'Misha! Mihail Andreevitch!' I was beginning, … 'Is it you?'
'Call me Misha,'—he interrupted me. 'Yes, it's I, … I, in my own person…. I have come to Moscow … to see the world … and show myself. And here I am, come to see you. What do you say to my horses?… Eh?' he laughed again.
Though it was seven years since I had seen Misha last, I recognised him at once. His face had remained just as youthful and as pretty as ever—there was no moustache even visible; only his cheeks looked a little swollen under his eyes, and a smell of spirits came from his lips. 'Have you been long in Moscow?' I inquired.
'I supposed you were at home in the country, looking after the place.' …
'Eh! The country I threw up at once! As soon as my parents died—may their souls rest in peace—(Misha crossed himself scrupulously, without a shade of mockery) at once, without a moment's delay, … ein, zwei, drei! ha, ha! I let it go cheap, damn it! A rascally fellow turned up. But it's no matter! Anyway, I am living as I fancy, and amusing other people. But why are you staring at me like that? Was I, really, to go dragging on in the same old round, do you suppose? … My dear fellow, couldn't I have a glass of something?'
Misha spoke fearfully quick and hurriedly, and, at the same time, as though he were only just waked up from sleep.
'Misha, upon my word!' I wailed; 'have you no fear of God? What do you look like? What an attire! And you ask for a glass too! And to sell such a fine estate for next to nothing….'
'God I fear always, and do not forget,' he broke in…. 'But He is good, you know—God is…. He will forgive! And I am good too…. I have never yet hurt any one in my life. And drink is good too; and as for hurting,… it never hurt any one either. And my get-up is quite the most correct thing…. Uncle, would you like me to show you I can walk straight? Or to do a little dance?'
'Oh, spare me, please! A dance, indeed! You'd better sit down.'
'As to that, I'll sit down with pleasure…. But why do you say nothing of my greys? Just look at them, they're perfect lions! I've got them on hire for the time, but I shall buy them for certain, … and the coachman too…. It's ever so much cheaper to have one's own horses. And I had the money, but I lost it yesterday at faro. It's no matter, I'll make it up to-morrow. Uncle, … how about that little glass?'
I was still unable to get over my amazement. 'Really, Misha, how old are you? You ought not to be thinking about horses or cards, … but going into the university or the service.'
Misha first laughed again, then gave vent to a prolonged whistle.
'Well, uncle, I see you're in a melancholy humour to-day. I'll come back another time. But I tell you what: you come in the evening to Sokolniki. I've a tent pitched there. The gypsies sing, … such goings-on…. And there's a streamer on the tent, and on the streamer, written in large letters: "The Troupe of Poltyev's Gypsies." The streamer coils like a snake, the letters are of gold, attractive for every one to read. A free entertainment—whoever likes to come! … No refusal! I'm making the dust fly in Moscow … to my glory! … Eh? will you come? Ah, I've one girl there … a serpent! Black as your boot, spiteful as a dog, and eyes … like living coals! One can never tell what she's going to do—kiss or bite! … Will you come, uncle? … Well, good-bye, till we meet!'
And with a sudden embrace, and a smacking kiss on my shoulder, Misha darted away into the courtyard, and into the carriage, waved his cap over his head, hallooed,—the monstrous coachman leered at him over his beard, the greys dashed off, and all vanished!
The next day I—like a sinner—set off to Sokolniki, and did actually see the tent with the streamer and the inscription. The drapery of the tent was raised; from it came clamour, creaking, and shouting. Crowds of people were thronging round it. On a carpet spread on the ground sat gypsies, men and women, singing and beating drums, and in the midst of them, in a red silk shirt and velvet breeches, was Misha, holding a guitar, dancing a jig. 'Gentlemen! honoured friends! walk in, please! the performance is just beginning! Free to all!' he was shouting in a high, cracked voice. 'Hey! champagne! pop! a pop on the head! pop up to the ceiling! Ha! you rogue there, Paul de Kock!'
Luckily he did not see me, and I hastily made off.
I won't enlarge on my astonishment at the spectacle of this transformation. But, how was it actually possible for that quiet and modest boy to change all at once into a drunken buffoon? Could it all have been latent in him from childhood, and have come to the surface directly the yoke of his parents' control was removed? But that he had made the dust fly in Moscow, as he expressed it—of that, certainly, there could be no doubt. I have seen something of riotous living in my day; but in this there was a sort of violence, a sort of frenzy of self-destruction, a sort of desperation!
III
For two months these diversions continued…. And once more I was standing at my drawing-room window, looking into the courtyard…. All of a sudden—what could it mean? … there came slowly stepping in at the gate a pilgrim … a squash hat pulled down on his forehead, his hair combed out straight to right and left below it, a long gown, a leather belt … Could it be Misha? He it was!
I went to meet him on the steps…. 'What's this masquerade for?'
I demanded.
'It's not a masquerade, uncle,' Misha answered with a deep sigh: since all I had I've squandered to the last farthing—and a great repentance too has come upon me—so I have resolved to go to the Sergiev monastery of the Holy Trinity to expiate my sins in prayer. For what refuge was left me? … And so I have come to you to say good-bye, uncle, like a prodigal son.'
I looked intently at Misha. His face was just the same, rosy and fresh (indeed it remained almost unchanged to the end), and the eyes, liquid, affectionate, and languishing—and the hands, as small and white…. But he smelt of spirits.
'Well,' I pronounced at last, 'it's a good thing to do—since there's nothing else to be done. But why is it you smell of spirits?'
'A relic of the past,' answered Misha, and he suddenly laughed, but immediately pulled himself up, and, making a straight, low bow—a monk's bow—he added: 'Won't you help me on my way? I'm going, see, on foot to the monastery….'
'When?'
'To-day … at once.'
'Why be in such a hurry?'
'Uncle, my motto always was, "Make haste, make haste!"'
'But what is your motto now?'
'It's the same now…. Only, make haste towards good!'
And so Misha went off, leaving me to ponder on the vicissitudes of human destiny.
But he soon reminded me of his existence. Two months after his visit, I got a letter from him, the first of those letters, of which later on he furnished me with so abundant a supply. And note a peculiar fact: I have seldom seen a neater, more legible handwriting than that unbalanced fellow's. And the wording of his letters was exceedingly correct, just a little flowery. Invariable entreaties for assistance, always attended with resolutions to reform, vows, and promises on his honour…. All of it seemed—and perhaps was—sincere. Misha's signature to his letters was always accompanied by peculiar strokes, flourishes, and stops, and he made great use of marks of exclamation. In this first letter Misha informed me of a new 'turn in his fortune.' (Later on he used to refer to these turns as plunges, … and frequent were the plunges he took.) He was starting for the Caucasus on active service for his tsar and his country in the capacity of a cadet! And, though a certain benevolent aunt had entered into his impecunious position, and had sent him an inconsiderable sum, still he begged me to assist him in getting his equipment. I did what he asked, and for two years I heard nothing more of him.