My mother liked to hear his reflections on any topic connected with the land. But she could not support the sound of his voice for long together. "What's the meaning of it, my good sir!" she would exclaim; "you might take something to cure yourself of it, really! You simply deafen me. Such a trumpet-blast!"
"Natalia Nikolaevna! benefactress!" Martin Petrovitch would rejoin, as a rule, "I'm not responsible for my throat. And what medicine could have any effect on me--kindly tell me that? I'd better hold my tongue for a bit."
In reality, I imagine, no medicine could have affected Martin Petrovitch. He was never ill.
He was not good at telling stories, and did not care for it. "Much talking gives me asthma," he used to remark reproachfully. It was only when one got him on to the year 1812--he had served in the militia, and had received a bronze medal, which he used to wear on festive occasions attached to a Vladimir ribbon--when one questioned him about the French, that he would relate some few anecdotes. He used, however, to maintain stoutly all the while that there never had been any Frenchmen, real ones, in Russia, only some poor marauders, who had straggled over from hunger, and that he had given many a good drubbing to such rabble in the forests. IV
AND yet even this self-confident, unflinching giant had his moments of melancholy and depression. Without any visible cause he would suddenly begin to be sad; he would lock himself up alone in his room, and hum--positively hum--like a whole hive of bees; or he would call his page Maximka, and tell him to read aloud to him out of the solitary book which had somehow found its way into his house, an odd volume of Novikovsky's The Worker at Leisure, or else to sing to him. And Maximka, who by some strange freak of chance, could spell out print, syllable by syllable, would set to work with the usual chopping up of the words and transference of the accent, bawling out phrases of the following description: "but man in his wilfulness draws from this empty hypothesis, which he applies to the animal kingdom, utterly opposite conclusions. Every animal separately," he says, "is not capable of making me happy!" and so on. Or he would chant in a shrill little voice a mournful song, of which nothing could be distinguished but: "Ee . . . eee . . . ee. . . a. . . ee. . . a. . . ee. . . Aaa. . . ska! O. . . oo. . . oo. . . bee. . . ee. . . ee. . . ee. . . la!" While Martin Petrovitch would shake his head, make allusions to the mutability of life, how all things turn to ashes, fade away like grass, pass--and will return no more! A picture had somehow come into his hands, representing a burning candle, which the winds, with puffed-out cheeks, were blowing upon from all sides; below was the inscription: "Such is the life of man." He was very fond of this picture; he had hung it up in his own room, but at ordinary, not melancholy, times he used to keep it turned face to the wall, so that it might not depress him. Harlov, that colossus, was afraid of death! To the consolations of religion, to prayer, however, he rarely had recourse in his fits of melancholy. Even then he chiefly relied on his own intelligence. He had no particular religious feeling; he was not often seen in church; he used to say, it is true, that he did not go on the ground that, owing to his corporeal dimensions, he was afraid of squeezing other people out. The fit of depression commonly ended in Martin Petrovitch's beginning to whistle, and suddenly, in a voice of thunder, ordering out his droshky, and dashing off about the neighbourhood, vigorously brandishing his disengaged hand over the peak of his cap, as though he would say, "For all that, I don't care a straw!" He was a regular Russian. V
STRONG men, like Martin Petrovitch, are for the most part of a phlegmatic disposition; but he, on the contrary, was rather easily irritated. He was specially short-tempered with a certain Bitchkov, who had found a refuge in our house, where he occupied a position between that of a buffoon and a dependant. He was the brother of Harlov's deceased wife, had been nicknamed Souvenir as a little boy, and Souvenir he had remained for every one, even the servants, who addressed him, it is true, as Souvenir Timofeitch. His real name he seemed hardly to know himself. He was a pitiful creature, looked down upon by every one; a toady, in fact. He had no teeth on one side of his mouth, which gave his little wrinkled face a crooked appearance. He was in a perpetual fuss and fidget; he used to poke himself into the maids' room, or into the counting-house, or into the priest's quarters, or else into the bailiff's hut. He was repelled from everywhere, but he only shrugged himself up, and screwed up his little eyes, and laughed a pitiful mawkish laugh, like the sound of rinsing a bottle. It always seemed to me that had Souvenir had money, he would have turned into the basest person, unprincipled, spiteful, even cruel. Poverty kept him within bounds. He was only allowed drink on holidays. He was decently dressed, by my mother's orders, since in the evenings he took a hand in her game of picquet or boston. Souvenir was constantly repeating, "Certainly, d'rectly, d'rectly." "D'rectly what?" my mother would ask, with annoyance. He instantly drew back his hands, in a scare, and lisped, "At your service, ma'am!" Listening at doors, backbiting, and, above all, quizzing, teasing, were his sole interest, and he used to quiz as though he had a right to, as though he were avenging himself for something. He used to call Martin Petrovitch brother, and tormented him beyond endurance. "What made you kill my sister, Margarita Timofeevna?" he used to persist, wriggling about before him and sniggering. One day Martin Petrovitch was sitting in the billiard-room, a cool apartment, in which no one had ever seen a single fly, and which our neighbour, disliking heat and sunshine, greatly favoured on this account. He was sitting between the wall and the billiard-table. Souvenir was fidgeting before his bulky person, mocking him, grimacing. . . . Martin Petrovitch wanted to get rid of him, and thrust both hands out in front of him. Luckily for Souvenir he managed to get away, his brother-in law's open hands came into collision with the edge of the billiard-table, and the billiard-board went flying off all its six screws. . . . What a mass of batter Souvenir would have been turned into under those mighty hands! VI
I HAD long been curious to see how Martin Petrovitch arranged his household, what sort of a home he had. One day I invited myself to accompany him on horseback as far as Eskovo (that was the name of his estate). "Upon my word, you want to have a look at my dominion," was Martin Petrovitch's comment. "By all means! I'll show you the garden, and the house, and the threshing-floor, and everything. I have plenty of everything." We set off. It was reckoned hardly more than a couple of miles from our place to Eskovo. "Here it is--my dominion!" Martin Petrovitch roared suddenly, trying to turn his immovable neck, and waving his arm to right and left. "It's all mine!" Harlov's homestead lay on the top of a sloping hill. At the bottom, a few wretched-looking peasants' huts clustered close to a small pond. At the pond, on a washing platform, an old peasant woman in a check petticoat was beating some soaked linen with a bat.