I saw no merchandise in my passage through the rear halls of the Curulean; the girls are generally kept, prior to their sale, in holding cells, lit by energy bulbs, beneath the ground level; soon, however, I was passing by the exposition cages, which are accessible to the public; these cages were now empty; they are used, from the tenth to the fourteenth Ahn of a given day, to display the goods that will be sold that evening; access to the exposition cage area is free to the public prior to the sale, but, after the fourteenth Ahn, the Curulean is cleared and made ready for the evening's work; after that time a citizen must pay to enter the market; the cells themselves, and the corridors on each side surrounding them, are carpeted; the bars are set rather widely; inside the cells there are cushions and silks; on each cell there is a lot number and its date of sale; in the cells the girls are exhibited unclothed; moreover, they must be shown precisely as they are, absolutely without makeup; the only exception to this, interestingly, is that perfume is permitted; even the slave collars are removed, lest they be used to conceal a scar or blemish; the girl is simply washed, brushed and combed, and perfumed, and turned into the cage where, at the prospective bidder's pleasure, she may be examined; she is also expected, upon command, to walk, to assume postures, or otherwise to present the properties of her beauty for discernment and comparison; as Elizabeth had once said to me, it is sometimes difficult to make an assessment from the high tiers; on the block, of course, the girl is under the command of the auctioneer; moreover, on the block, she will customarily be made up; if the bidder does not recall that a particularly dazzling girl on the block was actually rather less dazzling in the exhibition cage, that is the responsibility of the bidder and not of the house; I suspect that, in the excitement of the sale, and in the marvelous presentation on the block of the Slaver's wares, the more careful, more dispassionate, assessments of the exhibition cages are often forgotten.
I supposed that now Elizabeth, and Virginia and Phyllis, would be in the holding cells beneath the ground level, perhaps being fed, some two or three Ahn prior to the sale; later they would be moved, with others, to the tunnel of ready cells, which leads to the block; there they would be adorned, made up and silked; each of these cells gives access to the one on its left and right; as the sale begins the lots move through the cells, one by one, until reaching that which opens at the foot of the block; as the lots move through the cells other lots are summoned from the holding cells and prepared for sale, these lots then moving through the tunnel of ready cells as did those before them.
Here in the area of the exhibition cages there were various citizens of Ar milling about, some meeting their friends, before taking their seats in the tiers; some seats in the tiers, the better ones, are reserved by number, but many are simply available on a first-come-first-served basis; those citizens wandering about, I gathered, had reserved seats.
Philemon, I and the guards emerged from the exposition area to the interior of the sales amphitheater; the entire house was now lit by energy bulbs; later, the block alone would be illuminated; the seats rose in tier after tier, largely circling the block, though a passage lay open behind the block; there were exits from the amphitheater available on several of the levels of tiers; certain specially favored portions of the tiers were boxed, seating areas reserved for important clients of the Curulean, often important Slavers from distant cities; the blue and yellow of the Slavers' was much in evidence in the amphitheater, worked into intricate patterns of fantastic designs, but the background color of the amphitheater was a rich, deep red; the block itself, lying in the pit of the amphitheater, was perhaps seven or eight feet in height, round, and with a diameter of some twenty feet; it was doubtless incredibly heavy, being formed of huge beams, shaped and fitted together with long wooden pegs; it was of simple wood, plain and unvarnished; the broad, heavy stairs, without banisters, leading to its height were shining and concave, polished, shaped and worn smooth by the bare feet of countless wenches who had climbed them; the surface of the block itself was similarly worn smooth and slightly concave; its broad surface had now been sprinkled, as is traditional, with sawdust; it is a Gorean custom that the girl, no matter how richly silked she may be when she ascends the block, must from the very first feel the wood with her feet.
"This way," said Philemon.
Philemon led the way to the box of Cernus, the largest and most impressive in the amphitheater, shielded on both sides and the back from the rest of the boxes and seats by heavy wooden screens; there, on a marble dais on which sat a low, throne-like chair of marble, I was forced to kneel. My throat chain was then locked to a heavy ring set in the side of the chair.
I had seen that many of the seats in the higher tiers, those not reserved, had already been filled with citizens, many of whom were doubtless prospective buyers. This was surprising because the hour was still early; I supposed the crowd this night would be unusually large, even for the fourth night of the Love Feast; none of the citizens had paid much attention to my being brought under guard to the box of Cernus; he was Ubar; it is not unusual on Gor for a powerful victor to force his enemy to witness the sale of his own women, before he is either sold or slain himself.
Philemon looked at me with his narrow ferret eyes and smiled. He pursed his thin, sour mouth.
"Cernus will not arrive until the sales begin," said he, "so we have something of a wait."
I said nothing.
"Hood him," said Philemon.
I struggled but the huge wad of soured leather was thrust again in my mouth and the heavy hood, with its thick layers of leather, drawn over my head and locked.
Hooded, my wrists locked in steel, my throat chained to the chair of my enemy, I knelt for perhaps two Ahn. During this time I was conscious of noise, the movement of men, the filling of the amphitheater. I wondered if Elizabeth, and Virginia and Phyllis, were yet in the ready cells, being prepared; I judged it unlikely, for they would probably be sold late, and would not be prepared until the sales were in progress; the last touches of their makeup might not even be made until minutes before they ascended the block. I felt rage and sorrow, rage at the twisting of events, the brilliance of my enemies, my own failures, and sorrow for Elizabeth, and the other girls; for Elizabeth in particular my heart cried out, for her hopes would be so cruelly dashed; she might not even discover that she had been tricked and used, until she found herself, to her horror, beneath the lash of a master to whom she would be only another slave.
I heard movement about me and sensed that Cernus had now arrived.
In a few moments I heard his voice. "Unhood the fool," said he.
The hood was peeled over my head and I shook my head and hair, gasping for breath.
I saw Cernus in his chair, who smiled down at me. Beside me stood a man with pliers and a hook knife.
"Do not raise your voice during the sale," said Cernus, "or your tongue will be cut out."
I looked down at the block bitterly, not speaking.
Cernus laughed to himself and turned his attention to his right, where stood Philemon, and conversed with the Scribe.