I shivered and blamed it on the cold. I’d never been scared in the city. It had been my home for too long. I told myself I was being ridiculous, that it was the result of working a triple homicide, having my father on my mind, and my emotions stirred up by Terri Russo. I passed a few delis that serviced the fabric-and-button industry, all closed, and quickened my pace.
There were people on Eighth Avenue-late-night commuters on their way to Port Authority, winos and junkies going nowhere, a few businessmen skulking out of porn shops-and I was happy to see them all, even the Hispanic transvestites stumbling out of Club Escuelita on my corner. Three of them huddled together under the street lamp, passing a joint, adjusting their minis and tank tops.
“Hey there, guapo,” said one, and the rest joined in, whistling and hooting, offering sex and a good time-though black stubble pricking its way through smudged pancake makeup was never my idea of a good time.
I told them I was tired and they called me a mentiroso but left it at that, and I was relieved. Despite the makeup and heels, the Escuelita crowd were not sissy boys. Most of them sported prison-made tattoos and packed shivs. The week I’d moved into the neighborhood, there had been a stabbing in front of the club, and someone had created a makeshift altar-plastic flowers, pictures of saints, candles, writing on the wall, “In Memory of Angel”-to mark the spot, along with bloodstains that permeated the porous concrete and survived for a week before heavy rains washed them away. Now it felt like an omen, a prediction of murder. I shook it off and told myself to get a grip.
After Escuelita there was nothing-a couple of empty parking lots and deserted office buildings, including mine. For the first time since I’d moved in I wished I were not the only resident in my building.
I had just made it to the entrance when I had the feeling of being watched for the second time. I cast a look over my shoulder and could have sworn I saw something, a figure or a shadow, but wasn’t sure if I was confusing reality for all the images I’d stored in my brain over the years.
Inside, one of the two entry lights had burned out, the back half of the lobby in shadow. I unlocked the elevator and rode up to my floor.
I was too hyped to sleep, got a beer out of the fridge and considered giving Terri a call, but was in no mood to apologize. I sat down at my drawing table, flipped on my high-intensity lamp, opened my drawing pad, and started over. This time with no coat or ski mask. Just a face. But where was this new information coming from? I had no way to judge it. Was this the man we were hunting, or was I inventing him?
I’d have to show it to Terri and the witnesses, but there still wasn’t enough of a face to identify. Even if there was, none of the witnesses had seen the guy close up, some not at all.
The lamp above my table hurt my eyes, but I waited a few minutes to see if anything else came to me. When it didn’t I turned off the light and sat in the darkness thinking about Terri Russo, my father, and the face I’d just drawn that was shimmering as strongly in my mind as it had on paper.
From across the street he watches the light die in the window. An afterimage of yellow orbs dance in front of his eyes, then fade to black as he makes his way toward the Times Square subway station thinking about the images he has collected and recorded in his brain and what he is going to do with them.
32
Harvey Tutsel’s desk reminded Terri of a teenager’s bedroom: brown-ringed coffee cups with varying amounts of sludge at the bottom, a Dannon yogurt container well on its way to becoming a biology experiment, crumpled napkins, and an opened gym bag with a pair of rumpled socks sticking out.
“What brings you to Deadwood?” he said, lifting one coffee cup, then another, trying to decide which was the most recent. He sniffed at a third, made a face and put it back down.
“That’s about three days old.” His partner, Mary Perkowski, came into their shared office with two Starbucks and a couple of fresh bagels, swiped the mess off Tutsel’s desk into the trash, and dropped his gym bag onto the floor before placing the new coffee and bagel down in front of him.
“How’s it going, Mary?” asked Terri.
“Busy, but sharing an office with this slob makes it all worth it.”
Tutsel gave his partner a look. “Guess this isn’t a social call, is it?”
Terri handed him the murder book on Rodriguez. She’d spent some time in a dusty room looking for it, had read it through and come up empty, same as the cops who had worked the case back in ’86.
“Juan Enrique Rodriguez,” said Tutsel. “This have anything to do with what you’re working on?”
Terri just shrugged. She had her reasons, but didn’t want to share them.
“We got a lot on our plate right now, Russo.” He laid his hand onto a stack of folders. “See these? They go back over ten, fifteen years. And this is just a fraction.”
“I realize you guys are busy,” said Terri. “But Rodriguez was a cop-one of us-and they never found the shooter. It could have been a case he was working on or…I don’t know. According to the file, there was blood on the gun and it didn’t all belong to the vic.”
“In 1986…” Perkowski cocked her head. “That would have been before DNA, no, just on the cusp, so it wouldn’t have been tested back then. But if there was blood or tissue, it’s possible the DOJ have it on ice.”
“Can you check?”
“Hey, we’d like to help you, Russo, but we’re real short on staff.”
Terri could see the murder book on Juan Rodriguez was going to end up under yogurt containers and coffee cups. “I’d rather not wait another twenty years,” she said. “Oh, and by the way, Toots, that nephew of yours who wants to intern in Homicide this summer-”
“My sister’s boy, yeah, really bright kid, needs two credits to graduate John Jay.”
“Right,” said Terri. “I know. His letter landed on my desk, of all places.”
Tutsel gave Terri a knowing smile and reached for the book on Rodriguez. “You know, I think one of our guys might have a little time.” He turned to his partner. “Horton’s free, isn’t he, Perkowski?”
“Not anymore,” she said. “I hear he’s working on Juan Rodriguez.”
The hallway was dimly lit and the stairs creaked despite his rubber-soled shoes, though it did not worry him. He was a professional and he knew what he was doing. He had been watching the apartment for the past two hours. He had seen the man hobble in with a bag of groceries and had not seen him come out. The job had to be taken care of tonight, something about the guy wanting to take off for the Caribbean or someplace, which he had not paid attention to because the less he knew about a contract, the better.
At the top of the stairwell he checked to make sure he had everything ready, then rapped on the door and mumbled the name he was told to say.
A voice from inside called out, “It’s open.”
He walked into the apartment and followed the flickering TV light down a narrow hallway until he saw the man sitting in a chair eating ice cream out of a container. The man had just put a spoonful of Cherry Garcia in his mouth.
He put two shots into the man’s heart. The chair tipped backward and fell over, and the body hit the ground with a dull thud.
The shooter waited a minute, distracted by an old black-and-white movie on the TV screen, Richard Widmark pushing a wheel-chair-bound old lady down a flight of stairs, and cackling. He laughed along with the actor, then leaned over to check the man’s pulse and noticed the Rolex. It surprised him, a good watch like that on a man who lived in such a fleabag, but he didn’t give it much more thought. Even if he were not being paid for the job he would not steal it; stealing went against his principles. He pulled his leg back, kicked the man in the mouth, and checked to make sure he’d shattered his teeth. Then he removed a small tin of lighter fluid from his inside jacket pocket, emptied it on the man, and struck a match.