Neil Belton at Jonathan Cape has played a huge part in the writing of this book. Neil is any writer’s dream of an editor. He read every chapter in every draft, and commented on them in long and detailed letters of the finest prose. His criticisms were always on the mark, his knowledge of the subject constantly surprising, and his enthusiasm was inspiring. If there is any one reader to whom this book is addressed, it is to him.
The second draft was also read by Boris Kolonitskii during the course of our various meetings in Cambridge and St Petersburg. I am very grateful to him for his many comments, all of which resulted in improvements to the text, and hope that, although it has so far been one-sided, this may be the start of a lasting intellectual partnership.
I owe a great debt to two amazing women. One is my mother, Eva Figes, a past master of the art of narrative who always gave me good advice on how to practise it. The other is my agent, Deborah Rogers, who did me a great service in brokering the marriage with Cape.
At Cape two other people merit special thanks. Dan Franklin navigated the book through its final stages with sensitivity and intelligence. And Liz Cowen went through the whole text line by line suggesting improvements with meticulous care. I am deeply grateful to them both.
For their assistance in the preparation of the final text I should also like to thank Claire Farrimond, who helped to check the notes, and Laura Pieters Cordy, who worked overtime to enter the corrections to the text. Thanks are also due to Ian Agnew, who drew the splendid maps.
The past six years have been an exciting time for historical research in Russia. I should like to thank the staff of the many Russian archives and libraries in which the research for this book was completed. I owe a great debt to the knowledge and advice of far too many archivists to name individually, but the one exception is Vladimir Barakhov, Director of the Gorky Archive, who was more than generous with his time.
Many institutions have helped me in the research for this book. I am grateful to the British Academy, the Leverhulme Trust, and — although the Fellowship could not be taken up — to the Woodrow Wilson Center in Washington for their generous support. My own Cambridge college, Trinity, which is as generous as it is rich, has also been of enormous assistance, giving me both grants and study leave. Among the Holy and Undivided Fellows of the college special thanks are due to my teaching colleagues, Boyd Hilton and John Lonsdale, for covering for me in my frequent absences; to the inimitable Anil Seal for being a supporter; and, above all, to Raj Chandavarkar, for being such a clever critic and loyal friend. Finally, in the History Faculty, I am, as always, grateful to Quentin Skinner for his efforts on my behalf.
The best thing about Cambridge University is the quality of its students, and in the course of the past six years I have had the privilege of teaching some of the brightest in my special subject on the Russian Revolution. This book is in no small measure the result of that experience. Many were the occasions when I rushed back from the lecture hall to write down the ideas I had picked up from discussions with my students. If they cannot be acknowledged in the notes, then I only hope that those who read this book will take it as a tribute of my gratitude to them.
Cambridge
November 1995
Part One
RUSSIA UNDER THE OLD REGIME
1 The Dynasty
*
i The Tsar and His People
On a wet and windy morning in February 1913 St Petersburg celebrated three hundred years of Romanov rule over Russia. People had been talking about the great event for weeks, and everyone agreed that nothing quite so splendid would ever be seen again in their lifetimes. The majestic power of the dynasty would be displayed, as never before, in an extravaganza of pageantry. As the jubilee approached, dignitaries from far-flung parts of the Russian Empire filled the capital’s grand hotels: princes from Poland and the Baltic lands; high priests from Georgia and Armenia; mullahs and tribal chiefs from Central Asia; the Emir of Bukhara and the Khan of Khiva. The city bustled with sightseers from the provinces, and the usual well-dressed promenaders around the Winter Palace now found themselves outnumbered by the unwashed masses — peasants and workers in their tunics and caps, rag-bundled women with kerchiefs on their heads. Nevsky Prospekt experienced the worst traffic jams in its history as trams and horse-drawn carriages, cars and sleighs, converged on it. The main streets were decked out in the imperial colours of white, blue and red; statues were dressed in garlands and ribbons; and portraits of the tsars, stretching back to Mikhail, the founder of the dynasty, hung on the façades of banks and stores. Above the tram-lines were strung chains of coloured lights, which lit up at night with the words ‘God Save the Tsar’ or a Romanov double-headed eagle and the dates 1613–1913. Out-of-towners, many of whom had never seen electric light, stared up and scratched their heads in wonderment. There were columns, arcs and obelisks of light. In front of the Kazan Cathedral stood a white pavilion filled with incense, bromeliads and palms, shivering in the Russian winter air.
The rituals began with a solemn thanksgiving in the Kazan Cathedral led by the Patriarch of Antioch, who had come from Greece especially for the occasion, the three Russian Metropolitans and fifty priests from St Petersburg. The imperial family drove out from the Winter Palace in open carriages accompanied by two squadrons of His Majesty’s Own Horseguards and Cossack riders in black caftans and red Caucasian caps. It was the first time the Tsar had ridden in public view since the 1905 Revolution, and the police were taking no chances. The route was lined by the Imperial Guards gorgeously turned out in their feathered shakos and scarlet uniforms. Military bands thumped out the national anthem and the soldiers boomed ‘Oorah!’ as the cavalcade passed by. Outside the cathedral religious processions from various parts of the city had been converging from early in the morning. The vast crowd, a forest of crosses, icons and banners, knelt down as one as the carriages approached. Inside the cathedral stood Russia’s ruling class: grand dukes and princes, members of the court, senators, ministers, state councillors, Duma parliamentarians, senior Civil Servants, generals and admirals, provincial governors, city mayors, zemstvo leaders, and marshals of the nobility. Hardly a breast without a row of shining medals or a diamond star; hardly a pair of legs without a sword. Everything sparkled in the candlelight — the silver iconostasis, the priests’ bejewelled mitres, and the crystal cross. In the middle of the ceremony two doves flew down from the darkness of the dome and hovered for several moments over the heads of the Tsar and his son. Carried away by religious exaltation, Nicholas interpreted it as a symbol of God’s blessing on the House of Romanov.
Meanwhile, in the workers’ districts factories were closed for a public holiday. The poor queued outside municipal canteens, where free meals were served to mark the anniversary. Pawnshops were beset by crowds after rumours spread of a special dispensation allowing people to redeem their valuables without interest payments; when these rumours turned out to be false, the crowds became angry and several pawnshops had their windows smashed. Women gathered outside the city’s jails in the hope that their loved ones would be among the 2,000 prisoners released under the amnesty to celebrate the tercentenary.
During the afternoon huge crowds walked into the city centre for the long-awaited son et lumière. Stalls along the way sold mugs of beer and pies, Romanov flags and souvenirs. There were fairs and concerts in the parks. As darkness fell, the Nevsky Prospekt became one solid mass of people. Every face turned upwards as the sky was lit up in a blaze of colour by fireworks and lights that criss-crossed the city, sweeping over roofs to land for a moment on significant monuments. The golden spire of the Admiralty burned like a torch against the black sky, and the Winter Palace was brilliantly illuminated with three huge portraits of Nicholas II, Peter the Great and Mikhail Romanov.