms, and I lie with my ear against your breast, listening to the tireless rhythm of your heart winding down, and it listens through me. You think me still your love, and I let my hand wander across your belly and on, lower, to the damp cleft of your sex. And there also is the day I hold my dying brother. And there are my long walks beside the sea, too, with the winter waves hammering against the Cobb. That brine is only the faintest echo of the tenebrous kingdom I might have named Womb. Overhead, the wheeling gulls mock me, and the freezing wind drives me home again. But always it watches, and it waits, and it studies the intricacies of the winding avenue I have become.
Rigormarole
Michael A. Arnzen
Kitty’s Zombie New Year
Carrie Vaughn
I’d refused to stay home alone on New Year’s Eve. I wasn’t going to be one of those angst-ridden losers stuck at home watching the ball drop in Times Square while sobbing into a pint of gourmet ice cream.
No, I was going to do it over at a friend’s, in the middle of a party.
Matt, a guy from the radio station where I was a DJ, was having a wild party in his cramped apartment. Lots of booze, lots of music, and the TV blaring the Times Square special from New York—being in Denver, we’d get to celebrate New Year’s a couple of times over. I wasn’t going to come to the party, but he’d talked me into it. I didn’t like crowds, which was why the late shift at the station suited me. But here I was, and it was just like I knew it would be: 10:00 p.m., the ball dropped, and everyone except me had somebody to kiss. I gripped a tumbler filled with untasted rum and Coke and glowered at the television, wondering which well-preserved celebrity guest hosts were vampires and which ones just had portraits in their attics that were looking particularly hideous.
It would happen all over again at midnight.
Sure enough, shortly after the festivities in New York City ended, the TV station announced it would rebroadcast everything at midnight.
An hour later, I’d decided to find Matt and tell him I was going home to wallow in ice cream after all, when a woman screamed. The room fell instantly quiet, and everyone looked toward the front door, from where the sound had blasted.
The door stood open, and one of the crowd stared over the threshold, to another woman who stood motionless. A new guest had arrived and knocked, I assumed. But she just stood there, not coming inside, and the screamer stared at her, one hand on the doorknob and the other hand covering her mouth. The scene turned rather eerie and surreal. The seconds ticked by, no one said or did anything.
Matt, his black hair in a pony tail, pushed through the crowd to the door. The motion seemed out of place, chaotic. Still, the woman on the other side stood frozen, unmoving. I felt a sinking feeling in my gut.