The older Montagues are puzzled by Romeo's behavior and Benvolio volunteers to discover the cause. The task is easy, for Romeo admits to unrequited love at once. Romeo says of the girl he loves:
—Act I, scene i, lines 211-12
Romeo does not name her at this point and, indeed, she never appears in the play.
Romeo's moan is that the girl he loves insists on chastity. She has "Dian's wit" and Diana is the Roman goddess of the hunt (analogous to the Greek Artemis, a virgin goddess sworn to chastity).
Benvolio therefore gives Romeo the very sensible advice to find someone else, but Romeo rejects that advice scornfully. (It is the sad fact that whereas Benvolio is always sensible, Romeo is always romantic, and that too helps bring on the catastrophe.)
On the other side, Capulet is talking with Count Paris, a kinsman of Prince Escalus. Their talk at first is of the feud and here it seems quite obvious that there is little real interest in keeping it alive. Capulet says:
—Act I, scene ii, lines 2-3
Paris agrees and says:
—Act I, scene ii, lines 4-5
What more do we need to see that only a face-saving formula is needed and the feud will be gladly abandoned.
But Capulet has more on his mind than the peace, and so has Paris. Capulet has a lovely daughter and Paris would like to marry her. It would be a good match and Capulet is eager for it. He is held back by only one thought. Perhaps the girl is too young. He says:
—Act I, scene ii, lines 8-9
He is speaking of Juliet, the heroine of the play, and as is stated and emphasized on several occasions, she is not quite fourteen! Her very name is a diminutive, for Juliet means "little Julia." (There was a Julia in The Two Gentlemen of Verona who was also a sweet and plucky girl of that city, though she could scarcely have been as young as Juliet.)
In Elizabethan times, of course, life went more quickly. Girls became marriageable more quickly, were made mothers more quickly, and died more quickly. Nevertheless, fourteen is rather young. Shakespeare does not bother giving the ages of any of the heroines of his other early plays; only in this one does he make an exception, and for no obvious reason, he emphasizes it strenuously. -Perhaps there is a reason.
My fair niece Rosaline …
Circumstances now begin to complicate matters. Even while Capulet is talking to Paris, he is making preparations for a feast that very night. He gives the list of invited guests to a servant and tells him to go through Verona and invite them all.
But as the fates would have it, the servant who receives this order is illiterate and has no chance to explain that fact to the hasty Capulet.
And, as the fates would further have it, in come Romeo and Benvolio, still discussing the former's romantic love affair, and it is to Romeo that the servant applies for help in reading off the names of the invited guests. Romeo obliges and, included on the list are:
—Act I, scene ii, lines 69-72
It is Rosaline with whom Romeo is in love, and this means that Rosaline, as the niece of Capulet, is shown to be a member of the opposing faction.
Yet this does not seem to bother anybody at all. To be sure, Romeo has not mentioned her name; to do so would ill fit his mood of romantic melancholy. Yet he doesn't keep it entirely secret, either, for he has apparently imparted the identity of his loved one to Benvolio since the close of the first scene. Thus, Benvolio says to Romeo:
—Act I, scene ii, lines 85-86
Can it be that Rosaline has turned down Romeo because of the feud between their families? There is no mention of any such thing. Romeo has stated that Rosaline has sworn herself to indiscriminate chastity.
Is there any sign of danger at all in this love affair of Romeo's that crosses the lines of the feud? No one makes any mention of it. Even the cautious Benvolio does not seem to remark danger in it. In fact, Benvolio, still anxious to wean Romeo away from a useless love that makes him unhappy, advises him to attend the ball, saying:
—Act I, scene ii, lines 88-90
So unimportant is the feud, in other words, that even the cautious Benvolio sees no danger in walking right into the center and hotbed of the Capulet faction.
It is time to introduce Juliet now. Lady Capulet wishes to broach the subject of marriage to her, but with her also is Juliet's garrulous old Nurse, who had a daughter Juliet's age, for she says, referring to Juliet:
—Act I, scene iii, lines 18-19
If the Nurse were to serve as surrogate breast feeder for Juliet, she would have to have had a child of her own shortly before. More important, this leads to talk of Juliet's age once more. The Nurse says:
—Act I, scene iii, lines 12-14
The Nurse then launches into an irrelevant tale of Juliet's childhood that begins
—Act I, scene iii, lines 16-17
Lammas Day is August 1. In early English times it was the day of a harvest festival, and the fruits of the field, symbolized by half loaves of bread, were consecrated at mass. The Anglo-Saxon term for half loaf was "hlaf-maesse" and this was distorted to "Lammas."
Earlier the Nurse had asked Lady Capulet how long it was to Lammas-tide and had been answered:
—Act I, scene iii, line 15
We can therefore place the beginning of the play at about July 13. It is summer and the hot weather is referred to later in the play.
There must be some reason why Shakespeare harps so on Juliet's age.
The Nurse has another way of dating Juliet's age, too, for she remembers the circumstances of the weaning. She says:
—Act I, scene iii, lines 23-24
This verse has sometimes been given special significance, for in 1580 there was a notable earthquake felt in London. The argument is therefore presented that this was referred to at this point and that the play was consequently written in 1591. This seems awfully thin, however, and most critics do not accept the reasoning at all.