Because of Mr. Fein’s ties to reputed organized-crime figures, a police investigation has been authorized under the command of Detective Lieutenant Arnold D. Mulhausen of the 14th Precinct, but at present the police have no evidence of any foul play. Mr. Fein’s family remains in seclusion and was unavailable for comment, but Mr. Herschel Panofsky, Mr. Fein’s law partner, was reported as saying that Mr. Fein had been despondent in recent weeks after losing his appeal against the New York Bar Association’s decision on April 18, 1959, revoking his license to practice law. Mr. Fein was convicted of jury tampering in the trial of alleged racketeer Salvatore Bollano for the murder of an associate, John Gravellotti. Mr. Fein had won an acquittal for Mr. Bollano in that case, but his victory was immediately marred by accusations that several jurors had received bribes. In the jury-tampering case against him, Mr. Fein had accepted a plea bargain, resulting in a fine and a suspended sentence. Mr. Panofsky said, “Jerry expected a censure from the Bar Association, but not the loss of his livelihood. He just couldn’t handle it. The law was his whole life.”
See obituary on Page A30
Marlene declined to read another obituary just now, although she thought the one in the Times would be the most complete. There had been seven daily newspapers in New York when Jumping Jerry had gone off that parapet, and each had given the suicide a big play. Marlene’s secretary and factotum, Sym McCabe, had been set to gathering Xeroxes of these reports for the past week or so, and doing other research tasks. The young woman sat across the cluttered table from her, poring over phone books, trying to locate various people who might be useful to the investigation. Sym was a small tan woman of twenty-odd, with large, suspicious eyes and an intense, hungry look, like an osprey nestling. She was another of Marlene’s brands from the burning: taken in at seventeen, illiterate, addicted, and carrying an unspeakable family and sexual history, taught, encouraged, nurtured, and converted into a useful citizen with a GED and twenty credits already at Manhattan Community College. This was the first time Marlene had sent her out to do research. Sym had found that while scoring facts was not as easy as scoring dope, many of the same skills were required.
“I got six John J. Dohertys in the five boroughs,” she said. “You want me to look on the Island, too?”
“No, call those first, maybe we’ll get lucky.”
Sym went into the front room to call, and Marlene shoveled through the piles of folders and clipped copies on the table, looking for a place to start spending Vivian Fein’s money in a useful way. There was plenty of it. Two days before, Marlene had walked out of a cubbyhole in the diamond center on 47th Street, minus Vivian’s gaudy ring, and holding a certified check for $108,750, after which, armed with a power of attorney from Ms. Fein (or Mrs. Bollano, as she would have been called in certain circles), she had opened a checking account for the woman, plus an escrow account upon which Osborne Group Security, Inc., was entitled to draw for the purposes of conducting an investigation into the death of Gerald Fein.
Her hand fell on a thick folder containing a stack of glossy photos. Sym had found a photo essay in Life and then tracked down the photographer’s agency and paid them to generate prints, not only of the shots Life had used, but all the relevant shots in their negative files. She’d been sent to do the same at most of the other prominent photo agencies, because Marlene believed that almost everything you wanted to know about had been photographed by somebody, somewhere, and this was especially important in a situation where she didn’t really understand what she was searching for. Again, the two big questions: First, why now? The man had been dead twenty-three years, the daughter had let it lie all that time, and then it had become desperately important. Marlene had asked, and been given the answer, not very satisfactory, that Ms. Fein had decided it was time. Clearly something to do with leaving the hubbie, divorcing in a sense from the Mob. That made some sense, but Marlene thirsted after details. The second was, why had a supreme courtroom master copped a plea to something he hadn’t done? Or maybe he had done it. Something to explore with the old-timers.
She thumbed through the stack of glossies. A set of Gerald Fein in happier days: here was one of him entering a nightclub (El Morocco) with a blond woman on his arm, a beefy guy on the other side, smiling. The woman was Celia Fein, the wife, a looker, circa 1955; the guy was Charlie Tuna. Fein hung out with very bad people, and he also took his wife to nightclubs. The lady on Charlie Tuna’s arm was not his wife. Other nightclub shots, Fein at a long banquette table, laughing with the scum of the earth, dancing with the wife, talking earnestly with Sal Bollano. Where was Panofsky? Not a night-clubber? Maybe he didn’t like to get his picture taken. Next, some domestic shots, Fein and Celia, with little Vivian, not so little in this one, pretty like her mother, blond and delicate. It was a series of shots taken at some civic affair, all of them dressed in late-fifties high style, Fein himself in a double-breasted suit and topcoat, Celia in a fur coat, Vivian in a white fur jacket and matching hat. About fourteen, Marlene estimated, smiling shyly at the lens, while her daddy radiated love and bonhomie around him. Marlene studied the man’s smiling face. Energy, was the first impression, boiling spirit, barely contained behind the smile, the glinting eyes, the jutting jaw. One of the generation impressed by the fabled insouciance of FDR, Fein had adopted the lifted chin, the upward-pointing smoking apparatus, in Fein’s case a panatela rather than a cigarette holder, and he was able to bring it off too, because he was smoothly handsome in that tailored, buffed, 1940s way: wavy dark hair, large pale eyes, a noble nose, terrific even white teeth, a solid chin with a Clark Gable dimple in the center of it. Good-sized man, too, athletic, broad-shouldered. Must have been a terror with the ladies, Marlene thought, but it turns out he takes his wife to El Morocco with the bad boys. Flip to the next one. Same civic event: Dad and Vivian watching something, a theatrical act maybe, part of a well-dressed audience, but Dad isn’t watching the act, he’s watching Vivian, with oceans of love in his eyes. Marlene didn’t think that could be faked, not in a candid shot like this. The guy loved his family, no question. So why did he do it? He killed himself for the insurance? Make a note, check the policy value.
Another set, this one of the funeral, a big one, a mob affair, all the big guys sent flowers, both Bollanos, Big and Little Sallies carrying the coffin, and was that Abe Lapidus standing there, a stricken expression making his sad face sadder? Yes, it was, and who was that short, pear-shaped man, struggling to hold up the end of the casket? Marlene rooted around and found a hand lens. Yeah, unmistakable, although she had only ever seen the man garbed in black, on the bench: Herschel Panofsky, now H. R. Paine, His Honor. The ugly little fucker, as he was often called down at the courthouse, often by the current crop of Mob lawyers, and he was, his head too large for his ass-heavy soft body, a bulging forehead fringed by sparse, crisp curls, armpit-style hair (another nickname, The Armpit), a little parakeet beak of a nose, a sloppy mouth, not much chin. No Gableoid dimple there. Another shot: the ugly little fucker comforting the grieving widow and the daughter graveside, the daughter not being all that comforted, Marlene thought, a look of actual repugnance there through the tears, which just went to show, a picture worth a thousand words-she would have to ask Vivian about that when next they saw one another, maybe this very evening.