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The question troubled her. It struck her with a pang of self-reproach that she had always been indifferent to her mother’s illness, regarding it as more or less imaginary. “It was mental rather than physical, I think,” she answered. “I never knew what brought it about.”

Again he looked at her with that odd, inquisitive expression. “She never got over it?” he asked.

“Oh, there were times,” answered Joan, “when she was more like her old self again. But I don’t think she ever quite got over it. Unless it was towards the end,” she added. “They told me she seemed much better for a little while before she died. I was away at Cambridge at the time.”

“Poor dear lady,” he said, “all those years! And poor Jack Allway.” He seemed to be talking to himself. Suddenly he turned to her. “How is the dear fellow?” he asked.

Again the question troubled her. She had not seen her father since that week-end, nearly six months ago, when she had ran down to see him because she wanted something from him. “He felt my mother’s death very deeply,” she answered. “But he’s well enough in health.”

“Remember me to him,” he said. “And tell him I thank him for all those years of love and gentleness. I don’t think he will be offended.”

He drove her back to Paris, and she promised to come and see him in his studio and let him introduce her to his artist friends.

“I shall try to win you over, I warn you,” he said. “Politics will never reform the world. They appeal only to men’s passions and hatreds. They divide us. It is Art that is going to civilize mankind; broaden his sympathies. Art speaks to him the common language of his loves, his dreams, reveals to him the universal kinship.”

Mrs. Denton’s friends called upon her, and most of them invited her to their houses. A few were politicians, senators or ministers. Others were bankers, heads of business houses, literary men and women. There were also a few quiet folk with names that were historical. They all thought that war between France and England would be a world disaster, but were not very hopeful of averting it. She learnt that Carleton was in Berlin trying to secure possession of a well-known German daily that happened at the moment to be in low water. He was working for an alliance between Germany and England. In France, the Royalists had come to an understanding with the Clericals, and both were evidently making ready to throw in their lot with the war-mongers, hoping that out of the troubled waters the fish would come their way. Of course everything depended on the people. If the people only knew it! But they didn’t. They stood about in puzzled flocks, like sheep, wondering which way the newspaper dog was going to hound them. They took her to the great music halls. Every allusion to war was greeted with rapturous applause. The Marseillaise was demanded and encored till the orchestra rebelled from sheer exhaustion. Joan’s patience was sorely tested. She had to listen with impassive face to coarse jests and brutal gibes directed against England and everything English; to sit unmoved while the vast audience rocked with laughter at senseless caricatures of supposed English soldiers whose knees always gave way at the sight of a French uniform. Even in the eyes of her courteous hosts, Joan’s quick glance would occasionally detect a curious glint. The fools! Had they never heard of Waterloo and Trafalgar? Even if their memories might be excused for forgetting Crecy and Poictiers and the campaigns of Marlborough. One evening — it had been a particularly trying one for Joan — there stepped upon the stage a wooden-looking man in a kilt with bagpipes under his arm. How he had got himself into the programme Joan could not understand. Managerial watchfulness must have gone to sleep for once. He played Scotch melodies, and the Parisians liked them, and when he had finished they called him back. Joan and her friends occupied a box close to the stage. The wooden-looking Scot glanced up at her, and their eyes met. And as the applause died down there rose the first low warning strains of the Pibroch. Joan sat up in her chair and her lips parted. The savage music quickened. It shrilled and skrealed. The blood came surging through her veins.

And suddenly something lying hidden there leaped to life within her brain. A mad desire surged hold of her to rise and shout defiance at those three thousand pairs of hostile eyes confronting her. She clutched at the arms of her chair and so kept her seat. The pibroch ended with its wild sad notes of wailing, and slowly the mist cleared from her eyes, and the stage was empty. A strange hush had fallen on the house.

She was not aware that her hostess had been watching her. She was a sweet-faced, white-haired lady. She touched Joan lightly on the hand. “That’s the trouble,” she whispered. “It’s in our blood.”

Could we ever hope to eradicate it? Was not the survival of this fighting instinct proof that war was still needful to us? In the sculpture-room of an exhibition she came upon a painted statue of Bellona. Its grotesqueness shocked her at first sight, the red streaming hair, the wild eyes filled with fury, the wide open mouth — one could almost hear it screaming — the white uplifted arms with outstretched hands! Appalling! Terrible! And yet, as she gazed at it, gradually the thing grew curiously real to her. She seemed to hear the gathering of the chariots, the neighing of the horses, the hurrying of many feet, the sound of an armouring multitude, the shouting, and the braying of the trumpets.

These cold, thin-lipped calculators, arguing that “War doesn’t pay”; those lank-haired cosmopolitans, preaching their “International,” as if the only business of mankind were wages! War still was the stern school where men learnt virtue, duty, forgetfulness of self, faithfulness unto death.

This particular war, of course, must be stopped: if it were not already too late. It would be a war for markets; for spheres of commercial influence; a sordid war that would degrade the people. War, the supreme test of a nation’s worth, must be reserved for great ideals. Besides, she wanted to down Carleton.

One of the women on her list, and the one to whom Mrs. Denton appeared to attach chief importance, a Madame de Barante, disappointed Joan. She seemed to have so few opinions of her own. She had buried her young husband during the Franco-Prussian war. He had been a soldier. And she had remained unmarried. She was still beautiful.

“I do not think we women have the right to discuss war,” she confided to Joan in her gentle, high-bred voice. “I suppose you think that out of date. I should have thought so myself forty years ago. We talk of ‘giving’ our sons and lovers, as if they were ours to give. It makes me a little angry when I hear pampered women speak like that. It is the men who have to suffer and die. It is for them to decide.”

“But perhaps I can arrange a meeting for you with a friend,” she added, “who will be better able to help you, if he is in Paris. I will let you know.”

She told Joan what she remembered herself of 1870. She had turned her country house into a hospital and had seen a good deal of the fighting.

“It would not do to tell the truth, or we should have our children growing up to hate war,” she concluded.

She was as good as her word, and sent Joan round a message the next morning to come and see her in the afternoon. Joan was introduced to a Monsieur de Chaumont. He was a soldierly-looking gentleman, with a grey moustache, and a deep scar across his face.

“Hanged if I can see how we are going to get out of it,” he answered Joan cheerfully. “The moment there is any threat of war, it becomes a point of honour with every nation to do nothing to avoid it. I remember my old duelling days. The quarrel may have been about the silliest trifle imaginable. A single word would have explained the whole thing away. But to utter it would have stamped one as a coward. This Egyptian Tra-la-la! It isn’t worth the bones of a single grenadier, as our friends across the Rhine would say. But I expect, before it’s settled, there will be men’s bones sufficient, bleaching on the desert, to build another Pyramid. It’s so easily started: that’s the devil of it. A mischievous boy can throw a lighted match into a powder magazine, and then it becomes every patriot’s business to see that it isn’t put out. I hate war. It accomplishes nothing, and leaves everything in a greater muddle than it was before. But if the idea ever catches fire, I shall have to do all I can to fan the conflagration. Unless I am prepared to be branded as a poltroon. Every professional soldier is supposed to welcome war. Most of us do: it’s our opportunity. There’s some excuse for us. But these men — Carleton and their lot: I regard them as nothing better than the Ménades of the Commune. They care nothing if the whole of Europe blazes. They cannot personally get harmed whatever happens. It’s fun to them.”