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Dwelling on this strange thought, little by little she began to feel better. Jealousy, of course, that was it. “Ah, what wouldn’t that poor thing give to have my hair?” and she patted it tenderly. From the beginning it had been so, the women were jealous, because the men were everywhere after her, as if it was her fault! Well, let them talk. Let them. She knew in her heart what she was, and Dennis knew, and that was enough.

“Life is a dream,” she said aloud, in a soft easy melancholy. “It’s a mere dream.” The thought and the words pleased her, and she gazed with pleasure at the loosened stones of the wall across the road, dark brown, with the thin shining coat of ice on them, in a comfortable daze until her feet began to feel chilled.

“Let me not sit here and take my death at my early time of life,” she cautioned herself, getting up and wrapping her shawl carefully around her. She was thinking how this sad countryside needed some young hearts in it, and how she wished Kevin would come back to laugh with her at that woman up the hill; with him, she could just laugh in their faces! That dream about Honora now, it hadn’t come true at all. Maybe the dream about Kevin wasn’t true either. If one dream failed on you it would be foolish to think another mightn’t fail you too: wouldn’t it, wouldn’t it? She smiled at Dennis sitting by the stove.

“What did the native people have to say this morning?” he asked, trying to pretend it was nothing much to him what they said.

“Oh, we exchanged the compliments of the season,” said Rosaleen. “There was no call for more.” She went about singing; her heart felt light as a leaf and she couldn’t have told why if she died for it. But she was a good woman and she’d show them she was going to be one to her last day. Ah, she’d show them, the low-minded things.

In the evening they settled down by the stove, Dennis cleaning and greasing his boots, Rosaleen with the long tablecloth she’d been working on for fifteen years. Dennis kept wondering what had happened in Boston, or where ever she had been. He knew he would never hear the straight of it, but he wanted Rosaleen’s story about it. And there she sat mum, putting a lot of useless stitches in something she would never use, even if she ever finished it, which she would not.

“Dennis,” she said after a while. “I don’t put the respect on dreams I once did.”

“That’s maybe a good thing,” said Dennis, cautiously. “And why don’t you?”

“All day long I’ve been thinking Kevin isn’t dead at all, and we shall see him in this very house before long.”

Dennis growled in his throat a little. “That’s no sign at all,” he said. And to show that he had a grudge against her he laid down his meerschaum pipe, stuffed his old briar and lit it instead. Rosaleen took no notice at all. Her embroidery had fallen on her knees and she was listening to the rattle and clatter of a buggy coming down the road, with Richards’s voice roaring a song, “I’ve been working on the railroad, All the live-long day!” She stood up, taking hair pins out and putting them back, her hands trembling. Then she ran to the looking-glass and saw her face there, leaping into shapes fit to scare you. “Oh, Dennis,” she cried out as if it was that thought had driven her out of her chair. “I forgot to buy a looking-glass, I forgot it altogether!”

“It’s a good enough glass,” repeated Dennis. The buggy clattered at the gate, the song halted. Ah, he was coming in, surely! It flashed through her mind a woman would have a ruined life with such a man, it was courting death and danger to let him set foot over the threshold.

She stopped herself from running to the door, hand on the knob even before his knock sounded. Then the wheels creaked and ground again, the song started up; if he thought of stopping he changed his mind and went on, off on his career to the Saturday night dance in Winston, with his rapscallion cronies.

Rosaleen didn’t know what to expect, then, and then: surely he couldn’t be stopping? Ah, surely he couldn’t be going on? She sat down again with her heart just nowhere, and took up the tablecloth, but for a long time she couldn’t see the stitches. She was wondering what had become of her life; every day she had thought something great was going to happen, and it was all just straying from one terrible disappointment to another. Here in the lamplight sat Dennis and the cats, beyond in the darkness and snow lay Winston and New York and Boston, and beyond that were far-off places full of life and gaiety she’d never seen nor even heard of, and beyond everything like a green field with morning sun on it lay youth and Ireland as if they were something she had dreamed, or made up in a story. Ah, what was there to remember, or to look forward to now? Without thinking at all, she leaned over and put her head on Dennis’s knee. “Whyever,” she asked him, in an ordinary voice, “did ye marry a woman like me?”

“Mind you don’t turn over in that chair,” said Dennis. “I knew well I could never do better.” His bosom began to thaw and simmer. It was going to be all right with everything, he could see that.

She sat up and felt his sleeves carefully. “I want you to wrap up warm this bitter weather, Dennis,” she told him. “With two pair of socks and the chest protector, for if anything happened to you, whatever would become of me in this world?”

“Let’s not think of it,” said Dennis, shuffling his feet.

“Let’s not, then,” said Rosaleen. “For I could cry if you crooked a finger at me.”

1936 WILLIAM FAULKNER. That Will Be Fine from the American Mercury

WILLIAM FAULKNER’S biography in the 1943 volume of The Best American Short Stories reads:

He grew up in Oxford, Mississippi, a descendant of a once-wealthy family. His schooling was intermittent and he spent most of his youth loafing around his father’s livery stable. He wrote poetry, strongly influenced by Omar Khayyam and Swinburne, but, he says, it was no good except as an aid to love-making. Jolted out of his lazy life by the First World War, he joined the Canadian air force. After the war he turned to earning a living at odd jobs such as house-painting, selling books in a department store, and shoveling coal into a factory furnace. He started writing fiction and suddenly, he explains, “I discovered that writing was a mighty fine thing. It enables you to make men stand on their hind legs and cast a shadow.”

Faulkner (1897–1962) published a book of poems, The Marble Faun, in 1924. He went to work for a newspaper in New Orleans, where he met and befriended Sherwood Anderson. After Anderson persuaded him to try writing fiction — and to write about the region he knew best — Faulkner published his first novel, Soldier’s Pay, in 1926. He went on to publish a series of celebrated short stories, poems, and novels. Among his best-known books are Absalom, Absalom! As I Lay Dying, Light in August, and The Sound and the Fury.