“Most likely. The risk was in putting the items together. Now he’s exporting, it’ll be a couple of big crates to a legitimate destination.”
“Right out the back door, huh?”
“Yes.” From behind her big sunglasses, Paula gazed at the solid gray-painted wood of the gallery’s loading door, visualizing the cargo boat tying up beside it, the containers being lowered onto the deck. They’d do it in the middle of the day, of course. A simple honest shipment, nothing to hide. Wherever it went—out to the docks that fronted the Acri district where the big seagoing ships put in, or the cargo yard at the Prato monorail station—she’d follow it. Somewhere down the line, Bradley Johansson would be waiting.
Adam Elvin leaned back against the purple cord cushions in the back of the gondola as it slid gracefully along the narrow canal. It was one of the little waterways that zigzagged around large blocks, connecting and crossing the larger canals. The side walls were high here, slimed with weed and dirt. Water slapped against the cracked brickwork, slowly eroding the mortar—there were entire sections that had been repaired with new bricks and hard cement, looking totally out of place. Bridges curved overhead like miniature tunnels. Each block had a row of near-identical blank wooden doors a meter above the tide line, fastened by heavy iron bolts. They passed several that were open, with little cargo boats tied up outside, their crew manhandling crates and boxes into the dark interiors.
Every delivery in Venice Coast was by boat, adding to the cost of living here. Adam hadn’t appreciated that before he came, that the only transport in each district was either walking or boat. The monorail took you between districts, but that was all.
They turned out onto the famous Rovigo canal, one of the major channels through the Cesena district. The venturi trees lined both sides; planted a century ago their trunks resembled gnarled copper pillars reaching over twenty-five meters high, with arched boughs that trailed long strands of yellow-gold leaves as thin as tissue. Each one had its own sieve well that had been drilled under the pavement into the boggy subsoil, allowing the roots to suck up fresh water. Adam was lucky enough to be visiting during the fortnight they were in bloom. Each branch ended in a triune of brilliant amethyst ruff flowers as big as footballs. Already, though, petals were beginning to fade and fall, snowing onto the heads of delighted gondola tourists like scented confetti.
Adam smiled appreciatively as the gondolier slowed down, allowing him to soak up the sight and smell of the wonderful native trees. The boutiques and galleries on either side of the Rovigo were among the more exclusive in Venice Coast, with dark glass windows illustrating single examples of their expensive prestige products. Not far away, the strange and wonderful twisted neo-Gothic spire of StPeter’s Cathedral towered above the city’s red tile roofs like a pre-Commonwealth silver space rocket.
The Rovigo ended at a junction with the Clade canal. They waited between the last of the venturi trees for a big glass-topped, air-conditioned tourist bus boat to chug past. The wash slapped at the gondola, much to the gondolier’s disgust; half of his conversation during the trip had been a diatribe against any boat that had an engine. Adam looked along the Clade, seeing the broad waterway slowly curving away from him, with the back of the Nystol Gallery just visible. There were only about ten other boats on this section, a couple of gondolas, some cargo boats, a taxi; the pavement along the side was equally empty, with a few tourists wandering along. Even the cafés were almost deserted—
“Stop!” Adam hissed at the gondolier.
The man looked back at him in surprise, the pole poised ready to push them out into the Clade now the water bus had passed. “Is clear now,” he complained.
“Go back. Do not go out onto the Clade. Understand? Do not take me out there. Take me back to the monorail station.” He produced a thick roll of notes from his pocket, and peeled off over a hundred Anacona dollars.
The gondolier’s face brightened at the sight of the money. “Sure. Okay. You’re the captain, I’m just the engine room.” He changed the angle of the pole, and slid it into the muddy water. The gondola’s prow slowly came around, and they began to head back down the Rovigo. A multitude of crispy dry violet petals continued to drift down over Adam’s clothes as they retreated at a speed that was barely above walking pace. He refused to look around. That would be a stupid weakness. He knew exactly who he’d seen sitting there outside the café. After all this time he could recognize Chief Investigator Myo’s profile from almost any angle and distance. She was wearing a blond wig, and large sunglasses, but that couldn’t disguise her from him. Her posture, her gestures. That suit! Who the hell else would wear a business suit in the middle of Venice Coast’s siesta?
His limbs were starting to shake as he realized how close he’d come to the end of… well, everything. He must have just used up every scrap of luck from the rest of his lifetime. If he’d been looking the other way… If Myo hadn’t been on duty at this time of day… He’d undergone cellular reprofiling, of course, giving himself a new image, a drawn face with dark skin. But he knew that wouldn’t have worked with the Chief Investigator. She would know him as easily as he knew her. They could never hide from each other.
…
He walked into the Nystol Gallery by the front door, knowing the Agency team would have his image on record. It didn’t bother him.
The reception hall had an arching roof of white-painted brick, and a flagstone floor. Before being converted into a gallery, the building had been a storage warehouse, which made it an ideal place to house EK pieces. The receptionist sat at a desk in front of a smoked-glass doorway that led into the gallery’s display chambers. She was staggeringly pretty, with a sylph body, Nordic white skin and red-gold hair that hung halfway down her back. Her flimsy brown and emerald dress belonged on a couture house’s runway. She smiled automatically at him, which deepened to mildly flirtatious as he walked over. “Hi, can I help you?”
“No.” He shot her through the temple with a microdart from his arm dispenser. Its n-pulse locked her muscles solid, an instant rigor mortis, holding her upright in her seat. Anyone peering in from the street would see her behind the desk as usual.
His e-butler opened a channel to the desk’s array. A brief software battle ensued as he took control of the building’s electronics network. As it progressed, the weapons and defense systems wetwired into his body powered up, bringing him to full combat status. He disconnected the gallery’s network from the planetary cybersphere, then deactivated all the internal alarms. The front door was locked. Where possible, fire doors were silently sealed, compartmentalizing the gallery. Sensors fed directly into his virtual vision, showing him the location of several people, although he knew there were at least three rooms without sensors.
The first chamber housed a three-meter-high EK gryphon, with a body made from thin sheets of jewel-encrusted brass that moved with fluid grace as they were manipulated from within by hundreds of small cogs and micro-pistons. It was as if Leonardo da Vinci had animated a sculpture with a difference engine. An old couple were walking around it, making admiring noises as they pointed out features to each other. He shot both of them with an ion bolt. The gryphon cooed loudly as he moved into the second chamber.
On the second floor, the fifth chamber had a single strip of machinery running its entire length, each component coming from the same aircraft, and broken in some way so instead of the smooth movement associated with the aerospace industry they jerked around like a damaged bird when power was applied. Ripples of motion ran up and down the strip, each one different to the last. A gallery guide was walking along the side of the piece, with a frown on his face as he came to investigate the strange sounds that had burst out of the fourth chamber.