Fenner shook his head: He patted Ike on his shoulder and walked out. The cab was still waiting. The driver leaned out as Fenner ran down the steps. “Didn’t think that was your home,” he said with a grin, “so I hung around. Where to?”
Fenner pulled open the door. “You might get far,” he said. “You been learnin’ your job by mail?”
The driver said seriously: “Things are pretty bum these days. You gotta use your nut. Where to, mister?”
“The other side of Brooklyn Bridge. I’ll walk the rest.”
The cab shot away from the curb and headed for the lights of Seventh Avenue.
“Someone been knockin’ you around?” the cab driver asked curiously.
“Naw!” Fenner grunted. “My Aunt Fanny likes to keep an edge on her teeth.”
“A tough old lady, huh?” the driver said, but after that he shut up.
It was almost dark by the time they crossed Brooklyn Bridge. Fenner paid the cab off and went into the nearest bar. He ordered a club sandwich and three fingers of rye. While he bolted the sandwich he got the girl who waited on him to find out where the address was. She took a lot of trouble, finding it on a map for him. He paid his bill, had another short rye, and went out again.
Ten minutes’ quick walking got him there. He found his way without asking and without making a mistake. He walked down the street, looking closely at every shadow. The house he wanted was on the corner. It was a small two-story affair, with a square box hedge so arranged that it masked the front door completely. There were no lights showing in any of the windows. Fenner pushed open the gate and walked up the slightly inclining path. His eyes searched the black windows for any sign of movement. He didn’t stop at the front door, but went on round the back of the house. There were no lights there. He found a window that was open a few inches at the top, and he shone his small torch into the room. It was empty of everything. He could see the dust on the floor boards. It took him a few seconds to raise the window and step into the room. He was careful not to make any noise, and he trod on the boards tenderly.
Quietly he tried the door, pulled it open and stepped into a small hall. The light of his torch picked out a carpet and a large hall cupboard. The stairs faced him. He stood listening, but no sound came to him except the faint hum of distant street traffic.
He went up the stairs, the .38 in his hand. His mouth was drawn down a little at the corners, and the muscles of his face were tense. On the landing he paused again, listening. He was conscious of a strange unpleasant smell that was vaguely familiar to him. He wrinkled his nose, wondering what it could be.
There were three doors facing him. He chose the centre one. He turned the handle softly and edged the door open. The smell came to him stronger now. It reminded him of the smell from a butcher’s shop. When he got the door half open, he paused and listened, then he stepped in and pushed the door to behind him. His torch lit up the light switch and he snapped it on.
He looked round the well-furnished bedroom, his finger itching on his gun trigger. There was no one there. He turned and twisted the key in the lock. He wasn’t taking chances. Then he wandered round the room thoughtfully.
A woman’s room. The dressing-table had the usual stuff. The bed was small, and a big nightdress case in the shape of a flaxen-haired doll lay on the pillow.
Fenner went over to the wardrobe and looked inside. There was one costume hanging on the peg. Nothing more. There didn’t have to be anything more; it was the costume that Marian Daley had worn when she called on him.
Fenner touched it thoughtfully while he tried to visualize Marian Daley. He took the costume out of the cupboard and tossed it on the bed. There was more spring in his step as he went over to the chest of drawers. In the top drawer was the prim little hat. He tossed that on the bed too. In another drawer he found a bundle of underclothes, a suspender girdle, stockings and shoes. He threw all these on to the bed. Then he went over to the dressing-table and jerked open the small drawer under the mirror. Stuffed inside was her handbag. He pulled it out with difficulty, and walked with it across the room. He sat on the bed, slapping the bag on his open palm and staring hard at the carpet. He didn’t like this at all.
He opened the bag and spilled the contents on to the bed. The usual junk a woman carries around clattered into a small, rather pathetic pile. He stirred the pile with his finger and then looked in the bag again. There was nothing there that he could see, and he put two fingers inside and ripped out the lining. Crumpled at the bottom of the bag, either hidden there, or else slipped through the lining, was a piece of paper. He spread it out and peered at it. It was a letter on a single sheet of notepaper in a large careless hand. It read:
Key West.
Dear Marian,
Don’t worry. Noolen has promised to help me. Pio doesn’t know anything yet. I think things will come out all right now.
The letter was unsigned.
Fenner folded the paper carefully and put it in his cigarette-case. He sat on the bed, thinking. Key West and the two Cubans. Something was beginning to add up. He got to his feet and made a systematic search of the whole room, but he found nothing else. Then he unlocked the door, snapped off the light and stepped quietly into the passage.
He eased his way into the room on the left. His torch showed him that it was a fair-sized bathroom. Making sure that the curtain was drawn over the window he reached out for the light switch. The smell in the room was making him feel a little sick. He knew now what it was and he was steeling himself to turn on the light. It flashed on as he turned the switch down with exaggerated care.
In the hard light the room looked like an abattoir after a full day’s work. The bath stood against the wall and was covered with a blood-spotted sheet. The wall was marked red and the floor by the bath was red. A table stood near the bath and that, too, had a blood-soaked towel on it. Fenner could see that it covered something.
He stood very still, looking round the room, his face white and set. He took a slow step forward and, hooking his gun-barrel under the towel, he flicked it off the table. A slender white arm, ruthlessly hacked off at the shoulder, wobbled on the table and then rolled off and fell on the floor at his feet.
Fenner felt the cold sweat of sickness break out all over him. He hastily swallowed the sudden rush of saliva that filled his mouth. He looked at the arm carefully, but he couldn’t bring himself to touch it. The hand was narrow and long, with carefully manicured finger-nails. There was no doubt about it. The arm and hand belonged to a woman.
With a hand that shook a little, he lit a cigarette, drawing the smoke down into his lungs and forcing it through his nostrils, trying to get rid of the nauseating smell of death. Then he walked over to the bath and turned back the sheet.
Fenner was tough. He’d been in the newspaper racket for years, and sudden death didn’t mean much to him. Violence was just another headline, but this business shook him. It shook him more because he’d known her. She was his client, and only a few hours before she had been a living, pulsing woman.
The thing in the bath told him he couldn’t be wrong. The tell-tale crisscross patterns still decorated the bruised body.
Fenner dropped the sheet and stepped out of the room. He pulled the door gently to and leaned against it. He’d have given a lot for a drink. He stood there, his mind blank, until the first shock drifted away from him. Then he wiped his face with his handkerchief and moved to the head of the stairs.
Grosset had to hear about this. He’d got to get those two Cubans fast. Then he stopped and stood thinking. The legs and one arm were missing. The head was missing too. A heavy enough burden for two men to carry without exciting comment. That was it. They were planting her somewhere, and they’d be back to get rid of the rest of the body.