Выбрать главу

Transliteration

A simplified version of the British Standard transliteration system has been chosen for ease and accuracy of pronunciation, with a final ‘-y’ used for proper nouns ending in й, ий and bIй, as in ‘Tolstoy’, and ‘ye’ replacing ‘e’ in place-names and proper names, so that ‘Pokrovskoe’ becomes ‘Pokrovskoye’ and ‘Arkadevna’ becomes ‘Arkadyevna’. Proper names with ‘ks’ have also been spelled with an ‘x’, thus ‘Alexandrovna’ has been preferred to the more accurate Aleksandrovna. In the case of ‘ë’, confusion often results since it is invariably printed as ‘e’. This has led to a long-standing debate about whether the name of Tolstoy’s hero Levin should be pronounced ‘Lyovin’, in accordance with the writer’s own family nickname of ‘Lyova’ and his habit of projecting his own thoughts and ideas into his central characters. In this translation ‘yo’ replaces ‘ë’ (so that ‘Fedorovna’, for example, becomes ‘Fyodorovna’, and ‘Matrena’ becomes ‘Matryona’), but Levin has been preferred to Lyovin. This is both in accordance with recent scholarly consensus,5 and because ‘ë’ in Russian phonology is generally only followed by a hard consonant—the ‘v’ is softened by ‘i’ in ‘Levin’, but not by ‘a’ in ‘Lyova’. Finally, the spelling of the novel’s English names and nicknames has been retained, so that ‘Kitty’ is preferred to an accurate transliterated Russian version (‘Kiti’ or ‘Kity’) and ‘Lydia’ preferred to ‘Lidiya’.

A few Russian words known internationally, including ‘zemstvo’ and ‘dacha’, are transliterated, rather than translated. Proper names are reproduced exactly as they are in the original. This translation largely preserves Tolstoy’s punctuation, but diverges from his practice of never capitalizing the names of biblical figures or institutions.

This translation has benefited immensely from painstaking comments made by Amy Mandelker, to whom thanks are gratefully expressed.

1 C. J. G. Turner, A Karenina Companion (Waterloo, Ont., 1993), 53–97.

2 Henry Gifford, ‘On Translating Tolstoy’, in Malcolm Jones (ed.), New Essays on Tolstoy (Cambridge, 1978), 22.

3 S. N. Shchukin, ‘Iz vospominanii ob A. P. Chekhove’, Russkaya mysl’, 10 (1911), 45, reprinted in N. I. Gitovich et al. (eds.), A. P. Chekhov v vospominaniyakh sovremennikov (Moscow, 1960), 463–4.

4 Yury Olesha, Povesti i rasskazy (Moscow, 1965), 492–3, cited in Natasha Sankovitch, Creating and Recovering Experience: Repetition in Tolstoy (Stanford, 1998), 20.

5 See Alexis Klimov, ‘Is it “Levin” or “Lëvin”?’, Tolstoy Studies Journal, 11 (1999), 108–11.

SELECT BIBLIOGRAPHY

Critical Studies

Adelman, Gary, Anna Karenina: The Bitterness of Ecstasy (Boston, 1990).

Alexandrov, Vladimir E., Limits to Interpretation: The Meanings of ‘Anna Karenina’ (Madison, Wisc., 2004).

Armstrong, Judith, The Unsaid Anna Karenina (New York, 1988).

Blackmur, R. P., ‘The Dialectic of Incarnation: Tolstoy’s Anna Karenina’, in Ralph E. Matlaw (ed.), Tolstoy: A Collection of Critical Essays (Englewood Cliffs, NJ, 1967), 127–45.

Browning, Gary L., A ‘Labyrinth of Linkages’ in Tolstoy’s Anna Karenina (Brighton, Mass., 2010).

Cruise, Edwina, ‘Tracking the English Novel in Anna Karenina: Who Wrote the English Novel that Anna Reads?’, in Donna Tussing Orwin (ed.), Anniversary Essays on Tolstoy (Cambridge, 2010), 159–82.

