Delphine Austin from Detroit; I'd read about her in the columns-an heiress married to a marbleized pillar of New York clubman society. Bobby, her companion, was Jewish, the son of hotel magnate S. L. L. Semenenko and first husband of a weird young movie cutie who had divorced him to marry his father (and whom the father had divorced when he caught her in flagrante with a German shepherd… dog. I'm not kidding).
According to Lady Ina, Delphine Austin and Bobby Semenenko had been inseparable the past year or so, lunching every day at Côte Basque and Lutèce and L'Aiglon, traveling in winter to Gstaad and Lyford Cay, skiing, swimming, spreading themselves with utmost vigor considering the bond was not June-and-January frivolities but really the basis for a double-bill, double-barreled, three-handkerchief variation on an old Bette Davis weeper like Dark Victory: they both were dying of leukemia.
"I mean, a worldly woman and a beautiful young man who travel together with death as their common lover and companion. Don't you think Henry James could have done something with that? Or Uncle Willie?"
"No. It's too corny for James, and not corny enough for Maugham."
"Well, you must admit, Mrs. Hopkins would make a fine tale."
"Who?" I said.
"Standing there," Ina Coolbirth said.
That Mrs. Hopkins. A redhead dressed in black; black hat with a veil trim, a black Mainbocher suit, black crocodile purse, crocodile shoes. M. Soulé had an ear cocked as she stood whispering to him; and suddenly everyone was whispering. Mrs. Kennedy and her sister had elicited not a murmur, nor had the entrances of Lauren Bacall and Katharine Cornell and Clare Boothe Luce. However, Mrs. Hopkins was une autre chose: a sensation to unsettle the suavest Côte Basque client. There was nothing surreptitious in the attention allotted her as she moved with head bowed toward a table where an escort already awaited her-a Catholic priest, one of those highbrow, malnutritional, Father D'Arcy clerics who always seems most at home when absent from the cloisters and while consorting with the very grand and very rich in a wine-and-roses stratosphere.
"Only," said Lady Ina, "Ann Hopkins would think of that. To advertise your search for spiritual 'advice' in the most public possible manner. Once a tramp, always a tramp."
"You don't think it was an accident?" I said.
"Come out of the trenches, boy. The war's over. Of course it wasn't an accident. She killed David with malice aforethought. She's a murderess. The police know that."
"Then how did she get away with it?"
"Because the family wanted her to. David's family. And, as it happened in Newport, old Mrs. Hopkins had the power to prevail. Have you ever met David's mother? Hilda Hopkins?"
"I saw her once last summer in Southampton. She was buying a pair of tennis shoes. I wondered what a woman her age, she must be eighty, wanted with tennis shoes. She looked like… some very old goddess."
"She is. That's why Ann Hopkins got away with cold-blooded murder. Her mother-in-law is a Rhode Island goddess. And a saint."
Ann Hopkins had lifted her veil and was now whispering to the priest, who, servilely entranced, was brushing a Gibson against his starved blue lips.
"But it could have been an accident. If one goes by the papers. As I remember, they'd just come home from a dinner party in Watch Hill and gone to bed in separate rooms. Weren't there supposed to have been a recent series of burglaries thereabouts? — and she kept a shotgun by her bed, and suddenly in the dark her bedroom door opened and she grabbed the shotgun and shot at what she thought was a prowler. Only it was her husband. David Hopkins. With a hole through his head."
"That's what she said. That's what her lawyer said. That's what the police said. And that's what the papers said… even the Times. But that isn't what happened." And Ina, inhaling like a skin diver, began: "Once upon a time a jazzy little carrot-top killer rolled into town from Wheeling or Logan-somewhere in West Virginia. She was eighteen, she'd been brought up in some country-slum way, and she had already been married and divorced; or she said she'd been married a month or two to a marine and divorced him when he disappeared (keep that in mind: it's an important clue). Her name was Ann Cutler, and she looked rather like a malicious Betty Grable. She worked as a call girl for a pimp who was a bell Captain at the Waldorf; and she saved her money and took voice lessons and dance lessons and ended up as the favorite lay of one of Frankie Costello's shysters, and he always took her to El Morocco. It was during the war—1943—and Elmer's was always full of gangsters and military brass. But one night an ordinary young marine showed up there; except that he wasn't ordinary: his father was one of the stuffiest men in the East—and richest. David had sweetness and great good looks, but he was just like old Mr. Hopkins really—an anal-oriented Episcopalian. Stingy. Sober. Not at all café society. But there he was at Elmer's, a soldier on leave, horny, and a bit stoned. One of Winchell's stooges was there, and he recognized the Hopkins boy; he bought David a drink, and said he could fix it up for him with any one of the girls he saw, just pick one, and David, poor sod, said the redhead with the button nose and big tits was okay by him. So the Winchell stooge sends her a note, and at dawn little David finds himself writhing inside the grip of an expert Cleopatra's clutch.
"I'm sure it was David's first experience with anything less primitive than a belly rub with his prep-school roomie. He went bonkers, not that one can blame him; I know some very grown-up Mr. Cool Balls who've gone bonkers over Ann Hopkins. She was clever with David; she knew she'd hooked a biggie, even if he was only a kid, so she quit what she was doing and got a job in lingerie at Saks; she never pressed for anything, refused any gift fancier than a handbag, and all the while he was in the service she wrote him every day, little letters cozy and innocent as a baby's layette. In fact, she was knocked up; and it was his kid; but she didn't tell him a thing until he next came home on leave and found his girl four months pregnant. Now, here is where she showed that certain venomous é1an that separates truly dangerous serpents from mere chicken snakes: she told him she didn't want to marry him. Wouldn't marry him under any circumstances because she had no desire to lead a Hopkins life; she had neither the background nor innate ability to cope with it, and she was sure neither his family nor friends would ever accept her. She said all she would ever ask would be a modest amount of child support. David protested, but of course he was relieved, even though he would still have to go to his father with the story—David had no money of his own.
"It was then that Ann made her smartest move; she had been doing her homework, and she knew everything there was to know about David's parents; so she said: 'David, there's just one thing I'd like. I want to meet your family. I never had much family of my own, and I'd like my child to have some occasional contact with his grandparents. They might like that, too.' C'est très joli, très diabolique, non? And it worked. Not that Mr. Hopkins was fooled. Right from the start he said the girl was a tramp, and she would never see a nickel of his; but Hilda Hopkins fell for it—she believed that gorgeous hair and those blue malarkey eyes, the whole poor-little-match-girl pitch Ann was tossing her. And as David was the oldest son, and she was in a hurry for a grandchild, she did exactly what Ann had gambled on: she persuaded David to marry her, and her husband to, if not condone it, at least not forbid it. And for some while it seemed as if Mrs. Hopkins had been very wise: each year she was rewarded with another grandchild until there were three, two girls and a boy; and Ann's social pickup was incredibly quick—she crashed right through, not bothering to observe any speed limits. She certainly grasped the essentials, I'll say that. She learned to ride and became the horsiest horse-hag in Newport.