“Hi, Walter,” she said, expecting him to move away from the door and usher her in. He didn’t move. His eyes were very black, and flat and (she actually thought the word) inscrutable. “Walter,” she said, urging a smile to her lips, “aren’t you going to let me in?”
He did not return the smile, but said, as to a stranger, “Marlene, that’s not a good idea right now. My parents are extremely upset. .”
“I bet they are. That’s why I came over, to see if I-”
“. . and they can’t see anyone today,” he concluded, and closed the door firmly in her face.
Karp’s intercom buzzed. The handicapped were gone and he was dealing with the aftermath, drafting a memo. He threw down his pencil, pushed the button. O’Malley said, “They’re ready for you.”
“This is the Catalano meeting?” asked Karp, well knowing it was.
“At long last, and may God have mercy on your soul,” said O’Malley fervently.
As a symbol of his authority, Karp got to use the D.A.’s conference room, a stately, paneled office with a long, mellow oaken table and high, stately green leather chairs. The D.A., on attaining the office, had attempted to reproduce, in detail, in the whole executive suite, the decor favored by his predecessor-but-one, Francis P. Garrahy, of sacred memory. Keegan had run the Homicide Bureau under Garrahy, and Karp had been trained in it, and both men were subject to nostalgia for those departed times, when crime seemed slightly less overwhelming. Both men entertained the suspicion, unvoiced to be sure, that even Phil Garrahy might have trimmed a little more than he did, might have had trouble keeping his integrity untarnished under such a collapse of civil order. To his credit, Keegan tried to keep up the standards, and if his own integrity had a grungy spot or two, the symbols were at least kept brightly polished and dusted. For the conference room Keegan had even located in some forgotten Centre Street attic the framed oil portraits of Franklin Roosevelt and Fiorello LaGuardia that Garrahy had hung on his walls and had added one of Garrahy himself, done from a photograph.
It was not a good portrait. In it the old man looked stiff and surprised, neither of which was a characteristic of himself, but it was what they had. This painting looked down upon where Keegan himself now sat at the head of the long table, in his shirtsleeves, toying with a large claro cigar that he never smoked. He was a big, florid Irishman, heavy-shouldered, carrying an elegant head: the requisite pol’s mane of white hair, blue, deep-set eyes, an aristocratic beak, no lips to speak of, and a chin like an anvil. He’d played offensive end for Fordham, and retained the grace and the twisty moves. He looked up and popped the cigar into his mouth when Karp walked in, smiling cordially around it. (He never got the end damp, and so no one knew whether he didn’t smoke the same one every day or retired the thing at intervals.) Karp nodded to Keegan and to the other three men, and took a seat at the end of the table, where he always sat.
Karp took the notes at these meetings, a somewhat unusual role for someone with his rank, this necessary task being regarded by the average legal bureaucrat as suitable only for peasants, or women. Karp had assumed it for two reasons. First, it made him appear to pompous idiots less important than he was, which made them tend to ignore him, which made it easier for him to sneak up behind them if need be and yank their pants down. Besides that, he understood that who takes the notes at executive meetings controls the memory of an organization, and since Karp had never cultivated a political base, any control he could develop was welcome. While he respected Jack Keegan’s skill and competence, and actually liked him well enough as a man, Karp was under no illusions about the district attorney’s ambitions. He understood perfectly (for Keegan, to his credit, had made it no secret) that if a sacrifice had to be made to that altar and if Karp was at hand and unprotected, the D.A. would not hesitate for a New York minute before yanking his plug.
Karp took meeting notes in thick accountant’s ledgers bound in pale green cloth, items not much in demand at the supply room since computers had come in. He had rows of them in his office in a locked steel cabinet whose sole key was ever in his custody, and he never showed the notes therein to anyone. Thus no one knew what Karp had written down, which tended to make Keegan’s more haughty satraps less willing to get into arguments about who had promised what to whom. The note business was an absurdly simple ploy, but it worked to the D.A.’s advantage and polished the luster of Karp. Swiftly, using his idiosyncratic quasi-shorthand, Karp wrote down the purpose of the meeting-“strategy for Catalano murder”-and the date and the names of the three participants besides himself and the D.A.
The first of these, sitting to Keegan’s right was Roland Hrcany, the chief of the Homicide Bureau. Hrcany had the look and build of a professional wrestler, and, like many of them, he wore his straight blond hair combed back from a cave-man brow ridge and long enough to reach past his collar in back. Despite this brutish appearance (or perhaps because of it) he was the best homicide prosecutor in the office, next to Karp, a fact that rankled him, as did Karp’s former incumbency as homicide chief. Some months ago he had been shot by a Mexican felon trying to introduce south-of-the-border criminal justice practices to the New York area, and he was still not back on duty full-time. The event, and its wasting effects on his massive body, of which he was inordinately proud, had oddly enough improved his disposition, which had been churlish and of an aggressiveness outstanding even in the testosterone-rich precincts of the D.A.’s office.
Opposite Roland sat Frank Anselmo, the chief of the Rackets Bureau. He was a dapper, dark man with a full head of thick black hair, well cut, and small, active, manicured hands. Anselmo, the son of a police inspector, and thus a man with important cop credibility, had pitched for Fordham during the same years that Keegan had played football. The two men were cronies from way back, and Keegan had brought him in as Rackets chief from the Queens D.A. shortly after taking over the New York office. This made sense, since the D.A. had to trust more than anyone else in his office the person responsible for, among other things, investigating public officials. Karp did not know him well. Rackets was a small bureau, its work was perforce somewhat secret, and it brought few cases to trial. The book on Anselmo around the office was that he was smart, ambitious, and, it seemed, temporarily content to play in the shade cast by Jack Keegan’s lofty oak. The relationship with the boss was, of course, well-known, and hardly anyone gave him any trouble. He was smiling and joshing with Keegan about a sports bet. He smiled a lot. In general, Karp was suspicious of people in the criminal justice business who smiled a lot, as he himself did not see much to be happy about there, but Anselmo always seemed to put Keegan in a better mood, which was never to be sneezed at.
The last man at the meeting was clearly not in a good mood and not amused by Anselmo’s patter. Raymond Guma, slumped like a bag of dirty laundry in the chair just to Karp’s left, was one of the few ADAs who did not at all mind giving Anselmo trouble. Guma had on occasion been mistaken for the former Yankee catcher Yogi Berra, although he was less pretty than Berra, and unlike Berra he had shown (during a tryout for the Yanks, for he had been quite the star at St. John’s) that he could not reliably hit a major league breaking ball. He was nearly the same age as Keegan and Anselmo-late fifties-but carried his years more heavily, for unlike the other men there he had never been promoted to any position of authority, and never would be. He had been a homicide prosecutor for over twenty-five years, and he knew more about the New York Mafia than anyone in the building, which was why he was at the meeting. Some said he knew rather too much about the New York Mafia, which was one of the many reasons he had never been promoted. He was a sloppy, ill-disciplined man, a sexist in the current parlance, sour and cynical, but-and this is why Karp loved him-with boundless heart and a sense of humor made of Kevlar.