Evans, Mary, Reflecting on Anna Karenina (London, 1989).

Feuer, Kathryn B., ‘Stiva’, in K. N. Brostrom (ed.), Russian Literature and American Critics: In Honor of Demig B. Brown (Ann Arbor, Mich., 1984), 347–56.

Grossman, Joan, ‘Tolstoy’s Portrait of Anna: Keystone in the Arch’, Criticism, 18 (1976), 1–14.

Grossman, Joan, ‘Words, Idle Words: Discourse and Communication in Anna Karenina’, in Hugh McLean (ed.), In the Shade of the Giant: Essays on Tolstoy, California Slavic Studies, 13 (Berkeley, 1989), 115–29.

Gutkin, Irina, ‘The Dichotomy Between Flesh and Spirit: Plato’s Symposium in Anna Karenina’, in Hugh McLean (ed.), In the Shade of the Giant: Essays on Tolstoy, California Slavic Studies, 13 (Berkeley, 1989), 84–99.

Hardy, Barbara, ‘Form and Freedom: Tolstoy’s Anna Karenina’, in The Appropriate Form (London, 1964), 174–211.

Heldt, Barbara, ‘Tolstoy’s Path to Feminism’, in Terrible Perfection: Women and Russian Literature (Bloomington, Ind., 1987), 38–48.

Jackson, Robert Louis, ‘Chance and Design in Anna Karenina’, in Peter Demetz et al. (eds.), The Disciplines of Criticism: Essays in Literary Theory, Interpretation and History (New Haven, 1968), 315–29.

Jahn, Gary, ‘The Image of the Railroad in Anna Karenina’, Slavic and East European Journal, 25 (1981), 8–12.

Jones, W. Gareth, ‘George Eliot’s Adam Bede and Tolstoy’s Conception of Anna Karenina’, in W. Gareth Jones (ed.), Tolstoi and Britain (Oxford, 1995), 79–92.

Knapp, Liza, ‘The Estates of Pokrovskoe and Vozdvizhenskoe: Tolstoy’s Labyrinth of Linkings in Anna Karenina’, Tolstoy Studies Journal, 8 (1995–6), 81–98.

Knapp, Liza, and Amy Mandelker (eds.), Approaches to Teaching Tolstoy’s Anna Karenina (New York, 2003).

Lönnqvist, Barbara, ‘Anna Karenina’, in Donna Tussing Orwin (ed.), The Cambridge Companion to Tolstoy (Cambridge, 2002), 80–95.

Mandelker, Amy, Framing Anna Karenina: Tolstoy, the Woman Question and the Victorian Novel (Columbus, Ohio, 1993).

Meyer, Priscilla, ‘Anna Karenina’, in How the Russians Read the French: Lermontov, Dostoevsky, Tolstoy (Madison, Wisc., 2008), 152–209.

Morson, Gary Saul, ‘Anna Karenina’ in our Time: Seeing More Wisely (New Haven, 2007).

Nabokov, Vladimir, ‘Anna Karenin’, in Lectures on Russian Literature (London, 1982), 137–235.

Orwin, Donna Tussing, ‘Drama in Anna Karenina’, in Tolstoy’s Art and Thought, 1847–1880 (Princeton, 1993), 171–87.

Osborne, Suzanne, ‘Effi Briest and Anna Karenina’, Tolstoy Studies Journal, 5 (1992), 67–77.

Schultze, Sydney, The Structure of Anna Karenina’ (Ann Arbor, Mich., 1982).

Stenbock-Fermor, Elizabeth, The Architecture of Anna Karenina: A History of Its Writing, Structure and Message (Lisse, 1975).

Stern, J. P. M., ‘Effi Briest; Madame Bovary; Anna Karenina’, in Henry Gifford (ed.), Leo Tolstoy: A Critical Anthology (Harmondsworth, 1971), 281–7.