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But Octavius is immune. He is cold and unimpassioned. He pushes aside the list of possessions she hands him and is ummoved when Cleopatra's secretary, currying the favor of the victor, reveals that Cleopatra, even at this great crisis, has thoughtfully listed less than half her assets. (After all, why should this disturb Octavius? He plans to take all Egypt.)

His last words to her are:

Feed and sleep: Our care and pity is so much upon you That we remain your friend; and so adieu.

—Act V, scene ii, lines 187-89

When she tries to prostrate herself before him, he will not allow it. But as soon as he leaves, Cleopatra looks after him bitterly and says:

He words me, girls, he words me, that I should not Be noble to myself!

—Act V, scene ii, lines 191-92

She knows certainly that what Octavius has in mind for her is his own triumph. If she had any doubts in the matter, one of Octavius' officers, Cornelius Dolabella (according to Plutarch, and followed in this by Shakespeare), sends her secret information to this effect.

Sadly, Cleopatra pictures to her ladies the triumph in such a way as to make it plain to the audience (not Roman, and therefore not necessarily understanding the virtues of suicide) that death is preferable. As a climax she describes the comic plays that will be written about them:

Antony Shall be brought drunken forth, and 1 shall see Some squeaking Cleopatra boy my greatness I'th'posture of a whore.

—Act V, scene ii, lines 218-21

It is almost as though Shakespeare is preening himself here. After all, he has written the play and in it, Antony is far more than a mere drunkard and Cleopatra far more than a mere whore. The magic of Shakespeare converts them at last to ideal lovers and it is as such, thanks to him, that they will live forever.

… the pretty worm of Nilus.. .

Now must come the suicide.

Actually, the method used is a mystery. The Roman guards left behind by Octavius Caesar were surely impressed with the fact that Cleopatra must be kept alive. Cleopatra must therefore have succeeded in hiding something small and unnoticeable, prepared for such a contingency.

Her body was found virtually unmarked except for what seemed to be a puncture or two on her arm. It had to be poison then, but administered how? Was it the puncture of a poisoned needle which she had kept hidden in her hair? Or was it a poison snake?

The poison snake is much more unlikely and is, indeed, rather implausible, but it is exceedingly dramatic and, whether true or not, is accepted by all who have ever heard of Cleopatra. If they have heard only one thing of her, it is her method of suicide by snake.

She prepares for that suicide as though she were meeting her lover once again, and indeed, she expects to, in Elysium. She demands that she be dressed in her most splendid gowns as on that occasion when she met Antony for the first time:

Show me, my women, like a queen: go fetch My best attires. I am again for Cydnus, To meet Mark Antony.

—Act V, scene ii, lines 227-29

A peasant is brought in now with the gift of a basket of figs for her. It is this, partly, which makes the tale of the poison snake implausible. Would anyone have been allowed in to see her under the circumstances? Would he have failed to undergo a search if he were passed through? Is it conceivable that the basket of figs would have been unexamined?

Yet that is the tale that Plutarch reports as one possibility. He also talks of poisoned needles and poisoned razors.

Cleopatra asks the peasant:

Hast thou the pretty worm of Nilus there, That kills and pains not?

—Act V, scene ii, lines 243-44

He does! The "pretty worm" is the asp, or Egyptian cobra, whose venom works quickly and painlessly. What's more, the creature was worshiped, as so many dangerous animals were in Egypt, and the coiled head of the cobra was worn on the headdress of the Pharaohs. A death by cobra bite was a royal death; it was rather like being bitten by a god.

Cleopatra is now ready. She says to her ladies in waiting:

Give me my robe, put on my crown, I have Immortal longings in me. Now no more The juice of Egypt's grape shall moist this lip. Yare, yare, good Iras; quick: methinks I hear Antony calclass="underline" I see him rouse himself To praise my noble act. I hear him mock The luck of Caesar, which the gods give men To excuse their after wrath. Husband, I come:

—Act V, scene ii, lines 280-87

And yet not all is pure love of Antony. There is some relish in feeling that she is depriving Octavius of his final victory. For as the asp is biting her, she says to it:

O couldst thou speak, That I might hear thee call great Caesar ass Unpolicied!

—Act V, scene ii, lines 306-8

It is well done…

Cleopatra dies. Her lady in waiting Iras is already dead of heartbreak, and Charmian (whom early in the play the soothsayer had predicted would outlive her mistress) is applying the asp to her own arm. In come the Roman soldiers, but too late.

Gaping at the dead Cleopatra, they get the significance of it at once. One of the soldiers cries:

… All's not welclass="underline" Caesar's beguiled.

—Act V, scene ii, line 323

Then, when the same soldier angrily asks Charmian whether this sort of thing was well done, she answers proudly, just before dying:

It is well done, and fitting for a princess Descended of so many royal kings.

—Act V, scene ii, lines 326-27

… an aspic's trail…

Octavius arrives to witness the defeat of what he planned as his crowning victory. They puzzle out the manner of her suicide. There is a swelling and a spot of blood on Cleopatra's breast and the soldier who had questioned Charmian now says:

This is an aspic's trail; and these fig leaves Have slime upon them…