And on top of it all, he kept on talking, rapidly and more loudly than necessary, always following my eyes with his words; to the exclusion of all other possible topics, he held forth on whatever he thought my eyes were curious about; we might say more cynically that he was running off at the mouth, trying to relieve my embarrassment and at the same time keep my forced, trembling smile — his smile on my lips — from somehow reinfecting him; he went on jabbering, buzzing and flirting in a way that made his high-handed, obnoxious complacency unbearable and unacceptable precisely because it was so very masculine, or at least what's usually considered masculine: a mildly aggressive, enticing, instinctively obtrusive, ingratiating, audacious mirror image — what a caricature mirror image! — of the sort of behavior I had never had a chance to observe from the outside, for without giving it a thought, I had indulged in it myself; a disagreeable pose is what it was, a pose one masters sometime in adolescence, considering it very manly; the trick is to talk, talk a blue streak, without saying anything, so that only the form itself, the style, the razzle-dazzle of words can clue one in on the speaker's secret designs: I was surprised, wasn't I, he asked, that he'd painted the floor all white — but he wanted no reply, only to catch my eyes again with his and not let go— he knew, of course, that this sort of thing was usually not done, he said, but that had never stopped him before, and didn't I find it attractive, though? he did, when he'd finished painting it, and was pleased that he wouldn't have to scrub it anymore; the place used to look like a dump, a pigsty really, some old geezer had lived here before — he often tried to picture his old age and feared it, actually, considering that given his aberrant inclinations it would surely be the most critical period of his life, a horrid wreck of a body with still youthful urges lusting after young bodies — anyway, the neighbors told him the old man had died on a urine-soaked mattress in that little room where the sofa was now standing; he hoped fate wouldn't deal him such an old age; in fact, he didn't want any kind of old age; and I couldn't imagine the dreadful state of the apartment when he moved in, filthy beyond belief and so foul-smelling he had to keep the windows open even in winter, and it was still in the air, sometimes he could smell it even now, four years later; anyway, why shouldn't a floor be all white, who said it must always be brown or an ugly yellow? wasn't it a great idea to spread the color of pristine purity over all that smut? and wasn't this, after all, perfectly in tune with the taste of our upright Germans, and he was, if not fully, at least half German.
Only half? I asked, surprised.
That's a long and quite amusing story, he said with a laugh and, as if sweeping an unexpected obstacle easily aside, went right on, with the same fervor, asking me if I had had the chance to make these or similar kinds of observations, because if I hadn't yet, I would surely discover in the future that white could be the appropriate symbol for the defeated German people's national character.
I said it was mostly gray I'd been noticing, and because I felt I should somehow be embarrassed for him, for his flippant tone, my gaze drifted away.
But he followed my eyes: ah, the desk, a nice piece, wasn't it? and the armchairs, candelabra, and rugs, too, all brought over from his mother's, just about everything was from there, a kind of family inheritance, all of it, he looted his mother's place, but she didn't mind, mothers never do, and all this was recent; at first he wanted the place to be white and bare, just a bed covered with a white sheet, nothing else… he was blathering away, giving me all this nonsense because he was glad I was there but afraid to say so; shouldn't we rather drink something, he happened to have a bottle of French champagne, chilled, saving it for some special occasion, one never knew when such an occasion might arise, right? how about making our meeting a special occasion and uncorking the bottle?
Taking my bemused silence for acquiescence, he left to get the champagne; the antique clock on the wall struck twelve, I counted the strokes, mechanically, helplessly; So 'tis midnight, I thought, which wasn't too bright but characteristic of my state, for by then my thinking had simply shut down so that pure sensory perception could take control, making me appear as another object in the room without my knowing how it got there, a not unfamiliar sensation, yet never before had I sensed so vividly and thoroughly that the place I was in was as unique as the hour marked by the countable strokes of the clock, because something had to happen here, something that went against all my wishes and that would change the course of my life, and whatever it might turn out to be, I knew I had to yield to it: midnight, the witching hour, never more propitious, I had to laugh at myself, as though I'd never let myself go before, a slight exaggeration, surely, as if I were a young girl debating whether to lose or keep her virginity, as if this room were the last station on a long deferment whose nature and content had been unfamiliar until now; I was fooling myself, still pretending — what pleasure to pretend to ourselves! — that I really had no idea what extraordinary thing might happen or perhaps already had happened here tonight, but what was it?
The candles flickered and crackled, soothingly, beautifully; outside it was pouring, and after the clock struck twelve all one could hear was the even, bubbling rhythm of baroque music and the pelting, pattering sound of the rain, as if somebody had overdirected this scene to be so obviously, so ludicrously beautiful.
Because somebody did stage it, I was sure, not he or I but somebody, or at least it got staged beforehand, as all accidental encounters are; no one plans them or counts on them, and only later, in retrospect, do we realize they were pivotal, fateful; at first it all seems banal, incidental, incoherent, random fragments and flashes to which we needn't attach much significance, and as a rule we don't, for what may be accidentally visible to us from a tangled heap of occurrences, what may hang out and appear as a sign, a warning, is nothing more than some detail belonging to another cluster of happenings we have nothing to do with; a prop in Thea's slightly laughable romantic agony, that's what I thought of him then, because he was the one she spoke to Frau Kühnert about on that dark autumn afternoon in the uncomfortable silence of the rehearsal hall, calling him "the boy," an odd and deliberately derisive appellation, enough to arouse my curiosity; but then it had been more intriguing to try to follow the inner process, the various degrees of transition, that Thea had to follow so that finally she could focus the intense emotions of her just completed scene on some external object, which she ended up calling the boy; as I have already pointed out, Thea, like all great actors, had the special ability to make her inner processes, mixed in with her private life, continually visible and spectacular and, precisely because emotions displayed on the stage are nourished by the actor's so-called private life, one could never be sure when she was in earnest and when she was only playing with something that might mean a great deal to her; in other words, unlike normal mortals, she would toy with deadly serious things and take seriously what was only make-believe, and this interested me more than the seemingly irrelevant question of who the elusive person was whom she labeled "the boy," the person she disdained, hated even, so much so that she wouldn't utter his name, the person she nevertheless didn't dare telephone because for reasons unknown to me, he had asked her never to call him again, for whose closeness, then, right after the erotic desire expressed onstage had become impersonal and objectless, she still yearned so much that she was willing to risk humiliation, and in whose room I would be standing later that same evening — in a sense as her replacement.