Soon I was no longer content merely to make love to my wife. I had to seduce her first. These seductions often took their inspiration from cinema. I liked to get rough with her. I liked to be silent for long periods. The movies were giving difficult meanings to some of the private moments of my life.
Meredith was strongly influenced by British films of the period. She cultivated a sort of corporate unpredictability. Walking with me on the street she would suddenly release her hand from mine and skip away into some fantasy sequence. When we shopped together she stole things, one or two small useless items, hiding them in her sweater and making jokes about looking pregnant. At the Metropolitan Museum she told a guard I had tried to molest her in the Egyptian Tomb; this was the first of many such quaint harassments of people in minor positions of authority. Once we saw an old lady in Central Park selling flowers. Merry asked me to buy two dozen mums and then led me to the small bridge at the southeast end of the park. We stood on the bridge and dropped the flowers in the lake, one by one, as the ducks circled in the violet haze. It was all there but the soundtrack and I could imagine a series of cuts and slow dissolves working in Merry's mind.
At work I dressed in the establishment manner, which, granted, was not without a touch of color, the establishment having Learned that every color is essentially gray as long as everyone is wearing it. So I did not hesitate to show up for work in an orange tie, but never more orange than the orange others wore.
Once out of the mailroom, I began to learn more about fear. As soon as fear begins to ascend, anatomically, from the pit of the stomach to the throat and brain, from fear of violence to the more nameless kind, you come to believe you are part of a horrible experiment. I learned to distrust those superiors who encouraged independent thinking. When you gave it to them, they returned it in the form of terror, for they knew that ideas, only that, could hasten their obsolescence. Management asked for new ideas all the time; memos circulated down the echelons, requesting bold and challenging concepts. But I learned that new ideas could finish you unless you wrapped them in a plastic bag. I learned that most of the secretaries were more intelligent than most of the executives and that the executive secretaries were to be feared more than anyone. I learned what closed doors meant and that friendship was not negotiable currency and how important it was to lie even when there was no need to lie. Words and meanings were at odds. Words did not say what was being said nor even its reverse. I learned to speak a new language and soon mastered the special elements of that tongue.
In a curious way I liked my job-in the beginning, at least. It made me think and see as I had never done before. In those early days I visualized my mind as a dark room with many doors. I functioned best with several doors open. Sometimes I opened more doors, let in more light, risked the truth. If anyone seemed to perceive a distant threat in my remarks or actions, I closed all the doors but one. That was the safest position. But usually I kept three or four doors open. The image of this room was often with me. When I spoke at a meeting I could see the doors opening and closing in my mind and soon I arrived at the point where I could regulate the ebb and flow of light with absolute precision. I got a raise and then another. I became involved in the actual production of shows. Meanwhile, life with Merry went on the same way, a blend of jump-cuts and soft-focus tenderness. But something else edged in, a whisper of desperation. I'd come home late and find her sitting on the floor wearing a sombrero and trying to write a haiku. It pained me to learn that she did these things even when she was alone. She bought many funny hats during this period and wore them everywhere-sombreros, jockey caps, straw boaters, a wool seaman's hat, a wide-brimmed mata-hari, a fez, a baseball cap. The black machine ticked.
"Let's do something mad tonight," Merry would say.
But there was nothing left to do. We tried to rediscover the spontaneous joy of that roller coaster ride. We even went back there once, a pair of veterans returning to the Normandy beaches, but it rained that night and we sat in the car in the parking lot and watched the high white lights go out. Feeling it was a time for final gestures, for the ultimate convolution, I made clumsy love to her in the front seat. The motor was running, wipers working, radio caught in a buzz between stations, and we bumped through all these sounds as through an interstellar pocket in deepest space.
The first girl was Jennifer Fine. I realize there is nothing more dull than another man's chronicle of infidelity and in many ways that first affair of mine was a dullard's dream; it differed from most only because I was not a commuter and did not have to adapt my orgasms to the disciplines of a train schedule. Yet a few words must be said here about Jennifer Fine if only to show what happens to people like myself when they are given something like love and asked for nothing in return but a recognition of the other's need for some elemental form of gentleness. She was a dark girl with large brown eyes. She worked in the research department of the network. We had met there when I was a mailboy, and she had seemed lonely and interesting. Once I realized that Merry and I could not remember our lines, I looked up Jennifer's extension in the network directory. She was the one, I decided, who would guide me into the vortex of the cliche.
We met for a drink in one of those oxblood pubs on the East Side where the laughter and tinkling chatter seemed canned, subject to volume control. I established a format by showing up five minutes late, knowing that Jennifer would arrive precisely on time; that was the kind of girl she was. We ordered drinks and talked cheerfully for a few minutes, mostly about network people we both hated. Then we lapsed into a massive silence as if suddenly realizing that all possible communication between us had been exhausted in ten routine sentences. I knew I was going to like Jennifer. I liked the way she held to her silence. In that movie-set atmosphere she seemed a librarian-mystic. Her face was thin and not quite pretty (but at the same time almost beautiful) and it was partly concealed by her long hair; purposely, I thought, as if the face sought refuge from time to time. Her hands could not keep still and there was evidence of fingernail-biting. She looked into the empty ashtray. I put my hand beneath her chin and raised her head, soft eyes shifting, two spoonfuls of tea. It wasn't long before I was discussing how important it was to take certain precautions. I was a married man, after all, and we might easily be seen by someone from the office. I outlined a series of procedural measures covering lunch, drinks, dinner, inter-office phone calls, office parties and so forth. I did this not because I really cared whether someone might find out but because intensity and suspense are fundamental to the maintenance of a successful affair.