But something in the castle lets me down. As I look back, and see your head begin to rise and the lieutenant turning quickly round, twisting the bedclothes around with her like some spun cocoon her eyes starting to open, her hand going out towards the cabinet at the side of the bed my foot meets the hole beneath the rug, imperfectly plugged. My leg disappears beneath, plunging me down; my other foot slides on the wooden floor as I begin to drop. My arms fly out, my hands trying to clutch at
The gun, forgotten in my burn frozen grip, erupts with sound. Loosed like a taloned bird to grasp the sanctuary of the mantelpiece's marble perch, my hand, fingers spasming, jerks closed instead on the pistol's trigger. The shot cracks, stupefyingly loud in the room, and a harsh spear of flame flashes from the muzzle, obliterating the soft glow of candies and log embers, blinding me. My leg catches in the hole;_ I twist as I fall, head hitting the metal rail at the hearth's edge; the gun is still firing, possessed of its own leaping life, its lunatic bark filling my hand and my ears. Marble cracks, splinters scatter, screams and ricochets echo somewhere within the maelstrom of noise. I roll on my back, dazed, while the gun continues to jolt and leap in my hand. Even as I fall to the floor, leg pinned, caught like an animal in a trap, I find myself wondering how the gun can still be firing, and only dimly start to understand that, unlike any gun I have ever used, it fires as long as the trigger is depressed. I tell my hand to open, will my fingers to release the trigger, as I struggle back up, trying to sit.
Then I see the lieutenant, nude and kneeling wide legged on the bed, a pistol held in both her hands and pointing straight at me. I open my mouth, to explain. Behind beyond her limber, pinkly splayed body I see you, crouched, doubled over, shaking, clutching at one arm.
Is that blood there on the sheets? Did I?
The lieutenant fires. before I can speak, before I am able to explain, or question, or protest. Something smacks into the side of my head like a hammer driven spike, spinning me, twisting me, flicking my sight about so that the candle flames” tiny points wheel and trail and make a halo round me, their little fluttering lives a lineage.
Then all light drains away entirely as I fall back once more, hitting the boards in fading silence.
Darkness. No more shots. Stillness.
I seem not to be able to hear anything directly, and yet somehow I become aware of things. I am conscious of crying, of shouts, of soothing sounds, of heavy slamming things and terrible roars and stamping, thudding noises. The existence, the presence of these sounds is reported to me somehow, but only as concepts, as abstract entities. I cannot tell who cries, who speaks or what is said or exactly what the noises are or mean.
I want to open my eyes but cannot. There is a storm coming, I think. The gun is torn from my hand. It does not hurt very much. I would like to say something, but I cannot. Something thuds into my side, into my ribs. It happens again. It takes a moment. in this enveloping darkness, for me to work out that I am being kicked. It begins to hurt a little. The crying and shouting and slamming, thudding noises continue. Is that the trees? Can I hear the trees, starting to move in the breeze? Another kick, which hurts more.
“ here!” a voice says, distinct.
Hands close around me, lift me roughly up. My leg is extricated from the hole in the floor. Then I am thrown down again, landing on something soft. I think.
I am on my back. No, my front.
I can hear confused noises now. Boards creak, doors slam, feet come clubbing; clothing noises, slippings, slidings; distant running steps, beat broken, all heading this way; shouts puzzled, anxious, relieved and angry; urgent talking. I think that we shall all be sorry when that storm descends. My head's pulled up, thumped down again. Can hear it gathering in the mountains. Oddly numb. More words. Dark amassing clouds for crowns. Still breathing. A certain darkness at the summit. Rudolph. Riduff. Rid of.
That is you crying, I believe. Comforting words from the lieutenant. I am still trying to speak because there must be things to be said. I think my eyes are open, though not because I believe I can see anything. I think I can see. I would certainly like to. Aware of many people. The room seems very red, as though observed through a mist of blood. You on the bed, huddled, being held; tended. Plaster on the floor, blood dark upon the bed. The lieutenant, sitting on the bed, pulling on a boot. Hissing light, some old gas powered thing. There is a rug beneath me, soft soaking. Voice I recognise; a servant's, shouting, imploring, a room away, then hurried discussion, orders given and more shouts, the servant's voice protesting, quieting, going, disappearing. The storm is still coming though; its roar is loud against the castle's hollow walls.
I am wondering who screamed. Was it you, my dear, or her? Or me, perhaps? For some reason it seems important just now, this knowledge of who it was who screamed, but I know only that somebody did. I can remember that scream, recall its sound, play it back inside my head even over the roar of the storm, but from that memory it could have been any one of the three of us. Perhaps it was all of us at once. No.
“ ot here!” a voice says. But whose?
An aftermath dark roar consumes me. Now is the storm come. The thing I hear last is, “Not here, not here. Not “
Chapter 17
Castle, I was born in you. Now again you see me like a helpless child carried through your devastated C halls. By the same litter that displaced our shell I am conveyed past the soldiery, their temporary conquests and our servants, all standing gawking. The debris I walked amongst and the sleeping forms I passed, alone animate, solely erect and balanced, scornful of their noisy lethargy only minutes ago, now drunkenly witness my expulsion, swept out impotent and disarmed. A candle apiece, that congregation watches me, like some annual virgin paraded in her garish tawdriness through the usual pious squalor.
The lieutenant spreads her arms as she strides past, forcing on her jacket. She quiets the crowd, telling them to go back to their beds, squeezing past me and my bearers, adjusting her collar as we tip downstairs. Blood rush to head. No, no, an accident. Help will be found. Know where there's a medic, found the other day. The lady wounded too but slightly. Both look worse than they are. To bed; get yourselves to bed. Sleep on. All will be well.
Do I see another face, calm, pale but composed at the stairhead as we go clattering down (white fingers on torn, dark wood, the other arm swaddled in bandages, cradled to your milky breast)? I think I do, but then the steps, in flights, turn the sight and take it from me.
The hall, level again. I see an armoured figure standing near the door, a black opera coat around its shoulders. I make to touch its hem as we pass by, arm going out in supplication, mouth working in the attempt to produce words. My arm flops down, brushing the floor, knuckles hitting the door step, cracking over it as we step outside and into the courtyard. The door is slammed on further enquiry. I hear boots running across the cobbles, then shouts and cries.
Not the well again, I try to say. I am unwell, and not long welled up. Have pity. (Perhaps I say it, I think, as they bundle me off the stretcher and drop me in the footwell of a jeep. No no, not the jeep, I'll have no truck with that; I shall travel in the van. They look at me strangely.) The bottom of the jeep smells of mud and oil. Something cold and stiff is thrown across me, over all my body, cutting out what light there is. The vehicle's suspension dips, words are muttered, a distant rattling noise is overwhelmed as the engine cranks roaring into life and starts the steel beneath me shaking.
Springs creak, air hisses; two heavy pairs of boots find footing on me, pinning my head and knees. The engine coughs and revs, gears grind and then we jerk and jolt away. The courtyard cobbles shake me, the passageway amplifies the engine's blare, then we're outside, beyond the walls, arching over the bridge a few more shouts and a single, flat shot and heading down the drive.