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In asking people how they were coping with the privations of war, he found that the actual demarcation line was no more than a kilometre down the road going west, and if those to whom he had spoken were surprised that he headed that way instead of the way he had come, well that was his business. The road he ended up on was a track, but his compass told him it was going in the right direction and a muffled groan from the rear indicated his prisoner had begun to stir. Time to talk to him.

‘My first thought was just to put a bullet in your head.’ Looking up from the floor, Drecker’s eyes showed his confusion; Cal’s voice was utterly without passion. ‘But that would not have really given justice to Florencia, which is what you are going to pay for – her life, and my unhappiness at the loss. I have to tell you also, the notion of what I am about to do was inspired by a fellow countryman of yours.’

From inside his jacket Cal produced a large envelope.

‘Inside here, in Spanish, is your name, rank and a description of your duties. I have taken your Communist Party membership card and wallet from your pocket. It also implies that you have information about the future plans of the Republican forces, which of course you do not. When they ask you for that information, you will deny that you have any and they will not believe you.’

The look had changed as had Cal’s voice. ‘They will kill you eventually, Drecker, for they are no more gentle than you have been to others, but not before they have done to you what you have inflicted on so many people, and when you are screaming in pain, I want you to think of this.’

Cal took the photograph of Florencia out of his pocket and held it before the terrified German’s eyes. ‘There’s an expression we British use, it’s called “poetic justice”.’

He had to get off the track into the fields; there would be a Republican outpost somewhere and it was pure luck as he drove that he saw the two men that manned the gimcrack blockhouse waving to him to stop, while not far from where they were based stood the Nationalist equivalent, in this case a not very high watchtower.

Given they were defending the line, they were more proactive; whoever manned it loosed off a couple of shots at his car, more as a warning than an attempt to kill him. As soon as he was level with the watchtower he stopped, placed the things he needed as signs, got out and ducked behind the car, opening the back door.

‘Goodbye, Drecker, enjoy your visit to the other half of Spain.’

Keeping the car between him and the Nationalists, he headed away, and sure he was beyond range, turned to regain the Republican area, coming round to the little blockhouse in a wide arc with fulsome apologies for being a stupid foreigner. He was with the two militiamen when the Nationalists finally and gingerly approached the abandoned car.

What they saw first was what Cal had left on top of the dashboard: a black cap, with a very prominent red star facing right forward, and standing beside that a card, bearing the crest of the Partido Comunista de España.

It was not long before one of them was running back to the watchtower, where there had to be a field telephone. Eventually one of them tried the engine, and when it fired it was driven well into the Nationalist zone. With many gestures that there was nothing they could do, the two Republican militiamen watched as the owner of the lost car, having accepted what had happened, began to walk back to the town, only using the finger to the finger-to-the-head gesture that he was mad when his back was to them.

From then on it was buses back to Madrid, where he met Tyler Alverson in the bar of the Hotel Florida and, to the sound of shelling and the rattle of gunfire, he told him the story he so badly wanted to hear.

‘What now, brother?’

‘Home.’

AUTHOR’S NOTE

One of the joys of writing fiction is the ability to not only imagine real and invented characters but to place them where and when you want. Facts are important but they, like the individuals who populate a novel, are there to facilitate the story not the other way round.

Of all the wars of the twentieth century, the Spanish Civil War must rank as the most complex, one in which the lines of battle between the Nationalists and the Republicans were clearly drawn, yet behind those fluid fronts, certainly in the case of the latter, other conflicts based on ideology raged and they were as bloody and unforgiving as anything that happened in battle.

Hindsight is a wonderful thing, but there were many voices at the time, and not all of them on the left, who pointed out that to stand back and plead the farce of non-intervention, while letting the fascist dictatorships supply Franco and his army, was a mistake for which we paid a high price in the subsequent decade.

It was a tragedy that the only friend to the Republic was the Soviet Union, made greater by an ideology – seemingly alien to us now – that the end justifies the means, even if it means killing those on your own side. In the end, that friend ensured the elected government of Spain would lose.

What I set out to do in this novel was to try and make sense of the aforementioned complexity. This is a story, not a history, though there is much of that laced through the narrative; where there are minor deviations, they are in place to facilitate and to entertain in a subject about which one could write a dozen books and still not cover it all.

By Jack Ludlow

THE ROADS TO WAR SERIES

The Burning Sky

A Broken Land

THE REPUBLIC SERIES

The Pillars of Rome

The Sword of Revenge

The Gods of War

THE CONQUEST SERIES

Mercenaries

Warriors

Conquest

Written as David Donachie

THE JOHN PEARCE SERIES

By the Mast Divided

A Shot Rolling Ship

An Awkward Commission

A Flag of Truce

The Admirals’ Game

An Ill Wind

Blown Off Course

Enemies at Every Turn

Copyright

Allison & Busby Limited

13 Charlotte Mews

London W1T 4EJ

www.allisonandbusby.com

First published Great Britain in 2011.

This ebook edition first published in 2011.

Copyright © 2011 by DAVID DONACHIE

(writing as JACK LUDLOW)

The moral right of the author has been asserted.

All characters and events in this publication other than those clearly in the public domain are fictitious and any resemblance to actual persons, living or dead, is purely coincidental.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent buyer.

A CIP catalogue record for this book is available from the British Library.

ISBN 978–0–7490–4076–5