—Act I, scene i, lines 198-201
We are acquainted, of course, with people who think the proper answer to the protesting poor is the policeman's club, the cattle prod, and the gun. Such people are difficult to like, and Marcius is one of them.
But then Marcius must grumble forth the news that the patricians have not done as he would have liked them to do. They have compromised instead and granted the plebeians a new kind of officer. Marcius describes them as:
—Act I, scene i, lines 216-20
It was the grant of the tribunes, rather than Menenius' fable, that brought the plebeians back to Rome. The tribunes were officials drawn from the plebeian ranks and elected by the plebeians only. Their purpose was to safeguard the interests of the plebeians and to keep the patricians from passing laws they felt would be unfair to the common people. Eventually, indeed, the tribunes gained the power of stopping laws they disapproved of by merely crying out "Veto!" ("I forbid!"). Not all the power of the government could pass a law against a tribune's veto.
Actually, the institutions of the Republic developed only gradually and received their familiar form only by 367 b.c. However, later Roman historians tended to push back several of the features into the undocumented period before 390 b.c. to give them the added sanctity of extra ancient-ness. The history of the tribunate during the fifth century b.c. is quite obscure and the supposed first tribunes listed by Plutarch (he names only two out of the five and Shakespeare follows him in this) make no mark in actual history.
Is Junius Brutus a descendant or relative of the Lucius Junius Brutus who helped found the Republic (see page I-210)? From the name one would suppose so, yet if he were, he would be a patrician and it is of the essence that the tribunes are plebeians. Or was there some dim feeling on the part of the legendmakers that since a Junius Brutus was one of the first two consuls of the Republic, a Junius Brutus ought also to be one of the first two tribunes?
From the standpoint of the play, of course, it doesn't matter.
In any case, civil broils must now be buried in the face of a foreign menace. A messenger hurries on the scene asking for Marcius. He says:
—Act I, scene i, line 225
At this early stage in their history, the Romans were still fighting for the control of Latium, that section of west-central Italy that occupies a hundred miles of the coast southeast of Rome. It is the home of the Latin language.
The Volscians were the tribes occupying the southeastern half of Latium. Under the last kings of Rome, they along with the other Latin tribes had been part of a loose confederacy headed by Rome, and it may be that all were more or less under Etruscan control. With the expulsion of the Roman kings and the weakening of the Etruscan hold, the Latin tribes squabbled among themselves. The Volscians fought with the Romans throughout the fifth century b.c. and were in the end defeated. In Marcius' time, however, the long duel was only beginning,
A deputation of senators comes to see Marcius now. He is their best warrior and they need his help. Marcius has no illusions that the fight will be an easy one, for the Volscians have a gallant leader, Tullus Aufidius. A senator says:
—Act I, scene i, lines 238-39
Cominius is one of the two consuls of Rome at this time. They were the chief executives of the city, having replaced the office of the ousted king. The consuls were elected for a one-year term, since the Romans felt that one year was insufficient for any consul to build up a large enough personal following to serve in making himself a king.
Two consuls were chosen, rather than one, since the rule was that no action could be taken without agreement between them. It seemed reasonable to suppose that neither consul could take any real steps toward tyranny without the other jealously stepping in to stop him.
The chief duties of the consuls were to be in charge of the armed forces of Rome and to lead the Roman armies in warfare. Cominius, as consul, was to be the army leader, and Marcius, who was not a consul, would have to be a subordinate officer.
The senators are clearly not at all certain that Marcius will agree to this; a commentary on his sullen spirit of self-absorption. Cominius says hastily:
—Act I, scene i, line 239
This time, at least, Marcius gives in at once and all sweep off the stage, leaving behind only the two newly appointed tribunes, Sicinius and Brutus. They had come in with the senators but had remained silent. Left alone, they make it clear that they resent Marcius' pride and his harsh taunts.
Sicinius wonders that Marcius can bear to serve as an underling with Cominius commanding, and Brutus suggests a cynical interpretation, saying that Marcius shrewdly schemes to avoid responsibility in case of disaster:
—Act I, scene i, lines 267-71
Nowhere in the play, however, is Marcius given credit for so devious a nature. Brutus is simply putting his own style of shrewdness into Marcius' mind. What is much more likely is that Marcius doesn't care who commands and who does not, whom Rome praises and whom she does not. All he wants is a chance to fight so that, in any office, he can win his mother's praise.
The fast Roman response to the Volscian threat forces the Volscians to hasten their own plans. Tullus Aufidius is consulting with the Volscian council and one of the Volscian senators says:
—Act I, scene ii, lines 25-27
This council of war is taking place in Corioli (or Corioles), a town whose location is now uncertain, and this, in itself, is one of the signs that the story of Coriolanus is legendary. At the time of the traditional date of this war, 493 b.c. (a year after the plebeian uprising, although Shakespeare, in the interest of speeding the action, makes it take place immediately afterward), what records we have indicate that Corioli was not a Volscian city but was in alliance with that portion of Latium which was under Roman leadership.
It is very likely that the tales of Coriolanus that were dimly remembered had to be adjusted to account for the name. Why should Marcius be remembered as Coriolanus unless he had played a key role in the conquest of that city? So the conquest was assumed.
And why was Marcius eventually given the name of Coriolanus if it was not because of the conquest of the city? No one will ever know. For that matter, can we be certain that such a man as Coriolanus ever existed at all?
Now, at last, Marcius' mother, Volumnia, is introduced. So is his wife, Virgilia. Virgilia is, however, a shrinking girl, much dominated by her mother-in-law, who is pictured as the ideal Roman matron. She is a most formidable creature and we cannot help but wonder if Marcius' little-boy love for her is not intermingled with more than some little-boy fear.