—Act III, scene xii, lines 19-23
Octavius knows his own military deficiencies as well as Antony does. He knows that all his victories are the work of his allies and subordinates and that he himself has contributed nothing in the field. What he desires more than anything else, then, is a glorious triumph in Rome, such as his famous great-uncle had received. It is very likely that for himself he required no such trumperies, but he must surely have realized that his hold on the Roman people would not be complete without some public celebration of victories associated (however unfairly) with his name.
For the purpose of a triumph, Antony is useless. He is a Roman and could not be dragged at the chariot wheels, and even if he were, that would arouse dangerous sympathies. Nor could he be left alive, even as a private citizen in Athens. How long would he remain a private citizen? How soon would he begin to intrigue to regain what he had lost? For Antony, it had to be death.
Cleopatra, however, must live. She was a foreigner. She was feared to an unimaginable (and undeserved) extent. Her reputation as a charmer and as an insidious schemer against Rome was so impossibly high that the sight of her in chains walking behind Octavius Caesar's triumphant chariot would drive Rome wild with exultation and turn Octavius, truly, into another Julius. Octavius Caesar might have a triumph without Cleopatra; but without her it would be a poor thing and leave his life in that one respect forever incomplete.
Octavius was therefore ready to offer Cleopatra anything, make her any promise, in order to keep her alive.
The news of Octavius Caesar's terms is brought to Antony and he says to Cleopatra bitterly:
—Act III, scene xiii, lines 17-18
The play moves so quickly through space and time that there is no sensation, while watching it, of passing time. Eleven years have passed since the opening scene of the play, if we are thinking of real history. Antony is now about fifty-three years old and his head may well be grizzled. The "boy Caesar" is now thirty-three years old. He is not really venerable, but he is certainly a boy no longer.
Meanwhile, another ambassador, an officer named Thidias, approaches Cleopatra separately. Clearly, if she is to be induced to sacrifice Antony, it can be best done in Antony's absence. Cleopatra is eager to flatter Octavius into decent terms, both for herself and Antony, and it must be admitted that what historical evidence we have gives us no clear sign that she dreamed of deserting Antony at any time.
However, even while she is fawning on Thidias and giving him her hand to kiss, Antony enters. In the midst of his disgrace and defeat, he finds it only too easy to believe he is being betrayed. He orders Thidias to be whipped and rages at Cleopatra for her immorality and for the other men in her life (surely this is something he knew all about to begin with). He cries out in self-pity:
—Act III, scene xiii, lines 106-9
To those who know only as much of Antony and Cleopatra as they read in this play it would come as a surprise to know that Antony did indeed beget a lawful race (that is, legitimate children). He had two sons by Fulvia.
The "gem of women" must be a reference to Octavia, but there, too, Shakespeare is bending history. In the play Antony's connection with Octavia seems fleeting, but in actual history, he spent a couple of years with her in Athens and their relationship was long enough and real enough to produce two daughters.
Half mad with frustration, Antony taunts Cleopatra with her infidelities to him (in advance yet, for the examples he cites came about before they had met in Tarsus) until he makes himself a cuckold in his own eyes, crying out:
—Act III, scene xiii, lines 126-28
Basan is the biblical Bashan, an area of pasturage renowned for its fat cows and strong bulls. Thus, the psalmist describes his troubles metaphorically in this way: "Many bulls have compassed me: strong bulls of Bashan have beset me round" (Psalms 22:12). Since bulls are homed, the reference to cuckoldry is clear (see page I-84).
But the reference is biblical. It is conceivable that a cultivated Roman of the times might have come across a Greek translation of the Hebrew Bible and have read it out of curiosity or interest-but to suppose that the non-intellectual Antony would do so is out of the question.
Cleopatra manages to calm down Antony at last and bring him to what senses remain in him.
Octavius Caesar's army is now just outside Alexandria and Antony decides to meet him in one last land fight. In fact, he even-as a gesture-offers to meet Octavius in single combat.
Octavius meets this challenge with characteristic contempt. He says to Maecenas:
—Act IV, scene i, lines 2-6
Actually, though one could not guess it from the play, eleven months have passed since the Battle of Actium. Octavius Caesar did not swoop down on Egypt at once. That could wait, for Antony and Cleopatra were helplessly penned up there.
Octavius first founded the city of Nicopolis ("City of Victory") near the site of the battle. Then he had to spend time reorganizing the affairs of the Eastern provinces that had been Antony's domain and were now his. (Egypt, be it remembered, had never, till then, been a Roman province, but was in theory an independent kingdom.)
Then he had to return to Rome to take care of pressing matters there. It was only in July 30 b.c. that he could sail his army to Egypt itself. By that tune Cleopatra was thirty-nine.
Antony and Cleopatra had spent the eleven-month respite in luxury as though they knew their time was limited and were determined to make the most of what was left. But now Octavius Caesar had come and the time for the final battle was at hand.